Where O’Roarke’s Destiny ends… the playlist for Wryson’s Eternity …

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Cornwall, Music, Music to write books to, New book, Romance, Shehanne Moore, Smugglers, writing

https://t.co/h63dNJgnz5

SHEY —- BUT WHO WOULD WANT TO?

SHEHANNE–Okay dudes can I get a word in now? It’s taken a while but drumroll and fanfare–a playlist means there will soon be a new book. Book two of Cornish Rogues featuring a hero and heroine, who I think you might get the drift of from some of these song titles. There’s also a couple of classicals thrown in that feature in the book, Bach’s Goldberg Variations

and a Mozart. And the Cyrin version of Where is my Mind? is also something I play. Both leads are certainly looking for their minds. Of course it should have been ‘Where is My Hamster?’ but then ‘Gone I hope,’ might be the reply. To return to Mercury and the Architects, Mercury does indeed sing with the Architects, one of whom is the amazing LYNZI on the list in her own right with Be My Valentine.

I hate to break it to you dudes, but that is the least of your worries this week. Vodka has just been removed from the shelves of several UK supermarkets…. I say nothing about your little dance that always accompanies it. But ere you despair there’s two song titles here for you, ‘Far Far’ which is where you might want to go and ‘Creep’….. Now, I will ‘put on playlist’ and listen to it…

McGonagall’s Ghost…still working the crowd.

Tags

Dundee, New York, poetry, William McGonagall, Writers and Social Media, writing

William Topaz McGonagall a Scottish poet of Irish descent, writer of roughly 200 poems, including “The Tay Bridge Disaster” and “The Famous Tay Whale”, which are widely regarded as some of the worst in English literature.

ONE……..A writer with a voice that took uniqueness to a whole new level.

TWO….. A true journalist in terms of reporting everything.

THREE…. He self published.

FOUR… He was shameless when it came to self promotion.

FIVE.. Proving there was no such thing as bad publicity. And could you imagine him on Instagram, Facebook and Twitter today?And the use he’d make of it?

SIX…. He was deeply into public appearances in terms of meeting his fans.

SEVEN … He also did literary dinners. And bestowed himself briefly on New York, as other famous authors including Charles Dickens

and Oscar Wilde had.

‘Oh mighty city of New York, you are wonderful to behold,

Your buildings are magnificent — the truth be it told.’

…….’When I go to Ireland, they won’t treat me as I was treated in New York. In the streets there when they looked at my poems with the Royal coat of arms, printed on the top, the Yankies shouted ‘To the deuce with that.’ ………..W McGonagall. ….

EIGHT He was very well read for a man from a poor family quite important for a writer and prepared even more therefore to branch out…

NINE…. He rubbed shoulders with the famous.

TEN….. Like him or loathe him he has not only remained a controversial figure to this day, he has stood the test of time.

ELEVEN.. Before ve open vodka and do cossack dance for you, McGonagall’s Ghost is Track 12 on More Than Seven Wonders. More to follow once the Archie Foundation get the online buy link live, but presently available from Oxfam Books and 13 Records in Dundee.

Carolyn Haynes, Bewitched and a Beloved Star

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Bewitched, Carolyn Haynes, Lloyd Haynes, Room 222 B, Sol Saks, writing

‘Have you ever seen one of those dramatic moments in a film when two people meet, and all the noise in the room disappears?’

CAROLYN. Yes, it was at Hugh Hefner‘s party, and I was there to meet Hugh and his then-girlfriend Barbie Benton. I don’t think I ever believed in love at first sight until that evening. Even then, it took some time before I realized the thunderbolt was love. LOL During my conversation with Lloyd, I asked him what he did for a living, and he told me he was a bra salesman. Considering where we were, I thought business must be good. Besides, Lloyd was too convincing for me to laugh out loud, so I just stared quietly. LOL 

CAROLYN. Lloyd Haynes, the lead actor of the 1970s TV show Room 222. The show had premiered a month earlier, and I missed it and didn’t know who Lloyd was. Despite that evening we weren’t together right away. It was quite a long journey.

CAROLYN. I started as a child with dancing, ballet, piano, voice, and modeling lessons. Then appeared in a few children’s shows, sang with on-camera personalities. I still have newspaper clippings that my mother saved. I grew into television, films, sang in a few clubs, and Lloyd and I almost toured together as singers, but my family came first.

CAROLYN. Yes, after Lloyd died, I wasn’t ready to go back to acting, and working with Sol Saks became available.

CAROLYN. Yes! I’ve been in the process of writing a book on Bewitched for the last two years now. I’m editing at the moment and hope to find a publisher with more clout to launch the book.

CAROLYN. Over the years, people asked questions regarding Lloyd and growing up in the Hollywood area. Then, one day a dear friend suggested I write a book. I was reluctant, but she convinced me.

I prayed a lot and began the four-year adventure that I surprisingly enjoyed. With the success of my first book, I then had the honor to write a book for Sol Saks. Though he did ask me a couple of times while we worked together, I couldn’t imagine writing in those days. 

CAROLYN Thank you, dudes. I hope it’s a book that people enjoy reading. The best advice I received on writing I learned from Sol Saks. During the years we worked together, I took pages of notes on the advice he gave university students, his regime, and experiences writing for newspapers, scripts for radio, television, and books. His words explain it so much better than I can, and I believe I’ve captured the advice in this new book. 

ABOUT CAROLYN

A native of Los Angeles, California U.S.A. and born into a large fun-loving Italian family, I had the good fortune to grow up in Montrose, California and New York. I have been blessed with four wonderfully talented children, worked as an actor, assisted Mr. Sol Saks of “Bewitched” with his writing projects, continued my formal education, and traveled. Now, “Help for Angela,” my first true short story has just been published and Imy special biography, “The Lloyd Haynes Story.” Samuel Lloyd Haynes, notably known for his staring depiction of Pete Dixon on “Room 222,” is a look at an extraordinary international, multicultural, and sometimes controversial soul that I think you will enjoy.

CONNECT WITH CAROLYN HERE

https://twitter.com/carolyngrace505?lang=en

https://www.facebook.com/carolynhaynes5050

https://thelloydhaynesstory.wordpress.com/

https://amzn.eu/3oNCik6

Lloyd Haynes, the beloved star of critically acclaimed 1970s television series Room 222. A visceral story of unyielding love and epic valor, as we follow Lloyd Haynes remarkable journey from a family mortuary to stardom, military officer, and recognition from the U. S. Senate. “With all those gorgeous women around, what made his eyes seek-out yours? Or, did you seek-out his?” Alison Bogert A MUST READ- SUPERBLY WRITTEN – The Tribune

The Ball’s the Thing

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writing

ANNA KARENIN   Leo Tolstoy .  The ball scene.

“The ball had just begun when Kitty and her mother stepped on to the central staircase, which was bathed in light and embellished with flowers and powdered footmen in red livery. From the interior came a steady rustle of movement which filled the rooms like bees buzzing in a hive, and while they adjusted their hair in front on a mirror between the potted plants on the landing, the delicately clear sounds of the violins in the orchestra could be heard striking up the first waltz in the ballroom.”

Shey. As Silv just said there –sorry, just let me let go of her paws–I am on my 8th book and when that’s done there will have been a ball, or dance scene in six of them. I was uncertain re this latest one whether the ball would actually take place but on reflection, I am big on what ball scenes in books can offer. You can blame the scene in Tolstoy’s Anna Karenin for that. It’s not only a case in point being the first time Vronsky and Anna really eye each other up, leaving Kitty standing. The lavish description of the ball, of Kitty descending the staircase, full of starry eyed hope was like a beacon to me when I read that book. An eternity ago now but even now, I can remember it. Before that, talking balls? Well, there was Cinderella. I used the idea of Cinderella shamelessly in Splendor. The second ball scene –yes there’s two– is the big pivotal moment where she finds out the whole truth about the hero and runs, realising there’s things she can’t manage—managing things being her biggest strength and greatest flaw– and things she can’t lay on him either, leaving her glove on the stairs. Of course I thought the shoe might be a bit much, as would hamsters pulling the coach.

I’m sure you were asked but you fell under the wheels and that is why you are crushed. Sadly.

A ball also gave scope for when he loses her in a complicated dance set, mirrorring the maze of hopelessness he then lives in for months, and the contrast between this glittering world and the one facing her, if she doesn’t ‘manage’ this evening and that of her ex fiance, now begging in the gutter outside.

But the first ball scene was ideal for the hero really noticing what’s been under his nose and that’s her, as opposed to the awkward, clumsy, accident-prone, woman who has faced him as a man across a pair of duelling pistols and a chessboard. From the liveried footmen to the shining chandeliers, balls are such glittering occasions, all kinds of magic can be at work. Especially when neither partner can dance and they don’t want anyone knowing either.

I dunno dudes, you tell me. In the Viking and the Courtesan, Malice decides to confront her husband in a similar glittering scenario, after he’s set the law on her for services unrendered re a little biz she runs– a move that backfires spectacularly when, having failed to recognise her, he then kidnaps her at fork and knife-hurriedly-nicked-from-the-kitchen-point, after she tries to insist that the pillow she’s stuffed up her skirt is far more than that; all to the tune of a Mozart minuet.

‘Since you were low enough to ask us, naturally we were low enough to come.’

Miitchell Killgower cuts his’ ball’-breaking ex sister-in-law and aunt by marriage, short at the start of the ball scene in the Writer and the Rake. A ball she’s thrown in the middle of a bitter inheritance dispute, in order to expose the fact his ‘wife’ in his sham marriage has been missing presumed vanished off the face of the earth for weeks. It’s another pivotal moment where the heroine discovers that Morte, a man roughly five years older than herself is in fact her ten times great grandson and aged a thousand, and has her revolting feet admired by Francis Dashwood,—the actual founder of the Hellfire Club. Balls are also a great place to introduce real historical figures.

Again, neither hero nor heroine can dance, except the latter on a 21st century nightclub floor. But they’ve had a lot of fun learning–a good chance to sort of get together–with the help of Mitchell’s polar opposite teenage son, who he’s finally liking. Alas, all before Brittany learns from Morte, exactly what she’s doing wrong about getting back to her time. Sob, sob as the dudes would say.

Nor do balls have to be grand society affairs as in these three books. In Loving Lady Lazuli the fact the ball was set in Assembly Rooms in a small town, and held for everyone regardless of class, on Christmas Eve, was a good excuse to delve into a more rustic affair, with children jigging on the upstairs landing and farmer’s wives unpacking pot luck suppers. And the perfect scenario

for the heroine to go for broke with an I am Spartacus moment about who she really is. Or rather an ‘I am Sapphire,’ after she’s gone round nicking every thing she can lay her hands on and dump it on the floor, because the hero intends betraying her so what does it matter? It’s also the perfect scenario for him to show exactly the man he really is and finally admit his feelings for her.

There’s no grand ball in His Judas Bride either. Not in the wilds of Scotland at that time. There’s a supper party/ dance, where the heroine learns that her drunken, womanising, horror of a husband-to-be may have other sides to him–he’s an ‘awfie guid cook, when he lays aff the nips’ apparently. But there’s still no way she can marry him, after he insists not just on dancing with her but in her showing off the fine dancing skills she’s allegedly learnt in ‘Edinboro.’ With the emphasis on the word ‘allegedly’ and every step of what she’s making up, under the nose of her betrothed’s brother, a man nothing gets past, reminding her of the abuse she suffered for years in a prison cell, she also learns it’s time to run, as in ‘now’,

thus setting up the rest of the book.

SO yes, after much debate the current WIP does have a ball scene. Why the uncertainty? Well, that it’s being held in an abandoned house, by two people on the run and even the food on the guests’ plates is of course

nicked and not a bowl matches a plate, should be answer enough. Also I didn’t want to go for another world crashing in ruins ball scene. But equally, if a world is going to crash…….

, where better to let it fall than on a ballroom floor?

So, there you go, balls in books, balls in films. From Scarlett O’Hara leaping forward to….raise money for the ‘noble’ cause., with Rhett Butler, Anna and the King of Siam, to Maria getting up close and personal with Captain Von Trapp–AND, let’s not forget one I forgot until Rene reminded me in the comments, Jezebel where Bette Davis loses her lover over a red dress. Even if there’s no ball, there’s dancing, the romance of Dirty Dancing, of Strictly Ballroom.

So come on folks, tell me your fav ball or dance scene that way?

Oh come on dudes, just crack open the voddie and get on with the cossack dance will you?

Beginning Again with Jane Austen

Tags

Elaine Jeremiah, Fan fiction, Jane Austen, Newbook, Regency, Romance, writing

ELAINE JEREMIAH. Well funnily enough it was my husband who suggested I write Jane Austen fan fiction. TBH the sales of my romance books weren’t amazing. My husband pointed out that to be successful as an indie author, it can be a good idea to target a sub-genre to gain a bigger, more loyal readership. It can be easier to be more successful within a sub-genre. Romance is of course a huge genre, with loads of sub-genres to it. I’d read a bit of Jane Austen fan fiction, so thought I’d write a story about a girl who’s a huge Jane Austen fan (like me!) who accidentally time travels to Regency England. I then decided to turn it into a trilogy and having taken a break from writing it to write my ‘Pride and Prejudice’ variation, I’m now working on book 3.But being honest again, the first two books in my trilogy didn’t make waves. I hadn’t read that widely in Jane Austen fan fiction and as I read more and more JAFF,

I realised over time that what is most popular is ‘Pride and Prejudice’ variations, particularly those about Elizabeth Bennet and Mr Darcy, set in the Regency era. Basically retellings of the Darcy/Elizabeth story which people love. The time travel story I’d written, while I’d enjoyed writing it very much, wasn’t quite what people wanted to read within the genre.So having written and published book 2 of my trilogy, I decided to turn my attention to writing a ‘Pride and Prejudice’ variation. I thoroughly enjoyed writing it, though it took me a lot longer in the end to write than I’d planned. I got bogged down with the plotting of the story and then the editing stage took a long time. I changed quite a lot, with the help of my beta readers and then my editor, which was absolutely right, but it did take quite a lot longer.

I’m very happy with the result though. The story is much stronger and better for all my hard work and I’m really pleased and proud to finally be able to share it with the world.

ELAINE JEREMIAH. Hahaha! I wish! But no, I don’t live in South Korea, I haven’t even been there yet, but it’s on my bucket list. I’m definitely going to go there one day, for sure. I kind of fell into a love of all things Korean by accident – a friend of mine recommended Korean dramas – or Kdramas as they’re known – and I started watching them and was hooked. They’re all on Netflix. I would highly recommend them!

Most of them are romances and a lot of them follow the Darcy/Elizabeth trope of rich arrogant man falls in love with feisty, poorer girl. I just love them – I’ve watched more than 25 series now. The settings and the people are beautiful. It’s so interesting to learn about another culture this way. South Korea is a first world country, but of course it’s Eastern so they have a very different society to ours. There are good and bad sides to that and it’s fascinating to me to learn about their culture.

I was inspired by watching so many Kdramas to start learning the language and more about the country in general. I’ve got this Korean language audio course I’m listening to, mostly while I do housework! It’s so much fun. I also have an app on my phone I use. So I’m in love with all things Korean!

ELAINE JEREMIAH . Of course (not) But you see I live in Bristol, South West England, which isn’t far from the Regency city of Bath, the setting for 2 of Jane Austen’s novels. Di you know has some beautiful Regency buildings and is also generally a great city to live in? There’s loads to see and do, like visiting the Clifton Suspension Bridge or the SS Great Britain, which was one of the first passenger steamships crossing the Atlantic in the mid-nineteenth century. It’s now a permanent museum in Bristol’s docks. Well worth a visit if you ever come to Bristol.

If you’re into street art, Bristol is also the home of Banksy and if you have a sharp eye and know where to look, you can spot some of his murals on certain buildings. Bristol also has loads of great shops, restaurants, museums, cinemas, art galleries – you name it, Bristol has pretty much got it.

ELAINE JEREMIAH. RE Jane? Loads of reasons. Partly because the characters she creates feel so real, they’re so well developed. Characters like Elizabeth Bennet and Mr Darcy stay with you in your mind long after you’ve finished reading her novels. And there’s always something new to spot in them, even if you’ve read them loads of times before.

For example, I’m realising the more I read ‘Pride and Prejudice’ just why exactly Mrs Bennet is so keen to get her 5 daughters married off and how in some respects she’s actually quite wise. It was very difficult for women in Austen’s day who weren’t working class to get work and support themselves except as a governess. Which wasn’t a great job. If they weren’t married and couldn’t get work, they’d have to rely on their male relatives to support them. So a young woman in the Regency era, especially if her family weren’t rich, would need to marry well. Mrs Bennet is very aware of this, particularly because being girls her daughters can’t inherit the family home when their father dies and it will go to his distant cousin Mr Collins instead.

Jane Austen is also very funny – I laugh out loud at some of the scenes in her books when I’m reading them. She also doesn’t hold back at subtly criticising the social conventions of the era she lived in. Like how Elizabeth Bennet, a woman who’s not very well off, turns down not one but two marriage proposals, defiantly refusing to marry without love. That’s very subversive for the era it was written in. 

As for the writing just now? Actually I would say it’s been easier than usual. It’s really given me something to focus on and take my mind off the dire news that we’re bombarded with day after day.

And because what with the internet and me self-publishing digitally via Amazon, it can all be done remotely anyway. So you don’t need to physically be in the same room with someone to share your work with them, to use beta readers or an editor. I can also promote my writing entirely online. What with this new release and how well it’s going, I feel more motivated than ever now to crack on with my writing!

ELAINE JEREMIAH. Uhmmmmmm. Well…uhm…as I mentioned, I’m writing book 3 in my Jane Austen-inspired time travel romance trilogy. And that would be hard to do in hamster cage. It’s called ‘Captivated in Time’. So maybe one day I might be very willing to…might even enjoy..living in hamster cage. What’s more, I’ve more or less plotted it out, so I pretty much know what’s going to happen. I know the ending! So this could be sooner rather than later. I’m trying to keep the momentum going – I tend to write quite slowly, so I want to try and make more time for writing and get this one finished as soon as I can. After that, I plan to write more Darcy/Elizabeth Regency era ‘Pride and Prejudice’ variations. That’s what’s most popular within JAFF and actually I feel that writing in Regency-esque language is what I’m most comfortable doing. I feel like I’ve finally found my niche. Just maybe not in a hamster cage. …. But look on the bright side of keeping all that voddie to yourselves.

Little does Elizabeth Bennet think the journey across muddy fields from her home at Longbourn to Netherfield Park will change her life forever.

But an unexpected encounter with the proud and haughty Mr Darcy leaves her injured and vulnerable. Worse still, she is left alone with him for a significant amount of time. Her reputation at risk, she is forced to make a decision about her future. Now her life will never be the same again. Can Elizabeth ever be happy? Or will she always loathe Mr Darcy

Amazon US: https://amzn.to/3s7xr6dAmazon UK: https://amzn.to/2LiP3LH

Elaine lives in Bristol, South West England with her husband and their golden retriever, Dug. But she was privileged enough to grow up in Jane Austen country, in Hampshire.

She’s always loved writing, but it’s only been in recent years that she’s been able to devote more time to it. She decided to self-publish with the help of her wonderful husband who’s very tech-savvy! In 2013 she self-published her first novel, but it was only with her fourth, her novel ‘Love Without Time’, that she felt she finally found her niche: Jane Austen Fan Fiction!

She’s always loved Jane Austen’s writing and the Regency era, so this felt like a natural thing for her to do. ‘Elizabeth and Darcy: Beginning Again’ is the first ‘Pride and Prejudice’ variation she’s written.

If you want to connect with Elaine online, her Facebook page can be found here:

https://www.facebook.com/elainejeremiahauthor/

Her Twitter handle is: @ElaineJeremiah

Her website is here: https://elainejeremiah.co.uk/

Tea, toast, trivia podcasts and some manga news.

Tags

Mangatoon, podcast, writing

‘We are all the product of our experiences in life, of our upbringings, our hopes, dreams, failures, mistakes, needs, fears. Life shapes us and life is not always perfect.’ Shehanne Moore, Tea, Toast and Trivia podcast with Rebecca Budd.

Podcast.

Season 2 Episode 41: The Art of Romance with Shehanne Moore https://teatoasttrivia.com/2020/08/03/season-2-episode-41-the-art-of-romance-with-shehanne-moore/ via @chasingart

https://bit.ly/3arNB1H

https://mangatoon.mobi/en/detail/398527

 

 

 

The Anna Campbell books are coming….

Tags

Anna Campbell, Charles James Fox, Courtesans, Eigg, Elizabeth Armitage, Highland Romance, highlanders, Historical romance, Publishing, Romance, Scotland, writing

‘As many beginner romance writers do, I decided category would be an easy way into the industry. Even though my heart has always been with long juicy historicals.’ Anna Campbell.

 

 

SHEY. ‘As many beginner romance writers do, I decided category would be an easy way into the industry. Even though my heart has always been with long juicy historicals.’  Thrilling words from a thrilling lady and author,  Anna Campbell, our guest today. Anna, would you say that after a long journey to get into the industry,  and a career there that has now spanned thirteen years, that your heart is where it wants to be?

ANNA.  Hi Lady Shey! Hi Dudes! Thanks for having me to visit today. I love writing historical romance – I don’t think any genre sweeps you away into a larger-than-life world the way historical romance does. Having said that, I have a vague idea of writing a historical mystery series but I fear I’m never going to have the time when I’m so busy writing my Highlanders and my rakes and my smart-mouthed Regency ladies.

 

SHEY. Your first book, Claiming the Courtesan which has won numerous awards was  ‘dark and sexy,’

and very different from a number of historicals out there at that time.

Ignoring the dudes please tell us what gave you the idea to go darker?  Were there any true historical stories of dukes marrying their mistress that inspired you?

ANNA  – When I wrote CTC, I had pretty much decided I was never going to be published. I’d written for most of my life without getting a contract – the publishing world was very different back in the early 2000s! So I just went where my heart took me – and that was to a very dark story about a tormented duke and the courtesan he loves. The fashion when I started Courtesan was very much romantic comedy, Julia Quinn and Amanda Quick and all those sparkling Regencies. But as I wasn’t writing for a market but to please myself, that didn’t much matter (so I thought!). Verity and Kylemore’s story came from my imagination but I had a marvellous moment after I’d written the first draft when I read Katy Hickman’s book Courtesans and came across the story of the courtesan Elizabeth Armitage and her aristocratic husband Charles James Fox. These two had a lot in common with my made-up characters. It felt like a sign from the universe that I was onto something.

SHEY –Both  wonderful books for those who haven’t read them BTW. Claiming the Courtesan was the start of a rollercoaster ride where you released a number of books for many major publishers–again, all to tremendous acclaim–but for last few years you decided to go your own way, publishing your books yourself.  What was your thinking behind that move? And how has it worked out for you?

ANNA -I love being an indie, although I’ll always be tremendously grateful for my career in traditional publishing. I learned so much and I picked up a large readership which stood me in good stead when I went out on my own. A few things pushed me down the independent route – I wanted to write stories in a variety of tones. While I’d started my career writing dark stories, at heart I’m actually quite a jolly soul and I wanted to write some romantic comedy. I also wanted more releases a year than a trad career allows.

SHEY– You’ve also gotten deeply into Scotland, especially the unspoiled island of Eigg.

Not that I noticed. Which of your ultra sexy heroes would you want to spend a day with there and what would you do ……. ?

And can you tell us why you find Eigg so bewitching?

ANNA — Ha, all of my heroes! Although perhaps not at the same time. That’s just too much like hard work! Just because he’s the most recent and also because I developed a major crush on him as I wrote the story, I’ll choose Brock Drummond, Earl of Bruard, who stars in The Highlander’s Forbidden Mistress, my latest release.

Brock is a wonderful mixture of heart and intellect and sexiness – so at least some of what I do with him on the Isle of Eigg will involve conversation! Really! I’ve included a picture of the view over to Rum from Laig Beach on Eigg.

It’s pretty obvious why I’m so in love with the place! I’ve always loved islands and this one has such a rich history and such glorious scenery. I also love that when I go there, I feel like the rest of the world is a million miles away (well, a couple of hours on a CalMac ferry, anyway!)

Shey–You know we were up for having our anniversary in Arisaig again,  heading over to Eigg for a day to bag the Sgurr, before winding up in Glencoe. RIGHT NOW ACTUALLY.  Oh well, the best laid plans of hamsters and women, but thank you for giving that wee flavour and here’s hoping for next year. Right now  I gather they are asking tourists to stay away from Eigg before you dudes get any bright ideas here. Anna, you’ve also moved into Scotland  as  a setting for many of your books. Give us the low down, is it the men in kilts, or something else that has drawn you in that direction?

ANNA–Well, a man in a kilt is always welcome!

Not to mention that wonderful accent. Sigh. Actually I’ve been in love with Scotland

since my very first visit back in the mid-1980s. I’ve been back numerous times since and the love affair has only intensified. I think it’s the most beautiful country on earth and the history is full of soul-stirring stories. Not to mention the music. That goes straight to the heart. When I first visited, I wondered if there was something in the idea of the blood calling me home. I am, after all, a Campbell, even if one raised on the other side of the world.

SHEY —How do you do your research for your novels?

ANNA– These days because I know the period I’m working in so well, I mostly do book-specific stuff. For example, with The Highlander’s Lost Lady, a lot of the plot hinged on issues like the age of consent in Scotland in the 1820s so I had a wonderful dive into marital law in the Regency period.

SHEY —What would you say has changed most about  the writing industry since you first started subbing your work?

ANNA — Ha, do you want a 10-page answer?

When I started writing, the only way to get published and find an audience was to get a contract with a traditional publisher, and books were available in print format only. Digital technology has created so many more ways for people to read and to publish. There’s a freedom now that there wasn’t back when I started writing as a teen.

Shey —Returning to that, you’ve written– in the hope of  getting published– since 3rd Grade, getting to the stage where   ‘under the bed was more crowded than the centre of Hong Kong at Chinese New Year,’ with manuscripts, finished, unfinished or rejected, you set yourself targets, goals, often doing mundane jobs,  did you ever think of giving up?

ANNA–I did! When I was in my late 30s, I was working in a dead-end job and nothing was happening with my writing career. I decided that wanting to be published was like wanting to dance for the Bolshoi (also a girlish dream for the young Anna!). It was time to put aside these silly fantasies of being a writer and start trying to build a proper life for myself. I lasted about 18 months and I was absolutely miserable. So when I went back to writing, I decided I needed to be a bit smarter about what I was doing. So I joined Romance Writers of Australia, and I started to write something that had a bit of commercial appeal. It still took a couple of years, but the decisions I made after giving up started me on the road to publication.

SHEY — Would you say that keeping your eye on markets and looking for the way in, with work that is marketable played its part and what tips would you give aspiring writers out there? I’d mention the worthy master here but as Bobby Bub ses, he can’t actually write. He can’t spell neither.

ANNA–The weird thing is I ended up getting published with a book I didn’t think any publisher would ever touch with a barge pole. At the time, the idea of a heroine who sleeps with men for money seemed very out there. I’d also advise against chasing trends. These days, trends come and go faster than a speeding bullet. My tip for aspiring writers is to read a lot in what’s being published now and take note of popular tropes (not trends). Marriage of convenience is a trope; hockey playing heroes is a trend. Also if you start a book, fight through the sagging middle to finish it.

Partly because there’s nothing you can do with the start of a book, but also because finishing a book will teach you more about writing than a million writing courses.

SHEY —What’s next for Anna Campbell?

ANNA–Lockdown has done wonders for the appearance of new Anna Campbell books! There are three more this year to finish up the Lairds Most Likely series. The Highlander’s Rescued Maiden is out at the end of September and as those who have followed me for a while know, I always do a Christmas story. The Highlander’s Christmas Countess should be out end of October. I’m also contributing a story to a Christmas historical romance anthology, but details of that are under wraps right now.

Next year I’m very excited because I’m starting a new series based back in Regency London, stories full of glamour and passion. Stay tuned for the announcement of details, but if you enjoyed my Dashing Widows series, I think you’ll be very pleased with this new direction.

If you’d like to keep up with the latest, why not join my mailing list? Just email me with your contact details: AnnaCampbellOz@hotmail.com Or I regularly update my website: www.annacampbell.com

Bio:

Australian Anna Campbell has written 11 multi award-winning historical romances for Avon HarperCollins and Grand Central Publishing. As an independently published author, she’s released 25 bestselling stories, including seven in her latest series, The Lairds Most Likely. Anna has won numerous awards for her Regency-set stories, including RT Book Reviews Reviewers Choice, the Booksellers Best, the Golden Quill (three times), the Heart of Excellence (twice), the Write Touch, the Aspen Gold (twice), and the Australian Romance Readers’ favorite historical romance (five times).

Links:

Website: www.annacampbell.com

Facebook: https://www.facebook.com/AnnaCampbellFans

Twitter: AnnaCampbellOz

BookBub: https://www.bookbub.com/authors/anna-campbell

Amazon: https://www.amazon.com/Anna-Campbell/e/B002NKV1HQ

Blurb for The Highlander’s Forbidden Mistress:

A week to be wicked…

 Widowed Selina Martin faces another marriage founded on duty, not love. When notorious libertine Lord Bruard invites her to his isolated hunting lodge, he promises discretion – and seven days of hedonistic pleasure before she weds her boorish fiancé. All her life, Selina has done the right thing, but this no-strings-attached chance to discover the handsome rake’s sensual secrets is irresistible. She’ll surrender to her wicked fantasies, seize some brief happiness, then knuckle down to a loveless union. What could possibly go wrong?

 

In a lifetime of seduction, Brock Drummond, the dashing Earl of Bruard, has never wanted a woman the way he wants demure widow Selina Martin. When Selina agrees to become his temporary lover, he soon falls captive to an enchantment unlike any other. He sets out to slake his white hot desire until only ashes remain, but as each day of forbidden delight passes, the idea of saying goodbye to his ardent mistress becomes more and more unbearable.

When scandal explodes around them and threatens to destroy Selina, Brock is the only person she can turn to. After so short a time, can she trust a man whose name is a byword for depravity?

Will this sizzling liaison prove a mere affair to remember? Or will their week of passion spark a lifetime of happiness for the widow and her dissolute Scottish earl?

Excerpt from THE HIGHLANDER’S FORBIDDEN MISTRESS: THE LAIRDS MOST LIKELY BOOK 7

Derwent Hall, Essex, December 1823

Selina was too aware that it was late and that she was alone with a man whose reputation was bad enough to send respectable virgins shrieking for their mammas. Lord Bruard’s company was the closest thing to satanic temptation that she was ever likely to experience.

She swallowed to moisten a dry throat and set the book on the mantel. “I must go,” she said, and cursed the squeak in her voice.

“Must you?” Bruard didn’t sound as if he cared whether she stayed or went. He continued as if they were in the middle of a friendly conversation. “You shouldn’t let Canley-Smythe bully you, you know. If he bullies you now, before he gets his ring on your finger, he’ll turn into a domestic tyrant when you marry.”

She paused in the act of turning away toward the door. “This is none of your business, sir.”

Unfortunately, it was also a perfectly accurate assessment of her future. Selina was no fool, and she had few illusions about what life with Cecil was going to be. But what choice did she have?

With a leisurely grace that made Selina’s foolish heart skip around inside her tight chest, Bruard sat up. She thought she’d committed her whole self to marrying Cecil, but now it turned out that her heart hadn’t signed up to the arrangement. Her heart cried out that she was still young and at last she had the chance to flirt with an attractive man. It insisted that if she ran away now, she was a filthy coward.

“Oh, that’s true.” Again no shame. “But I’m telling you this out of pure altruism. Stand up for yourself now, or he’ll crush every ounce of spirit out of you.”

“Pure altruism?” She gave a snort of amusement that would have shocked Cecil. “It seems the world is completely wrong about you, Lord Bruard.”

The half-smile reappeared, deepening the creases around Bruard’s deep-set eyes. The breath jammed in her lungs. Dear God, no wonder the ladies went insane for him. He truly was extraordinarily attractive. He should have warning signs posted all over him.

Because he was right about her avoiding him, this was closer than she’d ever ventured to the wicked Lord Bruard. This was certainly the longest she’d spent talking to him.

And danger bristled in the air.

So remaining in this room made no sense. Yet remain Selina did.

His gaze fixed on her. “No, my lovely little ghost, the world isn’t wrong about me.”

The power of his attraction made her stomach cramp with nerves, as she remembered all those depraved fantasies that wore Lord Bruard’s intense dark face. Did he know she’d thought of him in the privacy of the night? She had a sick feeling that he must.

“G-ghost?” she stammered.

He shrugged. How could such a prosaic movement make her heart somersault? Except his shoulders were broad and hard, and she ached to run her hands along them and down those strong arms, displayed to advantage in the best of London tailoring.

He wore black. But then didn’t the devil always come in black?

“That’s how I think of you. With your neat little gray frocks, and the way you watch everything you say, and never miss anything that goes on around you.”

This time, genuine fear spurred the unsteady beat of the heart. She hadn’t thought she’d be of the slightest interest to such a famous libertine. It turned out she was wrong. Just as she’d watched him, he’d watched her.

She gulped for air to clear a swimming head and raised a shaking hand to her bosom, before she realized how revealing the gesture was. “You shouldn’t think of me at all.”

His expression grew more intent, and she faltered back a step. She should flee, pride or no pride, but it was as if her feet were tacked to the parquetry floor.

“Nor should you think of me, when you’re marrying that ponderous oaf in a fortnight, and you’re obviously a woman who guards her chastity the way a miser guards his gold.”

Heat blazed in her cheeks, and she avoided his eyes. How could he make her virtue sound like the worst of sins? “I don’t think of you. I…”

Oh, what was the use? Coyness suddenly seemed too shabby to countenance. As he uncoiled and rose to his feet, she made a helpless gesture. “I don’t want to think of you,” she mumbled.

Interview With the Cleanser.

Tags

books, Cornwall, Mystery, New book, O'Roarke's Destiny, Smugglers, Wreckers, writing, Writing tips

 

“Some say the Cleanser is an exciseman gone to the bad…..”

 

The Cleanser – That would be telling.

The Cleanser – That would be telling.

The Cleanser – That would be telling.

The Cleanser – That would be telling. Now, before I get back out there and prove even more terrifying and elusive, as I menace my way through Cornwall on dark and stormy nights, you have one more question. Do try and  make it count and not waste it on fripperies such as am I really that fearsome, am I one of the five,  or does Lyon eat hamsters? Who said what, and didn’t, how fair, or otherwise not, it is? And please do not interrupt. Have you any idea what happens to hamsters who interrupt, especially with more questions?

The Cleanser–Who, amongst you,  will be brave enough to ask this question?

The Cleanser. They are not amongst you. YOU are amongst you. Now ask or face the consequences.

The Cleanser – Dear, little hamsters, why else but to spread a bit of butter on you and have as toast.

 

But I will add that in a world of secrets and smugglers and did I mention unsavoury–not looking at anyone here, although you hamsters do smell a bit-

– wreckers, Shey rather liked the idea of  upping the anti. Who can, for example, resist having a tale of smuggling without the various ingredients? Don’t answer. You are not the ones being interviewed here.

So secret passages, treasure that is the stuff of legend, stormy nights, old houses, ghosts  and of course mythological  figures are all part of that tapestry. Shey thought about how in  Jamaica Inn the heroine does not know who the head of the wreckers is but obviously if her uncle is scared of him, then he must be fearsome because her uncle is that and more–although she used someone who is also the stuff of legend differently.

Things had begun to change for smugglers in the period O’Roarke’s Destiny is set, shall we say? 

Tom Berryman had behaved as if the devil had crossed his path and this one looked to have horns.

 

And let’s remember in this book nothing is what it seems. A little mystery does no harm sometimes.  As a figure the Cleanser does not drive the plot. There’s no need to when everything the leads do arises from the three magic writing words, where they and only they, are concerned, goal, motivation conflict.

Does the Cleanser really exist?  If they do are they one of the O’Roarke five and if so which one? That’s for me to know and you to find now. Now, if you don’t mind I believe I have some vodka to drink and a Cossack dance to  do before I get back to terrorising the locals? Oh and one last thing… my eyes are not flamingos, what they have is a flaming glow….

Releases Friday 13th…it is a book about a curse after all…..

 

 

From Prague to Arisaig via Glencoe …

Tags

Arisaig, CSOE, Czech Memorial Arisaig, Glencoe, Glencoe Corbetts, Morar, Operation Anthropoid, Prague, Scotland, SOE ww2 Training Arisaig, The Brecklet Trail, The Duror Trail, The Silver Sands, writing, Writing tips, WW2 SOE

 

MEESTER

 

 

MONSTER

 

 

ARISAIG. Shey on the rocks without a drink too… DAY ONE. The walk was to Rhu Point and back. Shey and the Mr were full of  day one walking anticipation, so they howfed the three and a bit miles there, then back again.

ARISAIG Shey on a moth-eaten swing. Strangely this was without a drink although you might not think it. The Highland Games Dance was yet to come….

ARISAIG A deserted set of swings without anything….

And a phone box somewhere in Glen Roy that took Shey’s fancy largely cos you can’t get a mobile signal… BUT MAYBE there’s a ‘ beam me up Scotty,’ story here, OR It’s the TARDIS… As you can see …many writing prompts here.

 

DAY TWO. Shey at the Silver Sands, Morar before she and the Mr clocked the incoming tide…. and had to walk miles back to the road… or water, lots of it would have been what they were drinking…

MORAR

DAY two the Silver Sands of Morar from a safer viewpoint.

DAY TWO Unperturbed by the diversion at Morar and dancing half the night away, Shey and the Mr drove to Glencoe and tackled the Duror Trail feeling very brisk and loving the joys of walking. So much so they even walked along to Am Torr and back later before howfing it into the Boots Bar.

Glencoe

GLENCOE DAY 3. Despite the sun now beating down Shey and the Mr. set off to bag Meall Mor. From 1500 feet already up –on a forestry road to Ballachulish no less–  with the last bit, straight ahead there, through the bog, round the sheep fence, through the gate   and up the slope, just to go, what could be simpler.  In Glencoe, there is no such thing as simple…

 

The view looking down from the top was quite something.

As for the five and a half hours all told it took Shey and the Mr to do the entire bagging-yes you can spot him there, thinking how one slip would result in him taking the express route down to Loch Leven…, while Shey tried a more zigzagging approach well….that was something too…

But returning…, or rather crawling back…to the Clachaig a surprise awaited. A bottle of lovely bubbly from the staff there for the wedding anniversary. So obvi this picture and all the ones taken after had a drink in them, in fact they had many,  and no wonder.

Now this as blogger Ralpha will know is THAT sign again which Shey, no longer so full of the joys of walking, but rather full of fizz and cask aged cider tried to vary pose-wise.

DAY 4. GLENCOE/BALLACHILISH. Despite outright rebellion in the ranks, the Mr fell into step and did the lonely, overgrown, Brecklet Trail where Ping Pong Monsters lurk….. Monsters that tasted delicious…….

Lessons learned from Jean Lee

Tags

Aionios Press, Fallen Princeborn Stolen, Jean Lee, Wisconsin, writing, Ya Fantasy novels

 

 

Jean  – Wisconsin breeds the fantastic.

We are home to peculiar, toothsome beasts like the Hodag, devourer of all-white bulldogs (or hamsters, if you’re not careful).

We are home to unique, word-some writers like Neil Gaiman: “There’s that tiny off-kilter nature in the Midwest that’s in the details,” he says when asked about writing here.

We are home to hidden towns, small growths of community where railroads and highways meet, places that no one finds unless they mean to find it. Picturesque, perhaps? Plainfield was indeed picturesque once—until Ed Gein was arrested in November of 1957. You may know the rest. Basically, Gein inspired many of the fictional horror icons we know today: Norman Bates, Leatherface, and Buffalo Bill are all rooted in the reality of Ed Gein.

We drove through the wild patches between the hidden towns often when I was a child. I never tried to occupy myself with books or toys in the car. There was too much to see, out there in those scattered homesteads, too much to wonder about. What happened inside that dying barn?

Why is that gravel drive roped off, and where does it lead? Where are all the people for those rusted cars littering the field?

This is the Wisconsin I live in now. The land dips and rises in unexpected places. The trees may crowd a rural highway so much you can lose yourself driving, only to have the tunnel burst open to sunshine and a white-crested river running beneath a bridge you’d swear had never seen a car before. In the small farming town of my youth, I could stand on the lone highway through town and hear snowflakes land beneath the orange street lights.

The short stories began as a writing experiment last year. My husband had been listening to John Carpenter’s Lost Themes, and a story began to shape in my head of a child dying at the hands of a cuddly creature before a dark skulking thing gets involved. When I showed the short story to my publishers, they encouraged me to write more short stories as little introductions to the universe of Charlotte and these imprisoned shapeshifters. Thus Tales of the River Vine was born, with stories following both antagonists and protagonists across the years.

The challenge with such “prequels,” as they are, was to find emotional centers without chipping away at the emotional arc of Fallen Princeborn: Stolen. Take the last story of the collection, “Tattered Rhapsody.” Originally I intended the story to be called “Dirty Charlie,” featuring Charlotte the Wise-Ass taking on some gang members at her high school for profit. I even had little hamsters involved in the fight, bringing a gang member down after he crashes on their cages. I don’t think I have to tell you what these hamsters were named… 😉

But the story felt wrong. I couldn’t pin it at first. Charlotte’s there, she’s showing her strength, her protective instincts for her kid sister. And yet, the story felt…heartless.

Then it hit me: Charlotte’s heart doesn’t speak with her fists. It speaks with her music.

And just like that, the story’s heart found a pulse, a rhythm both despairing yet defiant. Just like Charlotte.

(Don’t worry—two hamsters still manage to make a cameo in the tale.)

I hope you enjoy reading “Tattered Rhapsody” and the other Tales of the River Vine and telling me what you think. They’re all FREE on Kindle, Nook, and other publishing platforms!

Three years ago, you may as well have asked what it’s like to juggle three bowling pins with spikes on fire.

Back when I was trying to write in bedlam, I stole whatever time I could before dawn. The television usually bought me at least an hour in the day to outline, draft dialogue, or keep up with my blog. The children’s naptime never felt long enough, but I made due. Once the boys began preschool, I could at least promise myself one hour of writing time a day. Doesn’t sound like much, does it? But that’s the thing about writing and keeping a job and running a household: every minute to write’s a blessing. Sometimes those days crash and burn. Other times—like when the boys didn’t have school—we found other ways to be creative.

Now that Blondie, Biff, and Bash are in school all day, I always have time for writing, be it for the blog, editing, drafting, etc. Granted, summer’s still a trial, but because I didn’t give up on writing when time was scarce, I have many stories to share here in the daylight hours.

Honestly, not many. I studied in Ireland for a summer, and checked out important places in James Joyce’s life. While this was definitely cool, I was downright ecstatic to drive to Illinois and see the wardrobe that helped inspire C.S. Lewis when he wrote The Lion, the Witch, and the Wardrobe. Nostalgia played its part, I’m sure, but it was also a real thing connected to a fantasy. How often does one see and touch real doors to another world?

Research can feel like a big time-suck, but when it comes to publishing, DO YOUR RESEARCH! There are so many scammers out there with their “author services” and “exclusive anthologies.” They’re going to talk you up, make you feel amazing, and before you know it you’ve paid four digits for lousy editing on a slap-dash affair no one’s going to see. Scope out the small presses. Join author groups online to gather recommendations for editors, book designers, and cover artists. Your story deserves to be seen, but only when it’s ready.

Yes, an author platform really does help. Don’t think of it as yet another time suck; rather, treat it as the regimented prose exercise. Reading countless other voices, writing tight posts on a regular basis—all helps the craft, not hinders it. No, it’s not the novel you dream hitting the best-seller list, but making a website, commenting on social media—these simple actions give your name an author’s history. Other writers/publishers/agents/readers can trace your name back to studies, comments, and whatever else you write. You build that platform, you build a writer’s resume for the publishing business to see.

Yup, that’s a while ago, but life tends to fill the years, and in my case, I had just become a mom. Postpartum depression hit hard. Very, very hard. I felt very cut-off from life. I couldn’t feel the joy of motherhood. I found myself often staring out a window, trapped in walls yet somehow exiled outside of feeling. I’d look upon my sleeping baby and feel nothing but guilt because I couldn’t feel complete with motherhood.

Then a friend introduced me to the awesome challenge that is National Novel Writing Month. From November 1^st-30^th, you are to write 50,000 words of a story not yet started (that’s cheating. Outlines are permissible, though.). The story may need more than 50K words, but what matters is that you reach that length in thirty days.

I swung it that year, and felt AMAZING. I was escaping the trap, driven to feel with characters outside of this world. I couldn’t just sit and dwell on individual lines or plot points—I had to keep going, and because I had to march on in the narrative, I found myself marching on in real life, too. I wasn’t staring out the window waiting for minutes to pass. I was…I was back, you know? I felt a part of life again, enjoying the touch of my daughter’s tiny hands around my finger and her boundless grey-blue eyes. I reveled in these things. I felt…complete.

 

 

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