A visit to the Klementinum and a new review.

Tags

Freya Pickard, Libraries, Prague, Review, Shehanne Moore, The Champagne Lovers Band, The Klementinum

Shey’s trip to Prague

Length of stay –5 days.

Attractions Visited. 5 -The Castle, John Lennon wall, Old Town, The Klementinum . Wenceslas Square.

Attractions not visited 1. The day was just too warm.

Bars Visited. 4. Bella Vista Cafe, the Olympia, the Stage Bar, and the outdoors deckchairs bar downstairs from the Bella Vista Cafe.

Bars visited more than once. 3. Bella Vista Cafe, the Olympia, and the outdoors deckchairs bar downstairs from the Bella Vista Cafe.

Bars we wanted to visit more than once. 1. The Stage bar.

Bars not visited – every other one there.

Weddings in bars, not asked to but ended up there anyway. 1

Bars flung out of on last night there with magnificent resident-in-Prague-Scots-couple., met by chance two nights previously and again that night . . 2

Glasses nicked that night…. The count was lost.

Locals THAT couple cannot show their faces in again?? 2

Hotel stayed in?? The Red & Blue Design. Five stars to them.

Epic musicians listened to. 1. The Champagne Lovers, whose gigs are on the Charles Bridge.

Book Shops visited. 1 Palace of Books. Five stars to them. Now that’s a book shop.

The Klementinum by night.

View from the top.

A quiet cafe

The epic Champagne Lovers, Jazz Band/Skiffle. Total class. Fantastic Charles Bridge feature. No second thought about buying their CD.

My new favourite authors! https://dragonscaleclippings.wordpress.com/2022/05/31/authors-i-recommend/ via @FreyasClippings

Where O’Roarke’s Destiny ends… the playlist for Wryson’s Eternity …

Tags

Cornwall, Music, Music to write books to, New book, Romance, Shehanne Moore, Smugglers, writing

https://t.co/h63dNJgnz5

SHEY —- BUT WHO WOULD WANT TO?

SHEHANNE–Okay dudes can I get a word in now? It’s taken a while but drumroll and fanfare–a playlist means there will soon be a new book. Book two of Cornish Rogues featuring a hero and heroine, who I think you might get the drift of from some of these song titles. There’s also a couple of classicals thrown in that feature in the book, Bach’s Goldberg Variations

and a Mozart. And the Cyrin version of Where is my Mind? is also something I play. Both leads are certainly looking for their minds. Of course it should have been ‘Where is My Hamster?’ but then ‘Gone I hope,’ might be the reply. To return to Mercury and the Architects, Mercury does indeed sing with the Architects, one of whom is the amazing LYNZI on the list in her own right with Be My Valentine.

I hate to break it to you dudes, but that is the least of your worries this week. Vodka has just been removed from the shelves of several UK supermarkets…. I say nothing about your little dance that always accompanies it. But ere you despair there’s two song titles here for you, ‘Far Far’ which is where you might want to go and ‘Creep’….. Now, I will ‘put on playlist’ and listen to it…

Cornwall. A separate place. Location in writing.

Tags

Cornwall, O'Roarke's Destiny, Romance, Shehanne Moore

 

 

The Historical Cornish Environment—a land of Smugglers and Secrets …

 

‘A separate people. Throughout the early modern period, many Cornish people continued to regard Cornwall, not as an English county, but as a British country, called Kernow. … ‘

‘Physical isolation provides the key to Cornish history. A rocky peninsula, jutting out some 90 miles into the Atlantic Ocean, Cornwall stands at the extreme south-western corner of the British Isles. Surrounded by waves on all sides but one, it is practically severed from the adjoining lands to the east by the River Tamar, which runs almost from sea to sea. Although mediaeval Cornwall was – technically speaking – an English county just like any other, the culture of the ordinary Cornish people remained entirely different from that of their English neighbours. They still spoke in the Cornish tongue: a language, closely allied with Welsh. They still prided themselves on being descended from British ancestors, rather than Saxon ones. And, as late as the mid-16th century, they still possessed their own styles of dress, their own folklore, their own naming-customs, their own agricultural practices and their own games and pastimes.’

So the past economy of Cornwall might have been based on a range of industries, including metal mining, fishing, china clay production, wool cloth manufacture, quarrying and ship building. Indeed Cornwall’s rich mineral resources may certainly have been exploited on a large scale since medieval times and rows may rage today between surfers, environmentalists and those bent on lifting the tin tailings sitting on the sea bed to be used in gadgets like phones and computers, Cornwall is also known, historically for another ‘industry’. A sort of ‘cottage’ one in that rather a large number of its inhabitants were involved. And one that the landscape and environment lent itself to naturally. Smuggling.

But the location as described above, the fact the people saw themselves as different weren’t the only things to lend themselves to the trade. Parts of the actual coastline were very nicely placed for trips to France and the Scillies. Then there was the nature of the terrain, vast empty beaches, rocky caves, jutting headlands, little better than cart tracks for roads—and, as a quick glance at any map of Cornwall will show, quite a big expanse of moor sitting smack in the middle, while the inhabited bits cluster round the coast. It was nicely private all right.

 

At its peak, an estimated 500,000 gallons of French brandy per year were smuggled into Cornish coves. Smuggling has many stereotypes and these images often include a small group of men unloading barrels in the night. However, until the early 1800s it was a highly organized, well financed business that was run on very efficient lines.

Of course the reason for all this unhindered smuggling wasn’t just the highly organized locals, it was the weakness of the excisemen, although in their defence, the level of local support, the sheer organizational skills of those involved, which frequently included the clergy, the landowners, in fact, you name it, and the overwhelming numbers of those involved, made it quite impossible, even for the most dedicated exciseman, to police. So a lot went right on under their noses, in broad daylight.

“They were told that if they persisted in trying to make an arrest they would have their brains blown out. As the law now stands, I fear a criminal prosecution would have been useless for the reason, which it shocks me to mention, that a Cornish jury would certainly acquit the smugglers….These, my lord, are the facts.”

Did the tramp, tramp of smugglers’ feet, the alleged digging of tunnels from houses, damage the rock, the wild flowers, the beach grasses, the environment? I have no idea. But, since reading books set there and further along the south coast, I felt the ruggedness, the isolation, the sometimes crumbling decay of their own lives, that drove people into this world, might lend itself to a book someday. And it has. Finally. Set not only in Cornwall but at a point when the government was beginning to fight back and seriously crackdown by every means at their disposal.  I hope this book trailer roughly explains it.

https://youtu.be/eAumGBY07mE

Friday 13th, high functioning depressives, release day and a review

Tags

#newbook #review, #releaseday, Cornwall, O'Roarke's Destiny, Romance, Shehanne Moore

I don’t usually do this.

Only because Jane Hunt can’t get her reviews on Amazon. Thank you. Now do we want the Cleanser here, or not…

And as Destiny, my high functioning depressive heroine says

“Really? And I’m the Man in the Moon. I go out at night and I fly up into the sky in a pair of silver breeches and shine me light on the world.”

Indeed it is Friday the 13th, not the best day in the world to release a new book on BUT then again, it is about a curse. It is also a book about two emotionally bereft people and features a heroine who is what is called a high functioning depressive.  She will be along next week to talk more about that.  

I made the decision many years ago that I didn’t want to write about people–hamsters either before you interrupt–whose lives were perfect.

Which of us, in reality, has that kind of life? But, as today approached and after the many hair tearing moments I had on this book, especially trying to get in humour that was respectful to an emotional state…well… humour  I know my readers expect, let’s just say there were plenty times I thought sometimes the path less chosen is indeed less chosen for a purpose.

That is why it was wonderful this morning to step online to a DM Facebook message from Jane Hunt, an author and reviewer who had an ARC rough copy and who does not shrink from pulling her punches.   I want to thank her for that message AND also her review.  This is my seventh book and my day, unlike when I released my first two, was to be spent getting on with my present WIP, the household tasks etc. But now I AM going to at least treat myself to a wee pre-Fri evening drink with my Mr. Oh obvi by pre I mean pre Friday nite meal with wine back here. But  special days should be celebrated. I think Jane’s review has encouraged me…

…because I felt she got my leads AND after what I said the other week about this being the shortest  on secondaries book I have written, she still felt the story was inclusive, the world of the two leads.  So yep, I am sharing this review AND the post I wrote for her about the things that inspired  Destiny  You can look away now if you don’t want to know the score.

https://bit.ly/2kIobYd

‘Cornwall in 1801 rife with smugglers and excise men trying to catch them is the setting for this clever, passionate and witty novel. Destiny Rhodes is cursed, everything she touches turns to dust. All she has left is Doom Bar Hall, her ancestral home, and now even this is in jeopardy.

Divers O’Roarke is a man with an agenda and so many secrets. He left Cornwall in the wake of tragedy, but not before he’d cursed the young woman he thought responsible. Now he’s back, the victor, but what he finds is not what he expected. What he feels is not what he thought, but he has a mission, and being turned to ashes by a cursed woman is not part of it.

The setting for this story is atmospheric and authentic. The subtle use of historical detail, lets you visualise nineteenth-century Cornwall. The sinister smugglers, the close-knit community, the rugged beauty of the coast, and the ethos of danger and suspicion, Amidst the roaring sea and windswept coastline, the story of two people, both emotionally bereft, and driven unfolds.

The dialogue is sharp and amusing, and the internal musings even more so. You spend a lot of time in Destiny and O’Roake’s minds, and they are both full of confusion and conniving.

The plot is pacy and twisty. Just trying to work out who O’Roarke is, keeps you guessing. Then there’s the exciseman Lyon, who becomes increasingly sinister. This story is inclusive, you feel part of the deadly game Destiny and Divers are playing, experience their anger, bewilderment, fear, and the passion they cannot hide. The intriguing plot comes to an intense conclusion, revealing who Destiny and Divers O’Roake are in more ways than you can imagine.

O’Roarke’s Destiny’, is historical romance for the twenty-first century. Complex mind games, passionate, sensual romance, and a fast-paced riveting plot that rides the waves of time. I’m looking forward to meeting the next ‘Cornish Rogue.’

Guest Post – Shehanne Moore – Inspiring Destiny

Firstly Jane, thank you so much for inviting me here today to your wonderful book review blog, which is such a help to authors and for your continued support.  Always appreciated.

I actually got the idea for O’Roarke’s Destiny the night we sold our house back in 2014. Yep, a while ago and I actually started it when I finished the Viking and The Courtesan in 2015 and put it aside because other scheduled books got in the way. I’d lived in this particular house for almost 30 years and it was a hard house to leave for many reasons, nor was this necessarily a chosen thing.  Although looking back now I don’t know what I was worrying about.  Anyway, the first night the house was on sale, the second viewer arrived—the dad of one of my pupils who lived along the road. I thought they’d come about something to do with the lessons. Anyway, he soon dashed that hope when he said, ‘I will make you a good offer tomorrow morning first thing. I have already put my house on sale in the hope and prayer of this one. But I know this must be upsetting for you, so don’t show me round, I  was burned on the house sale three doors along a few months ago, so you don’t have to.’   And he was as good as every word. Well, as I joked to a friend a few days later, I should have said, ‘And I come with this house. I just need a room.’ Then I thought … bingo, idea for a book there.

Ideas, mind you, are nothing like what ends up on paper.  This book started as a frothy battle over a house that only starts a few years later when the hero brings home another woman, a fiancée and the heroine housekeeper doesn’t like this and she discovers her own feelings for the hero. While this had its merits, another idea—a stronger one–formed, that was to start the book at the point where the house has been lost in a card game to a man where there’s past history.  But, this seemed a little contrived, given this man has been sort of lost to the world for years. What was he even doing back in the neighbourhood?  So I suppose my next piece of inspiration was in the books of Daphne DuMaurier, the smuggling, piratey books I’ve long loved. Having tackled, pirates, Highlanders, Vikings, I’d wanted to do a book about smugglers. Where better to do that than in Cornwall? Why not make that world the backdrop to the story.

Books aren’t just nothing like the idea that you start with—well mine never are, alas–they are about keeping the story going. There’s only so many times two people can argue about the choice of dining room wallpaper for example or the fact that that’s the best antique dishes sitting out at the bin, so while this starts out as a battle over a house, that is only a first layer, with lids to be lifted on a couple who are slogging it out over so much more within themselves and where they are in their lives when the story opens.  And that’s not actually the house at all.

Now you dudes can go open the voddie and git the dancing shoes on.

Secondary characters? How many do you need?

Tags

Black Wolf Books, Cornwall, Historical romance, Newbook, O'Roarke's Destiny, Romance, Shehanne Moore, Smugglers, Wreckers

 

SHEY : Dearest Silv, may I say how very kind of you it is to ask me here today  to my blog. I just can’t get over it. The great honour it is. To answer your question about Lizzie I wrote her out because she had no further use …

SHEY. Yes, Lizzie-alas–was adding nothing to the plot.

Nor did I need her after chapter one for the main reason I use a secondary character, that is to hold a mirror to a lead in some way, their personality, their actions, perhaps show them as I did with Dainty and Mitchell Killgower in The Writer and The Rake, in a better light and also I suppose not to make the whole thing too claustrophobic –as I also partly used Susan for in The Unraveling of Lady Fury, and give Fury a sort of confidant.  Lizzie was not going to fulfil any of these things and letting her stay was going to change how I saw this book. So why have her?  There’s also a one scene appearance by a few children, but while they are contributing to the story there, they’re what you might term decorative extras. Spear-carriers in theatrical terms.

Overall I don’t work with a huge cast of speaking characters but I do generally work with more throughout.

Shey. Indeed I think we got that. The world of Doom Bar Hall itself, despite being smack bang in smuggling and wrecking country, is a tight world. Destiny is a loner, probably a high functioning depressive who bashes through her daily routine and set of tasks with tunnel vision. She’s not one for friends—she’d never been what you might call popular, except with the men she drove to distraction years previously–and she confides in nobody, the family were larger than life that way locally. She’s a product of that family.  So to have put in a single scene where she does would have been wrong for her as a character and unbalanced the book.  Divers may swagger  into that world full of confidence and control,  underneath he’s a man on the edge, holding it together and no more. I won’t give away too much of the plot by saying why he’s at this stage when the book opens. He has a sidekick, Gil,  to show there’s another side to him and to mirror some of this ‘disintegration’ but that’s it re Gil being there.

 And because he could be trusted. A hard thing to come by, not just in this world but the world he inhabited. That dancing, dark and shady place of gnarled shadows and twisted paths, haunted by the need to keep one step ahead where nothing could ever be as it seemed. Not even himself.”

  

There’s reasons for Orwell–Destiny’s brother

 face as long as a six fiddle cases, and twenty four rainy days,

and as for Lyon?

.

Shey. He has  quite an appetite.

You knew everything but nothing of what he was really thinking. Hand him a farthing out the goodness of your heart and he’d still need to know where both came from. The farthing and the goodness. Probably your heart too.

Shey I think it’ s important when you are creating a world for a book and I try with each book to create a world, to think of the things that help show it.  And for me in this book it wasn’t the wider smuggling picture which is actually central to the story, but the putting of this hero and heroine and what unfolds in this world between them, centre stage. I felt that could only happen with a small playing ensemble, so even the servants had to go.  I think it’s sometimes something to consider in terms of cementing  a setting, depending on what that setting is. This one was not the world of ball gowns and dance cards and it’s not a pretty one of smuggling either.  And now before you open the voddie and do the Cossack dance… a book trailer.

 

Once he’d have died to possess her, now he just might…

Beautiful, headstrong young widow Destiny Rhodes was every Cornish man’s dream. Until Divers O’Roarke cursed her with ruin and walked out of Cornwall without a backwards glance. Now he’s not only back, he’s just won the only thing that hasn’t fallen down about her head—her ancestral home. The home, pride demands she throw herself in with, safe in the knowledge of one thing. Everything she touches withers to dust.

He’d cursed her with ruin.

Now she’d have him live with the spoils of her misfortune.

Though well versed in his dealings with smugglers and dead men, handsome rogue Divers O’Roarke is far from sure of his standing with Destiny Rhodes. He had no desire to win her, doesn’t want her in his house, but while he’s bent on the future, is there one when a passionate and deadly game of bluff ensues with the woman he once cursed? A game where no-one and nothing are what they seem. Him most of all.

And when everything she touches turns to dust, what will be his fate as passion erupts? Will laying past ghosts come at the highest price of all?

September 13^th 2019 Black Wolf Books.

‘I know I have not won Doom Bar Hall from you.’ O’Roarke’s Destiny Chapter 1

Tags

Cornwall, New book, O'Roarke's Destiny, Regency, Shehanne Moore, Smugglers, Smuggling in Cornwall

 

I know I have not won Doom Bar Hall from you………

      CHAPTER ONE

 

   Cornwall 1801–For every smuggler, there is an exciseman who will hunt him down …

Destiny Rhodes was used to losing everything in one stroke. She’d just never thought it would be this stroke.

“A Gull Wrysen, here, you say?”

“I does, ma-am.” Lizzie’s voice tolled as befitted someone who was in the running to win the grand prize in the looking most like your surname competition at Penvellyn Fair.  So, Here Lies Lizzie Tooms, Loyal Servant of the Rhodes, Now Gone as Them, Probably unto Hell, could have been etched into her forehead.

Ignoring the rattle of the chimney pots crashing onto the lawn outside, Destiny stared harder at her reflection in the mirror above the fireplace.

“And?”

“And quoth  I, seein’ as you be a’ askin’ and me havin’ spoken to him, far worse bells could be a’tollin’ for them what are cursed.”

“Do you know, I’m very glad you think so, Lizzie? After all, here was me thinking it could well be the man who did the cursing. So why don’t we all just look on the bright side and say a prayer of joy and thankfulness? I mean, it’s not like we haven’t got anything better to do, now is it? Where’s the captain by the way?”

“Busy.”

“Lying drunk on the stable floor, you mean? Having managed to get here on his sodding horse but not off it properly? Oh, that’s busy, I suppose, if you can call such things busy.” She clasped the mantelshelf tighter in her mittened fingers, the image of Orwell meandering home beneath frozen stars, flickering through the flames. If only she was such a frozen star, instead of standing here, staring as the straw end of this place disappeared down a dark rabbit hole. Doom Bar Hall. The only thing in her life still standing. The bricks and mortar she’d poured herself into. Every flower, painting, tuck on every cushion, even her pine cone garlands that made this room a work of art at Christmas. Gone. On the turn of a card.  “Yes, a fine thing to be as busy as that.”

“I can only reports what t’es my sacred duty to report, ma-am.”

“Well, it’s something of a pity you felt it was your sacred duty to come in here and report this.”

Maybe she should just fall down now on the fender and be done with it? Then at least she might be buried along with her garlands.

“Anyways, I be sure your brother’s done his sacred best.”

“You know, for once you and I couldn’t agree more. His level best, or should that be epic, to get drunk? His very best to lose this place. As for everything in it–?”

Yet, despite what she’d thought a moment ago, was this really so unexpected when Orwell inhabited the drinks cabinet the way fish did the ocean and would be sure to win the empty cider barrel in the drinking it dry competition at Penvellyn Fair.  In fact, there was no might about it. The miracle was it had taken him this long. As for what she could do about it? Apart from winning first prize in the breaking her hand by punching a wall competition?

“Ma-am, I be sure that despite everythin’, he has this in hand.”

“Really? Well? That’s a first. A second first, I must say. You thinking and him having this in hand.”

“If he does not have it in hand, the Lord shall. You watch this. He will be our salvation, ma-am.”

“Oh, please do spare me. Truly. Unless you think a sermon to match the one on the Mount, is something I can stand tonight? Wait around for the Lord being me salvation, and first prize in the look at all them moldering bones competition is what I’ll win.”

“Then what do you require, ma-am?”

“Right now? Apart from a sodding great dose of arsenic, you mean?”

The strength to deal with this but that didn’t look like it was coming unless that sodding, great albatross that had just careered inside her velvet gown–a triple-weighted blind one at that—found some other gown to career into. Finally, ashes existed she couldn’t rise from, despite everyone always saying she should have been named Phoenix. Imagine that, when Lizzie was sure to have it broadcast all over Penvellyn by this time tomorrow, if not before, how Destiny had collapsed in the library fireplace and lain there, cursed, like all who’d passed down the long, dusty road to the charnel house before her, too?

“Ma-am, I know we have had our differences—“

“You can say that again.”

Mostly on the subject of accents. Destiny sounded like her mother who had come from up north. Yorkshire somewhere.  And Lizzie only took instructions from those who didn’t, which made it even more ridiculous she took them from Orwell who was more refined than a glass of malt whiskey. Orwell who probably reeked worse than one right now and was in no fit state to open his mouth, let alone let an order fall out of it.

As for Lizzie’s pity? Another lecture on the Lord? Lizzie producing a bible from her apron pocket in another minute or so, in all probability, and asking Destiny to read from it? Well, Destiny wouldn’t want first prize for making the heavens fall down. Now, would she? Especially not when she’d already won the one for having her head panned in with the meat mallet. After all, it was vital she at least try to raise her chin, though what she was lifting it for she’d no idea.

“No. Don’t.” Lizzie parted her lips and Destiny hurried on. “Once is quite enough. Look, just send in this … this man. Me brother may be lying on the stable floor too drunk to deal with him. I’m not. Go on.”

Yes. Let those who thrived on the pantomime of her life, say her black heart dripped something so common as blood? Over her burned and beaten body. That would be death, not this, even if all of it was death now. How could Orwell do this?

“If it is yore wish and yore command, ma’am?”

“I’d hardly put it that strongly. But what else can I do?  Still, fear not Lizzie,”  she lowered her gaze from the mirror as Lizzie nodded. “Whatever happens, I’m sure the servants’ places will be guaranteed. After all, in my humble experience, everyone needs servants. Even a death knell one like you.”

Well? Everybody did. How very lucky to be one. Suppose she said she was? Found a mob cap, claimed to be the housekeeper? Bit an arsenal of bullets, swallowed them too, suffered the laughter, the snide remarks, the fact Orwell  wasn’t the only one to drag the family through the gutter?  Endure the servants too? The ones who had so  recently been hers?

How far a falling from a heaven too high.

What? Have it round the county that she qualified for entering the best servants competition because she cleaned boots and changed beds for her new master, fetched him his pipe and slippers, dusted his ornamental vases?

No. She’d sooner starve. After all, she wasn’t exactly likely to win it.

My God, if only Chancery had lived. Actually, if everyone who had ever touched her sorry life had damn well lived, she’d not be in this mess. But Chancery’s death, over that sodding Rose O’Roarke had started an endless procession to the charnel house. All beneath the winding sheet of one certainty. The hollow toll of another death would shortly follow.

Until the moment Chancery took up with Rose O’Roarke, he’d been heir to Doom Bar Hall, not sodding Orwell and sodding Orwell’s brandy bottles. Captain Rhodes, if you pleased, seeing as he, and them, commanded the local militia. Then the curse uttered by Rose’s grey-eyed brother, Divers O’Roarke, across her marble-veined corpse had come true. They were all rotting in hell. Destiny most of all.

Her shoulders sagged. She glanced back in the gilt framed mirror, wreathed in ornamental cherubs on their way to heaven—lucky them–the mirror she’d found in the attic and spent weeks cleaning, mending and wiping dead flies off. Gull sodding Wrysen’s mirror now. Well?

Unless?

Unless she took it down, of course. Took it with her. It was heavy as an elephant. That much was obvious the second she reached forward to wrench it free. Not that she’d ever won any prizes for wrenching an elephant. No. There weren’t exactly many of them about in Cornwall. And any there were, were hardly likely to be nailed to the wall, the half of which she’d be trying to get out of the door next if any more plaster showered onto her fingers. And where would she put that?

No. This was over. Over. Over. The words ticked like the grandfather clock in the hall outside. All she could do was go with her head held high. Let the locals have their farthing’s worth. Well?

Unless?

She fingered her throat. It was an idea. Even if she wasn’t quite sure where it came from.

“Dstny … ”

The French doors banged open in the gale howling over the cliff face. Orwell, staggering in here with wet boots and slurred apologies for losing her pine cone garlands, was the last thing she needed. Certainly, if she was really considering that idea.  She slipped her gaze from her—actually, some might say, edifying as a dead viper’s–reflection.  And they would be right.  Some things had to be faced when it came to ideas.

“Goodness me. Orwell. Sit down, why don’t you? Preferably not in here, before  your wet feet take first prize for ruining the rug, when it’s no longer ours to ruin either. At least I hope that’s from your wet feet.”

The spindle chair nearly went over beneath his backside as he collapsed into it. She braced for the crash. It  would certainly be one thing less for Gull Wrysen to claim if it smashed.

Unless?

Orwell sank his head with its untidy chestnut quiff on his chest and tried pulling his coat-tails from beneath his backside. “I say, old gril, l mean girl … I’ll need … that is, I’ll nleed to … I’ll need ver’ much to …  to … ”

“What? Sober up? Stop drinking? Get Doom Bar Hall back? Likely as a chocolate doily surviving in hell that is, if you must know.”

“Mulst know? Well, I… I sullpose, I sullpose I do. I mean … Do you know, it’s the damndest thing … but I don’t knlow what I mean …”

“Oh, I think we can all see that, Orwell. Maybe we should hang a sign in Truro, saying, ‘This is Orwell Rhodes. He doesn’t know what he means but one thing’s for certain, he has lost Doom Bar Hall. Throw him a farthing someone, so he can maybe buy it back.'”

Unless?

Hearing footsteps marching along the hall, she raised her chin.

“Yes Lizzie, what is it?”

“Milord Wrysen, ma’am.” Lizzie’s bobbed curtsy was probably the lowest the man towering in the doorway had ever seen. It was certainly the lowest Destiny had ever seen it. Start as you mean to go on her father had always said. Lizzie was starting well. Destiny should take a leaf out of that book.

“Should I fetch tea, ma-am?”

A good question. But no amount of tea in the best china cups Destiny had found moldering in the stables would sort this.

Unless?

She flicked her gaze over the man opposite. About thirty? Black haired—not her preferred color–a dusting of stubble on his chin.  Eyes like gleaming black bullets. A plain, if not inelegant greatcoat, and leather boots, flecked with mud. No wedding ring. It didn’t mean he wasn’t married.

In that moment she decided.

“No. I am sure His Grace here would prefer something stronger, Lizzie.”

Like herself.

She pinched her cheeks, although this Gull Wrysen could take her as she was. So long as he did take her.

It could be worse. Orwell could have lost the wager to Divers O’Roarke. Then she’d really be in trouble. It was common knowledge he regularly gambled the fortune he’d amassed designing houses and gardens in London.

Hadn’t the sun’s rays shone on him since he’d sworn that oath? Shone to the extent his chestnut hair must be burnt black while she looked more of a corpse than his sister, Rose.

This was the hand she’d been dealt. This was the hand she’d play though.

Smiles were beyond her. Gull Wrysen would see what he was getting and what he was getting was someone young enough at twenty five, to be thought attractive, despite her cropped hair and–all right–the fact she’d give a dead viper a run for its money in the looks’ stakes. But really, some might say, that was all.

As for what she was getting? Well? Doom Bar Hall was what she was getting. Very nice it was too. When nothing else mattered, she wouldn’t be the first, or last, to  manage a few ecstatic moans where required.

Only think of the fuel for the fires of all these little effigies the locals liked to make of her. The fires that had been dying of malnutrition lately.

She settled her gaze on his face.

“Well, Your Grace? Do allow me.”

She meant a drink. Orwell was sitting there, after all. Besides Gull Wrysen was standing as if she was Medusa and he’d been turned to stone. But hopefully this was purely temporary.

“Thank you, Lizzie,” she added, seeing that only Lizzie’s jaw had moved and that was in the direction of the floor. “Yes. As you can see, I will deal with this. And please shut your mouth while you’re about it. It’s wholly bad enough you look like a tombstone. We don’t want you adding trout to the mix. Not when Mr. Wrysen and I have things to discuss, regarding the house.”

She waited for Lizzie to win every prize going in the collecting her jaw and sailing like a doom-ridden ship away competition, before setting out two glasses. Gold rimmed ones from the set that added perfection to her Christmas Eve when she  finally sat before the fire in the cavernous, leather armchair and treated herself to a measure of port. Glasses she’d be keeping now if this went her way. Why shouldn’t it? She was cursed, not incapable.

Yes. This man wasn’t so bad. Fair hair would have reminded her of Ennis, who some might say, was probably birling ten times in his coffin. Not the man to think of and face this one standing in the candlelit shadows in his mud-spattered boots and greatcoat, holding his hat beneath his arm as if he’d no idea what to do with it.

Well, she knew, she knew exactly. She slipped the top off the decanter, inhaled the rich ruby scent. If it came right down to it here, she could cook and dust, if need be. If he wanted to bring in a woman, if need be, she’d say nothing. After all, there would be nothing to say anything about on her part. No jealousy. Nothing. She wouldn’t insult Ennis’s memory with that kind of thing that betrayed low moral fiber.

“But perhaps I am being presumptuous with your drink and your servants, now Doom Bar Hall has fallen to you, Lord … Lord …?”

“Me?” He shifted uncertainly, the ghost of a smile hanging to his lips. Totally unnerved. No bad sign. “Oh, good God, no. Miss … Miss Rhodes, isn’t it?”

“Well, it’s not the devil incarnate, though there’s plenty round here certainly say so.”

“Good .. I mean … No, I mean I think there’s been some kind of mistake.”

She nearly clattered the decanter top onto the sideboard. Some kind of mistake?  My God.  Damn Orwell. And yet, Lord love him. A mistake. It was all a mistake.  Thank God she’d had enough moral fiber not to open her mouth.

“I mean … You mean you’re not Gull Wrysen? And you’re not here to take Doom Bar Hall from me? Well, I never.” Especially given how close she’d been to offering herself. ”You know, I just can’t believe how I—well, never mind, have the drink anyway.”

“Gull?” Gull Wrysen lips twitched as he reached for the glass. “I’m not Gull Wrysen. Not that I know of anyway, unless I’ve been re-christened. I’m not Wrysen either. My name, so far as I know my name anyway, is Gil. Gil Wryson. And I’m not a gentleman either. Well … again… Not that I know of.”

“I see.”

Damn Lizzie. As ever, she won first prize in the being spat on by the Fates competition. After they fell about the floor laughing at her first. Why hadn’t she known no man would be called Gull? And Wrysen was a Cornish pronounciation? Still, she could surely weather a blob or two of spittle seeing as this was all a mistake?

“Although that’s not the mistake,” he added.

Damn the Fates to hell. Still, one mercy in a drought dropping from the heavens? She hadn’t danced  about the floor waving her drawers in the air.  Whether he was a gentleman or not, was neither here, nor there, when it came to getting him to agree to this. And she would, so long as her own name was Destiny Rhodes, she would. Now. She’d have to. Just swallow what rose in her throat, forget about the fact that when everything she touched turned to dust, the pity was he didn’t drop at her feet, and do it.

“Then … let’s get straight to the point. I’ve always been a frank talking kind of girl.”

“The point, Miss Rhodes?”

“Doom Bar Hall is not just my home, as well as my brother, Orwell’s, it has been  my whole life since my husband, Ennis, died. You look surprised?”

“Only in that—”

“I seem young to be a widow? Well, I was and I am, I suppose. Of course I could have lived at Pangbury, the family home but we were guests there ourselves, him having a younger brother with family. So I put the money he left me into Doom Bar Hall, because it has been in the Rhodes family for generations. I returned to my maiden name too. I think you’ll find I’m quite a woman of the world, however.”

It was the most tactful way to put what she was about to propose, which was why she turned away. Not before she saw Gil Wryson’s gleaming black eyes were searching her face in bemusement. But perhaps he simply couldn’t believe his luck? She knew she couldn’t. Believe her luck that was. Certainly at having got this far.

“I suppose what I am trying to say to you, is that I am in this house,” she added. “Yes. It is in me even though you may have won it from my brother, Orwell.”

“I think you’re mistaken there, Miss Rhodes.”

“Really? Well I don’t. You did win it. I’m not going to argue about that, or how easy it probably was, knowing Orwell’s drinking habits, to diddle him of his left pinkie. His thumb too.”

“Perhaps. But it … ”

Must he keep interrupting her when she was doing her level best here to get up from the pit, soar to the sky and secure the roof above her head? And the desperation he might refuse, lay like a lather on her bones? She glided forward then turned to face him.

“Doom Bar Hall is too precious to me. As you will see when I show you around, I am in every scrap of this place. In fact you might even say I am this place. That is why you should also know something.”

“What?”

“I come with it.”

Start as you mean to go on. Finish too. The blank cut-out she was inside meant it was nothing for her to stand here and offer herself like this. Once. Perhaps. But now? Given the alternative? Although equally, some might say, she had risen to this with a surprising fervor.

“I’m sorry?”

“Oh, I am too, Mr. Wryson, but I honestly have no choice.”

He blinked, as if he hadn’t known what was coming, or didn’t want her, although he did have the good manners to smile. “Am I to understand?  Are you … are you suggesting … ”

Orwell’s boots scraped on the scuffed floorboards.

“Dstny. Dsny, old girl, thart’s what … you see … it’s like this … I relemmber now. …”

“Oh please, Orwell, do be quiet for once in your sorry life. Let’s just agree I’ll handle this, shall we? You can go to the devil for all I care. In fact, shall we say Truro marketplace if you don’t button up?”

Yes. Gil Wryson wasn’t the devil and he wasn’t Divers O’Roarke–not that the devil troubled her, if she’d to narrow that list down. Divers O’Roarke now? Exactly how likely was he to be here in Cornwall?

Ignoring the wind banging the shutters, the batter of incessant rain cutting a silver stream down the moonlit glass, she continued,

“Now then, Mr. Wryson, these are the terms I place honorably on the table before you. They are very simple. Doom Bar Hall is my life. I will not be separated from it. So if you take Doom Bar Hall, you take me, to do what you will with. I’ll be your queen, your housekeeper, I’ll be your whatever you desire, because no-one knows this place like me. If you can’t do that, if you have some other agenda, some other woman, for that matter, whatever you have, walk away now.  I know I have not won Doom Bar Hall from you, that in a million years I may not have done that, but then again I never lost it in a devil’s hand of cards, played against a man too drunk to know his own name, let alone the family one he’s thrown away. These are my terms. I’m not leaving here, unless it is in a box. Do you understand?”

“Miss … Lady … ?”

Ignoring him, she lifted the glass to her lips. Courage flowed into her veins, all the way to her pounding temples.  It always did when she made up her mind.

“In the circumstances, you may call me, Destiny.”

Orwell tried again to struggle to his feet. “Dstiny. Don’t. You … you don’t know … “

“Orwell, I asked you to stay out of this. What you do is up to you just as this is up to me. I am doing this. I am keeping our home.”

Her shell would anyway. What followed behind, a pallbearer at an unspeakable funeral might wince. She waited, a prisoner of the silence, the one existing in her soul, for Gil Wryson to speak. His lips cinched uncertainly, as if he didn’t know how to approach this. Gentlemanly of him, but not the point.

“Destiny?”

“Yes.”

“Well, I … I’m sure I can call you that, Miss … Miss Rhodes, if that’s acceptable … ”

“Why shouldn’t it be? We’re going to be things to each other, after all. Let’s drink a toast to it.”

“But what I was trying to explain, maybe not terribly well, that is true, and perhaps your brother—“

“Oh, him? He doesn’t count for anything where this is concerned.”

“– is too, is that I didn’t actually win the game. So really … ”

Her heart beat in such hope it almost felled her, although hope was something that had lived in the dark for the last two years. Doom Bar Hall wasn’t lost at all.

Relief washed like an ocean, ambushing her as she stood there encased in tortuous, threadbare velvet. Her cheeks pulsed. To think she’d abased herself for nothing. But what did that matter? She downed the drink in one, wiped a mittened hand across her mouth.

“Then … if you didn’t win …?”

“No. I suppose that’s what I meant when I said I wasn’t a gentleman.”

“I’m sorry, Mr. Wryson, you will think me thick as a sea mist—“

“Not at all.”

“–but the truth is I really don’t understand what you being, or not being a gentleman, has to do—“

“I’m acting on behalf of my employer.”

“Your employer?”

So it was true? She’d lost Doom Bar Hall. Still, she’d made that decision before this man walked in here.  How he looked, how old he was, who he was, had made no difference then. Why should it now?

“He thought there would be difficulties, you see.”

“Apart from me brother lying drunk I can’t imagine how.”

“Well he did. And that was why he asked me to spy out the lie of the land, if you will. After all, this is quite a house to lose–”

“Do you think I don’t know that? That is why my offer is the same because I don’t intend to lose it–”

“Especially when there’s past associations.”

“Past associations.” She resisted the urge to finger her throat, which prickled as if a moth’s wing was stuck in it somewhat of a sudden. “What do you mean?”

“I mean my employer once lived—not in the house itself—but on the estate, and is known to you.”

“Known?”

She swallowed the astonishment sitting cold as marble in her mouth. There was only one man she could think of who’d done that but of that one man, she didn’t want to think. Not when the blood drained from her face, the floor loomed so perilously close she struggled to stand in her black slippers and Orwell staggered to his feet.

“Dstny … I triled to tell you. But you … you … Anyway, you’re nlot seris … ”

“Unless the name Divers O’Roarke is unfamiliar to you, Miss Rhodes?” Gil Wryson’s voice was oiled velvet.

“Divers O’Roarke?”

How did she say the name as if it was nothing to her, the name of the man who had cursed them, cursed her loudest of all?

Because she must.

“No. I believe I have vague memories of him.”

“Good, because he is waiting outside. I will be sure to pass the details of your offer to him if you still desire it.”

Before she could think whether she did or not, whether some might say this was putting it rather strongly, or she should change her mind, a footfall sounded in the doorway behind her.

“Good evening, Destiny,” clanged the sounding bell of hell and a voice she sort of recognized from there. “I see you haven’t changed.”

BLURB

Once he’d have died to possess her, now he just might…

Beautiful, headstrong young widow Destiny Rhodes was every Cornish man’s dream. Until Divers O’Roarke cursed her with ruin and walked out of Cornwall without a backwards glance. Now he’s not only back, he’s just won the only thing that hasn’t fallen down about her head—her ancestral home. The home, pride demands she throw herself in with, safe in the knowledge of one thing. Everything she touches withers to dust.

He’d cursed her with ruin.

Now she’d have him live with the spoils of her misfortune.

Though well versed in his dealings with smugglers and dead men, handsome rogue Divers O’Roarke is far from sure of his standing with Destiny Rhodes. He had no desire to win her, doesn’t want her in his house, but while he’s bent on the future, is there one when a passionate and deadly game of bluff ensues with the woman he once cursed? A game where no-one and nothing are what they seem. Him most of all.

And when everything she touches turns to dust, what will be his fate as passion erupts? Will laying past ghosts come at the highest price of all?

 

Releasing Friday September 2019 .. It is about a curse after all …Paperback and Ebook. E book can be pre-ordered here.

 

She’s back. …in every way.

Tags

Black Wolf Books, Italy, Romance, Shehanne Moore, The Unraveling of Lady Fury

 

Shey – Cos frankly I had to kick your butts into gear.

Shey- it is kind as you’re getting till you get back into line.

‘

‘Had her mind really whispered Lady Margaret this morning? James Flint Blackmoore. Pig. Pig. Complete. Absolute. Pig. Bastard. Now, that’s what she should have thought.’

Her gorge rose even though she had something on him now. A shipload in fact. Rescind the rules? In her dreams. His too. The bastard could take what he got and welcome.

https://amzn.to/2HDefK9

 

Genoa 1820

Malmesbury would father the heir to the Beaumont dukedom. Count Vellagio wasn’t a contender. What she’d logged in her book about him this afternoon said it would be a huge mistake anyway. The same for the Duke of Southey—young, certainly, but a drunk with quiffed hair and filthy fingernails.

No, Malmesbury was the best. The only. Intelligent without being painful, fashionable yet not a dandy, and retaining enough of his looks at the age of fifty not to  be outright repulsive.

Of course, it would have helped if Thomas could have fathered the Beaumont heir himself. But as he lay dead in a box in the cellar, that wasn’t likely.

“Gentlemen, you know as well as I do, this is an unusual evening.” Shivers ran up and down Lady Fury Shelton’s spine as she stood in the center of her darkened antechamber.

With its festooned corners and gold-scrolled furniture, the carmine-walled room was the best place for such an assignation, although the tiled floor and the cool clang of evening bells snaking in through the parted shutters made it chillier than usual. The candlelight glinting on the pale oval of Messalina’s face on the hanging above the bed, too. Earlier, the air had been hotter than a boiled lobster. She’d had to change twice in the space of an hour because she was too.

“Hear, hear.” Southey raised his crystal glass.

Where else, but to his obviously parched lips. A toast to her? Already it was obviously beyond his capability to sit down facing her as the other men were, with their drinks untouched on the tiny tables beside them, the epitome of good manners.

“My interviews are complete. Shortly, I will make my choice. Then, having done so, I will invite the said gentleman to this bedroom, where he will perform his duty as often as necessary.”

“All in one night. I say, that’s a tall order for a man. Isn’t it, chaps?”

For Southey, yes, it would be. Given the state in which he’d arrived at her door this afternoon, and what he’d sunk of her amaretto and limoncello in the meantime, it was a miracle he could still stand there against the marble fireplace. Never mind anything else.

But she wasn’t about to debate the subject. Maybe she was fit to snap the spine of the tooled leather book she was clutching–a pity it wasn’t his throat—the Moon could not look serener.

“I say, Fury, how the blazes are you going to tell right away?” Southey hiccupped. “Don’t them things take weeks and weeks to find out?”

“The one chosen will be here for weeks. Those not chosen,”—him in other words–“will leave within the hour. I think we may be clear that at any time in the future, should any one of you breathe a word to anyone about this, I will find out. I have sufficient information in this book here to ruin each and every one of you. Make no mistake, I will use it.”

“By God, Fury, you don’t need to talk like that about any of us, I’m sure,” Malmesbury, who had so far watched the proceedings with an amused smile, muttered. “You want to get one over on Thomas; I, for one, don’t blame you. We all saw him sneaking about with that Porto Antican tart when you first arrived.”

“Yes.” Who hadn’t?

“And do you think we’re unaware what his illness has done to him? The rages? The drinking? The way he keeps you here like a pet poodle?”

That too. Thomas wasn’t who she was getting one over on, but she couldn’t very well say so here.

She held in her hands every dirty little secret concerning these men. All documented in the yellow, dog-eared pages of her book. The leaves also contained letters, bills, testimonies, transactions. She kept it all beneath lock and key. So they obeyed her.

In fact, she kept dirty secrets on every member of the aristocracy she came into contact with, so she was safe for another hour, another day. She was hardly about to lose that balance of control by admitting this wasn’t about Thomas.

No. She could have paid a Porto Antican organ grinder to father her child and walked away, no questions asked. The one at the end of the harbor was handsome enough. But Lady Margaret would smell an organ grinder’s bastard at a hundred paces. Hadn’t the woman scented Fury?

Malmesbury shifted in his chair. “Where is he, by the way?”

“Who? Thomas? Thomas is visiting his father.”

No lie. Had any of these men facing her in the flickering candlelight known whether Thomas’s father lived or died, she’d never have chosen them.

“Even if he wasn’t, Thomas wants you to know me well. That is why he’s gone.” She hesitated. Thomas would spare her this next lie, although there was more than one grain of truth in it now. “Sadly, it is more than he can do himself these days. Now, I must ask you all to return to your chambers and wait. My mind is almost made up. Susan, here, will call in due course for the chosen one to return. And we’ll begin.”

“Dash it, that’s good to know.” Southey thumped his glass down on the marble mantelpiece.

In addition to his drinking, his casual mistreatment of the Murano goblet, while not worth an entry in her book, made him all the more unsuitable. What careless traits might a child inherit? Besides, his odor as he staggered past her made her stomach heave. It took every ounce of her self-control to remain where she was, inhaling the fragrance of the citrus-scented candle Susan had lit to disperse the gloom.

He paused and turned toward her. “All this cloak and dagger stuff is killing, you know.”

“Yes. Certainly for some.”

“What if you can’t … you know?”

“Oh, I’m sure I can.”

Malmesbury got to his feet. “I shall wait then, Fury.”

There was no doubt his palms itched to touch her, but she shrank from letting him. It didn’t bode well for later, but at least he didn’t smell. There wasn’t a single crease in his immaculate silver frock coat. And his shoe buckles not only shone, they sparkled. His valet must be remarkable, whoever he was.

Count Vellagio was silent as the crypt. Speaking limited English—and not much more Italian—he always was, unless it was absolutely necessary.

It was one mercy at least.

***

“Oh, I will fetch the chosen one, will I?” Susan folded her arms across her ample bosom, the instant the door closed.

Fury managed two steps and sank down at her dressing table. “Just cover the bruises, will you? I can’t have them on show. It might affect the conception-–or at least it might affect their ability to perform. They see that and God knows what they’ll think. I know I would.” She tossed the book into the open drawer. “So?”

“Madam—”

“If I have to take a stick to your back, I will.”

“A stick? That’s fine talk, when I think of all I’ve done for you.”

“I know you mean well,” Fury wheedled, dabbing a little perfume on her wrists. “But I believe it’s important for a woman to look her best, regardless of the situation. So don’t argue. I honestly can’t take arguing tonight. I don’t know if I can take anything more.”

“Look your best? For a bunch of drunken old faggots. Sadistic old faggots. Do you know what I heard about Vellagio today?”

Fury picked up her powder puff. When it came to looking her best, she might as well make a start, if Susan wasn’t going to help. “Whatever it was, you shouldn’t have been listening.”

“It was at the market. How could I help it?”

“By covering your ears. Anyway, I thought you didn’t speak Italian?”

“He uses boys. Young boys. Whether they want to or not. He whips them too.”

For a moment Fury stared at the marbled surface of the table. If she could draw strength from its veins to hers, that would be nice. If she could draw strength from anything, in fact. But she was past that now. All she could do was choose one of these old faggots.

“Really? Well, I heard it was young girls. But whichever it is, while I know you mean well, you’re not in my situation. In fact, it’s hard to think of anyone who is. But if anyone was, I’m sure they’d do what I’m doing.”

“You think.”

“We both know it’s this or nothing. I can’t … I won’t be cast off without a penny. Not again. It was bad enough the first time. And anyway, it’s no more than Lady Margaret deserves.” Wincing, she swept the dark fall of hair back from her neck. “Now, please, a little powder—”

“A little powder?” Susan folder her arms tighter. “It will take more than a little powder to cover that mess this time.”

“Just think like Lady Macbeth, will you? And stop arguing. You’ve done it before.” Fury raised her head as a gust of wind blew in through the open shutters. “Anyway, the men aren’t all old. Or faggots.”

“Fine. Have it your own way.” Fury almost ceased breathing as Susan secured the shutters, then bustled across the floor. “You know you always do. Though I’m not thinking of Lady Margaret. Or of what she deserves, either. I’m thinking of you.”

“Then don’t. You know I don’t require it.”

“I’m thinking you should just tell that old toad where to stuff her money. You could find a protector here in Genoa. A woman like you.”

“A woman like me?” Fury met her green-eyed reflection in the not-yet-paid-for glass. “And what would that be, exactly?” Long ago she’d stopped wondering, buffeted by fortune’s changing winds. Forced to snatch what she could to survive. Always knowing one false foot-fall would bring her down. “Anyway, why would I want a protector? Thomas was that, at the start. Now look at me, without a penny to my name again. No. I’ve had my fill of protectors. I want to guarantee my future. The future of … Well …” Her eyes dulled in the glass. “You know as well as I do the things that are dear.”

“But madam, if you didn’t have the money to pay certain bills, my sister wouldn’t—”

“That’s what you say, when we all know money is the most important thing on the planet.” She dabbed a little rouge on her cheeks. “You know the dire nature of my predicament, what I must guarantee and why. That damned old bag hated me from the first. Don’t tell me she doesn’t lie awake at nights just thinking of new ways to torture and humiliate me. But poisoning Thomas’s father against me? Cajoling him on his death bed into insisting Thomas must provide an heir before succeeding to the dukedom? What kind of new low was that? One I would never stoop to. In fact, now I think about it, I don’t know anyone else who would. Well, it’s one blessing at least that Lady Margaret lives in England and I’m here. Even if, in other ways, that’s a torture to me.”

Susan sprinkled a dusting of powder onto the dressing table as if she were measuring the ingredients for a cake, and then wiped her hands down her apron. “Indeed I do, madam, I just think, in fact I know—”

Despite herself, Fury touched what glittered around her neck. The single midnight-blue pendant Thomas had given her two Christmases ago. The copy of it, rather. Because that, like this, was also burning necessity. Her Hatton Garden jewel-maker had served her well, though. Thomas had never once suspected a thing of her need for that kind of money, and how it ran to far more than blackmail.

“Before you say another word on the subject, Susan–-as I know you’re going to and you should know I don’t want to hear–-even this jewel here wouldn’t pay for what I need to guarantee for Storm. It’s like me. Fake.”

“Undervalued is what I’d say. What about blackmail, then? That book—”

“Blackmail is messy, which is why I’m locking the book away again.”

“It’s not my business, but when I think of all the years you’ve bribed dressmakers and housemaids and coachmen to get what’s in it …”

“Out of necessity only. Knowing that at any time, this could all tumble down. No. This is the best way. Besides, think how good it will feel, finally outfoxing Lady Margaret. She insists on an heir. She gets one. Do you really think I’m going to care if the old bat coos over some child that’s not Thomas’s? When that’s going to be the very best feeling in the world? Well?”

“You might not say that in nine months time.”

“I can’t think of a reason why not.”

“So, who are you considering, madam? Southey? He’s certainly the youngest.”

“Well, now I can’t possibly lower myself to having Vellagio, I’m thinking Malmesbury, actually.”

“Malmesbury?” Susan’s fingers didn’t falter, but Fury sensed her start of surprise. Not in admiration of her sense of judgment either.

“Oh, I do admit that Southey would probably be less trouble and far more malleable. But Malmesbury’s hardly one-legged and toothless. I’m sure he knows how to treat a woman properly. Besides, so long as he’s—not like Thomas—what does it matter?”

Truth to tell, if anyone could understand her predicament, Thomas would have. For her sake, he’d tried ensuring an heir. But these last six months, as what pressed on his brain swelled, well … she certainly didn’t want any man treating her like Thomas had.

“That would be hard, madam, given the things His Grace did to you.”

“Well, we must remember, he wasn’t always like that. No. I think I’ve decided, Malmesbury, and I … Well, I think I should just go along there and get it over with. The sooner the better, don’t you think?” She smoothed a smoky curl into place on her forehead. “Besides, my reckoning is, he positively expects it.”

“What? Malmesbury? That old–”

“Oh, yes.” She reached toward the open trinket chest. “Now, what do you think? Sapphire earrings or plain gold?”

“I don’t see either matters, since they’re not going to be on very long.”

“Just the same.” She fastened on the sapphire drops. “You obviously didn’t see the way he stared there just now. I very much doubt he can contain himself.”

“The old goat.”

“Well. Who knows? If he’s a randy one, it might even be rather fun.” She marveled at herself for laughing when shadows ringed her eyes. But there, so long as she got through this, what did it matter?

Susan’s hand rested on her shoulder. “Then I’ll get him for you, madam, if this is truly your choice.”

“No.” Fun or not—and she thought not—the notion of admitting him here, to the bed she’d shared with Thomas, didn’t seem quite right somehow, even if she did manage to conceive the Beaumont heir. “I—I’ll do it. I need to calm my nerves. What bedroom is he in again? I confess I’ve forgotten.”

“The Blue Chamber.”

“Well then, think of England, as they say. Wish me luck. And remember to lock the drawer. However I choose to use it, that book is still the world to me. We must see it doesn’t fall into the wrong hands.”

She rose, smoothed her dress—indigo silk, a perfect match for her hair and eyes– and took the candlestick.

If she did this, she forfeited forever her claim to be a respectable woman. Who was going to know though? Apart from herself, Susan and Malmesbury. That old coot would marry her in a second, if she gave the word. It was all the more reason to choose him. So why worry when the only thing that could possibly stand in her way was herself?

If she didn’t execute this task, then she faced being in the same position as she had been in seven years ago. It was fine at eighteen. But now, she needed to secure some things. Once she had, think of how free she’d be of men and all their machinations. For the first time ever. Women, too.

The Blue Chamber stood at the far end of the landing near the stairs, and she padded there noiselessly in the arc of the flickering candle, past the disapproving busts of the villa-owner Signor Santa-Rosa’s ancestors and the draped apertures, which she sometimes imagined hid more secrets than she did.

Malmesbury would be surprised to see her. Irresistibly dressed, jeweled, perfumed in a floating cloud of jasmine, and, hopefully, willing—as much as she could make herself, anyway. Who would know that beneath the rustling indigo silk, the heady, intoxicating jasmine she had bathed in earlier, she was like a skittish colt, ready to bolt? Was this how Marie Antoinette felt going to her execution? The queen’s deeds were certainly questionable. But her courage now? That was to be admired.

Besides, surprise could sometimes be the best method of attack. A man was, after all, a man. And, as she’d said to Susan, it might even be rather fun. If it wasn’t, well, in addition to swiftly retiring to her own bedroom, bolting the door and lying with cool lavender scented cloths on her forehead, there was her book, wasn’t there?

If he put a hand on her that was less than seemly, what she’d say to him on the subject of his murkier dealings would certainly ensure it would be fun the next time, if not before. Oh, this was going to be just fine.

Drawing a breath to quell her hammering heart, she raised her hand to tap on the door.

“Hello, sweetheart.” A low, American Southern voice drawled. Not from the other side of the door where she expected to hear something, but almost in her ear.

“Imagine seeing you here.”

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Genoa 1820

Rule One: There will be no kissing. Rule two: You will be fully clothed at all times…

Widowed Lady Fury Shelton hasn’t lost everything—yet. As long as she produces the heir to the Beaumont dukedom, she just might be able to keep her position. And her secrets. But when the callously irresistible Captain James “Flint” Blackmoore sails back into her life, Lady Fury panics. She must find a way to protect herself—and her future—from the man she’d rather see rotting in hell than sleeping in her bed. If she must bed him to keep her secrets, so be it. But she doesn’t have to like it. A set of firm rules for the bedroom will ensure that nothing goes awry. Because above all else, she must stop herself from wanting the one thing that Flint can never give her. His heart.

Ex-privateer Flint Blackmoore has never been good at following the rules. Now, once again embroiled in a situation with the aptly named Lady Fury, he has no idea why he doesn’t simply do the wise thing and walk away. He knows he’s playing with fire, and that getting involved with her again is more dangerous than anything on the high seas. But he can’t understand why she’s so determined to hate him. He isn’t sure if the secret she keeps will make things harder—or easier—for him, but as the battle in the bedroom heats up, he knows at least one thing. Those silly rules of hers will have to go…

 

 

 

 

 

 

 

A dance with her wouldn’t exactly kill him. #Scottish Brides and murder

Tags

Black Wolf Books, His Judas Bride, Historical Scottish Brides, Lucia de Lammermoor, Shehanne Moore, The Bride of Baldoon, Walter Scott

Today…

Today His Judas Bride is out in paperback. FOR THE FIRST TIME.

So I thought, why not just get the dudes to help me blog this lovely blog I wrote way back about brides. Scottish brides in particular. There is surely nothing like rooting a piece of fiction in reality.  Of course I was going to get Bobby Bub to tell us all about his lovely bride Olga.

But there, as you can see he has forgotten.

I don’t think so. It might bore you so you fall asleep at your present making.

Okay so…where were we…? Yes. Rooting fiction in reality. And why, having chosen Glencoe as a setting, I then thought, well what kind of book would I want to write.

Scotland has a proud reputation for brides. Yes.

Lucia de Lammermoor. Okay. Italian yeah I get it. An opera from the book, The Bride of Lammermoor by Walter Scott no less. Aka the Bride of Baldoon. No matter the version you accept of the story, the facts leading to the wedding day and its aftermath are always the same. She was a nobleman’s daughter in love with someone else, after the wedding feast Mr was found with a dagger in his heart.

You know I think it just was.

Then…Then there was the Cumming bride, whose lovely father agreed to her marrying into the Mackintoshes so his clan could enjoy a little banquet carve up over the hors d’oevres. When it came to exchanging rings this was somewhat difficult, since the bride’s hands had been hacked off as she clung to the castle battlements. The hand-fasting ribbons would have made wonderful bandages as you can see… had she not fallen to her death. 

Or even…dare I mention it… ribbons for decorating Christmas pressies? Moving swiftly on as she did, how about the bride story that rocked Cromarty concerning a woman who appeared from nowhere, married the laird and disappeared…well she didn’t just quite disappear, she went off with a man in black.

Man as in the devil after he turned up at the feast looking for her. Neither he nor she were ever seen again and it was very clear she did not want to go with him either. What with all that inspiration, how could I not write a story about a bride?

As for the plum cake Ulla had probably labored all day to make, or maybe it was Ewen McDunnagh, it was in as many pieces as the plate it had sat on.

Talking was not a wise decision.

“Do you know I used to go about this glen, with a black wolf pelt on my shoulder?”

She didn’t. Firstly, the vision was surreal. But she didn’t want to say so, when this had gone so badly wrong and he was standing in the center of the carnage with his back to her so she couldn’t see his face.

“I got it from the devil.”

She edged a breath. Most people with any desire to go about Lochalpin dressed like that, would just have killed a wolf, maybe waited till they found a dead one to get the pelt. Him now?

“The self same day Morven died. It let me take care of quite a bit of business when I wore it.”

No wonder. If he was telling her all this, maybe she should say something? But when the things he’d said about protecting her were too unnerving, how could she? Unless they were part of the game? Bringing her here, when he was knew fine why she’d come. Part of it anyway. The other bit? All of it? She swallowed.

“Well anyway.” He straightened, strode to the door. A few muttered words were exchanged with Wee Murdie.

Kara moistened her lower lip. Had the time been spent where she should have said something?

He turned to her. “Maybe if I’d kept that pelt I’d have taken care of this business a little sooner and a bit better but I didn’t. And you’re really leaving me no choice.”

————————————————–

If he knew how to stop this he would

Desiring her could be murder.

To love, honor, and betray…

To get back her son, she will stop at nothing…

Dire circumstances have forced Kara McGurkie to forget she’s a woman. Dire circumstances force her to swear to love and honor, to help destroy a clan, when it means getting back her son. But when dire circumstances force her to seduce her fiancé’s brother on the eve of the wedding, will the dark secrets she holds and her greatest desire be enough to save her from his powerful allure?

To save his people, neither will he…

Since his wife’s murder, Callm McDunnagh, the Black Wolf of Lochalpin, ruthlessly guards heart and glen from dangerous intruders. But from the moment he first sees Kara he knows he must possess her, even though surrendering to his passion may prove the most dangerous risk of all.

 She has nothing left to fear except love itself…

Now only Kara can decide what passion can save or destroy, and who will finally learn the truth of the words… Till death do us part.

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In print and in deepest Berkshire….

Tags

Berkshire, Bisham Abbey, Black Wolf Books, Catherine Cavendish, Elizabeth Hoby, ghosts, haunted Berkshire, Loving ady Lazuli, Shaw House, Shehanne Moore, the Chandos Bride

 

Dark Doings in Deepest Berkshire – with Shehanne Moore

 

Catherine Cavendish….. ‘My guest today is historical author Shehanne Moore. I love her books, which combine adventure with feisty characters, humour and a flavour of the Gothic: ‘

 

   “As God is my witness, this property shall ne’er be inherited by two direct successors, for its sons will be hounded by misfortune.” 

                                                                                By Shehanne Moore.

As God is mine I must say I was heartily glad to read the following….

‘Berkshire is a place of mystery, myth and legend. The county abounds with strange tales of ghostly phantoms, ferocious creatures,

kings & knights, witchcraft, treasure and more.’

Why was I glad?

Because it’s never easy coming to the wonderfully chilling blog of Gothic horror writer, Catherine Cavendish. Certainly NOT when you write romance,  even when it’s slightly Gothic romance.  Thank you so very much Cat for inviting me. despite this.  

Not only is my recently re-released book Loving Lady Lazuli set in Berkshire where the heroine has gone to ground – phew- there was a ton of tales to choose from. 

I am glad to hear it. I thought you sort of chewed tails to bits, cut them right down the middle…  So it said online anyway–I mean about Berkshire of course– which was why I was initially drawn to the ‘most haunted’ Shaw House but the most interesting thing there I could find was the true story of how the Duke of Chandos took as his wife, a beautiful chambermaid who was being sold off by her husband in an inn yard with a halter round her neck.   (Something you hamsters dudes should try for size.)

Not just shades of Thomas Hardy’s, The Hamster…00OPS… Mayor of Casterbridge but proof that the business of dukes marrying what might be construed as women a universe  below their social status….as happens in Lazuli and Splendor and indeed in a hell of a lot of historical romance… is not as daft as all that.

 Moving on though, through covens of witches and headless men, I came to the story of Bisham Abbey…I guess apposite again as Barwych Hall in the book is based on Mount Grace Priory in Yorkshire.  However, the Bisham monks were so furious at Henry VIII for ‘dissolving them,’

 

they cursed the ancient building.  

And indeed…as in another follow through from the book, sort of anyway…the sons of Bisham’s many different owners didn’t just fall down dead, they were beheaded, they died young, they were killed in world wars—and, as in the case of young William Hoby, they had some help from their mama. In this case, the widowed Lady Elizabeth who had such high standards of education,  she not only beat young William to bits and locked him in the Tower Room to do his lessons all over again, she quite forgot, despite being so brilliant herself, that she’d done it, clearing off to Windsor for several days of dancing and banqueting. A very merry widow to all accounts.  After all, weren’t there servants for tiresome things like children after all? Hamsters too……

At least Lady Elizabeth thought so, so she was really quite astonished on returning home to find that everyone thought William was with her…. 

I think we all know what’s coming next.

But did William exist at all? There’s documented evidence for Anne, the Chandos’ chambermaid bride. But William? 

Well, firstly the fact that there’s no genealogical evidence to show he did exist, doesn’t always mean a thing. Not all records survive.  And the Hobys had other estates where his birth could have been recorded. 

“Proof” of William’s existence is sort of provided by the discovery in 1840, during renovations, of copy books containing blots on every page, corrections

by the ‘wicked lady‘ herself and the name, William Hoby. Alas, I say ‘sort of’ because these copy books sort of then disappeared. Maybe Lady Hoby stole them…? A bit like my jewel thieves in the book. 

However 1840 was the point where the son first became known as William. Till then he’d just been a nameless son, like you get these nameless, headless hamsters….oops, horsemen. Lady Hoby did indeed have a son…Francis…who died young in unknown circumstances, at the time she had remarried and her surname was then Russell. 

You pays your money you takes your chances, I’d say on truth and legend mixing to become one…or the other.

Whether or not Lady Hoby caused her son’s death as said,  the Abbey is known to be one of the most haunted houses in Britain, certainly the most haunted in Berkshire and that haunting is done by her apparently grief-stricken self, dressed in black lace and white, washing her hands  a la  Lady Macbeth.  

She tears curtains, throws things. But mostly she just sobs and leaves lights up in the Tower Room.. a bit like Silv in the purple hat there.  Some people think she causes the mists that wreath the Abbey and until 1936 she especially liked to come out for coronations.  

I hope you’ve enjoyed this little venture to the darker side and won’t be afraid to visit the Abbey… 

Talking ghosts… here’s the blurb for Loving Lady Lazuli.

  A woman not even the ghost of Sapphire can haunt. A man who knows exactly who she is.

Only one man in England can identify her. Unfortunately he’s living next door.

Ten years ago sixteen year old Sapphire, the greatest jewel thief England has ever known, ruined Lord Devorlane Hawley’s life by planting a stolen necklace on him.  Now she’s dead and buried, all Cassidy Armstrong wants is the chance to prove she was never that girl. 

But her new neighbor is hell-bent on revenge and his word can bring her down. So when he asks her to be his mistress, or leave the county with a price on her head, Sapphire, who hates being owned, must decide…  

What’s left for a woman with nowhere else to go, but to stay exactly where she is?

And hope, that when it comes to neighbors Devorlane Hawley won’t prove to be the one from hell.

And here’s a snippet from the bit where a past ‘ghost’, Gil,  turns up unexpectedly and proceeds to ‘haunt’ the supposedly dead and buried, Cassidy— further than she’s just been haunted this evening already.

Hastily she tugged a shawl round her shoulders—the first thing to take care of was the fact she faced him half naked, with her undergarments on the floor. Silk ones.

“So? What do you want?”

Apart from staring at her drawers and corset? Well, he was welcome. It was all he was going to get to do with them–whatever else happened here, whatever he’d said. Maybe she wasn’t going to be able to dominate this situation with them on the floor, as much as she’d like, maybe her options were as numerous as one-legged chickens, gathering the garments up would show she knew it.

“Nice that.” He dragged his gaze from her corset. “What did you just say?”

“What do you want?”

“Hmm.” He screwed up his face, stuck his thumbs in his waistcoat pocket, looked at the ceiling. “Well now, to quote Hamlet, by that fellow, what’s his name again, William Shakespeare and all that, that is the question. Whether it’s to suffer the there them slings of outrageous fortune, or, you know, take up arms and all them things what you take up, and do what you can, to actually end this protracted situation what you is in. Or is it, the them there stings of outrageous fortune? You know, I can’t remember. But, see, what I am hoping is that I ain’t going to have to end them. Thinking how awful that would be for certain for those concerned, see? You get a big soddin’ arrow sticking in your—”

“Jesus, Cass.”

“Evenin’ Rube.” He sniffed loudly. “Hope it’s a good ‘un.”

“It soddin’ was till yer soddin’ showed yer soddin’ ugly face.”

“Hmm.” He strolled around the copper tub, sniffing the stone cold suds. “Personally I think ugly sodding face is what you might call a better arrangement of the words. See, it has what you might call, a more them there poetic ring to it.”

“The only soddin’ thing I’d like to ring is—”

“Hmm. Well … Sure you ain’t alone there. Still, not to put too fine a point on it, not just you here, Rube, to bid a good and wondrous-to-behold, evening to. Pearl, Sapphire, jewels of the Orient. Here, don’t you think this is just like them olden days what we did have together, them happy times in … what was the name of that place again … Lanthorne Street?”

 

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Black Wolf Books. – Kara imprint

Character Interrupted. An interview BY Jean Lee

Tags

Black Wolf Books, Character development, Fallen Princeborn Stolen, Historical romance, interview, Jean Lee, London Jewel thieves, Loving Lady Lazuli, Shehanne Moore, Small Press, Splendor, Starkadder Sisterhood, Ya author

 

#Author #Interviews: #historicalromance #writer @ShehanneMoore discusses #character development, #series #writing, #research, & starting a #smallpress #publisher

Jean Lee – Let’s first begin with what you write—smart, sexy, historical fiction. You delve into various time periods with your books, such as the 9th century in The Viking and the Courtesan and the 19th century in Splendor. What process do you go through when choosing the right century for a story’s setting? That is, if Splendor took place in another century, would it still be the Splendor we know?

Probably not. The stories are influenced by the time, the characters too, although they don’t always abide by the constraints of them. Mind you Splendor would be a shopaholic , running up debts galore in any time because some things are timeless. She’d be having to manage everything too. So I guess a bit of both would be true. I generally stick to the Georgian/Regency period—it’s a sort of genre in own right. BUT I do like to dabble and I do spend time thinking of how I will set a book physically within that period, in terms of imagery etc.. There’s also things that happen when I write.

I mean there was never meant to be a Viking in The Viking and The Courtesan. That was a straight Regency. But then halfway through chapter two, the little voice whispered, ‘You know that Viking story idea you have, the one you’ve never really got the idea for the heroine ‘s goal in? How about you just use it here?’ Much as I want to ignore that little voice, I can’t.

Jean Lee. – Such a question should mean I ask you about research, too. I know you’re very passionate about your research to keep the period lifestyle true to history. 

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Jean Lee. What’s your process in making the research phase as productive as possible?

You know people think I do a lot of research. I don’t . Too much can kill a story and read like a Wikipedia cut and pastes. At the end of the day I don’t want to know every detail of the time a story is set. I can read a history book for that. I want to read of the things that are universal. The things that stand the test of time. But I have always loved history, especially social history, ever since I can remember. I guess that’s what I have at my fingertips when I write. And of course, I will check a historical timeline detail where it is pertinent to a character, or setting, if I want a certain backdrop.

Jean Lee – One thing I love about all your books is that these characters are layered with feeling. They desire, they hate, they aspire, they love, they fear. Your books are so, so much more than the “meet-cute” kinds of romances out there populated by characters with little more than a single quirk each. These characters can get downright wicked, like Devorlane Hawley in Loving Lady Lazuli. How do you bring together both light and dark natures into your characters to keep your stories compelling and un-put-downable?

SHEY – Now Jean, it’s all right, I won’t set the dudes on you and the check is in the mail. You are way too kind. I just love characters. I want to write about the human condition and let’s face it sometimes it’s downright ugly. Okay, Devorlane Hawley, for example, page one, is not a man you would want to meet. He’s plainly gone to hell in a hand cart, is behaving outrageously and now he’s come into the dukedom because his older, perfect brother is dead, he’s for turfing out his sisters, his late mother’s ward, installing some floozie he’s scoured London to find and setting up a pleasure palace in the ancestral home. By page two/three he’s noticing that his home is nothing like he remembered, it’s a mess, his oldest sister is a drunk and that’s needling at what humanity he has, because it’s plain these years have been hard and the family have regrets. The fact is he’s the family black sheep, the man who made the kind of messes we can all make when we’re young. And that law-abiding, God fearing family let him go down for a crime he never committed, largely for  the sake of peace. By the end of chapter one he’s spotted the woman who did commit that crime and his goal instantly changes. Now he’s becoming the architect of his own doom in many ways.

No-one’s all bad—I think it’s important to remember that when you write. But we are all flawed in some way, a bundle of contradictions, the sum and substance of our life experiences. That’s what I’m trying to blend. Ultimately underneath everything Devorlane Hawley isn’t a bad man. In some ways he’s man interrupted by his earlier experiences– and what has shaped his life since has been hardship and brutality. So the race is on then to see if he can become the man he could be, or are the flaws going to get in the way. I spend a lot of time peering through my fingers going… I wouldn’t have done that, to my characters when I write. AND I let them drive everything. I seriously never have any idea where a story is going next.

Jean Lee- Yet another thing I dig (someday I’ll learn to write questions better), particularly where the  London Jewel Thieves are concerned, is that the series doesn’t just revolve around one heroine; rather, each book focuses on a different character of a group. I love how these different perspectives give us a richer look into their world, as well as fresh looks at characters we’ve met in the other books. Which heroine came to you first? Did she bring all the other thieves with her, or did they start telling you their own stories later on?

Good question. Actually the heroine of a short story I have yet to turn into a full length, came first. The idea was there of the jewel thief gang and being forced into stealing because for one reason or another they’ve fallen into the clutches of the man who runs this gang. BUT Cassidy Armstrong aka Sapphire from Loving Lady Lazuli came first in terms of the writing. Originally it was a standalone but as I wrote it, and I was working the background, I thought of that short story and the whole thing just fell into place. The idea of giving the women the name of a jewel, of the Starkadder Sisterhood, and of setting the books after the gang has broken up. So it’s about them having to find their feet by whatever means and keeping one step ahead when there’s prices on their heads.

Jean Lee – Lastly, congratulations on beginning your own small press! I’m so excited to see what Black Wolf Books will bring to readers—your own books, and the books of other authors. You’ve been writing for publishers for a number of years, but now you are both publisher and writer. How would you say your earlier experience prepared you for this change? What’s been the biggest “culture shock,” as it were, with donning the publisher robe?

Shey – Thank you so much Jean and ALSO for having me here today AND congrats on your own forthcoming release. Sure to be a rip along read. MAY I SAY HERE ON TO MY FOLLOWERS, JEAN IS WELL WORTH CHEKING OUT.

Shey- I have wanted to set up Black Wolf Books for about four years now but life got in the way. But I’m there now. I think the writing industry is in a constant state of flux. When I first subbed back in 2012, you still went the traddy route. Yes there were self published books but not so many, nor the same amount of tools to do it. I mean Amazon makes it so damned easy actually now. I have a lot of experience in the writing business that goes way back before 2012 and I’ve been able to use most of it now.

I think the biggest shock…well learning curve was formatting for ebooks and for paperback. Amazon does make it easy I just got in a flap till I mastered it. I initially paid a formatter for the print version for Splendor. I was too scared to do it, in case I messed it up. But when it came back like a dog’s dinner, I stood at the foot of the mountain and told myself to get up there. That it wasn’t anything like the time I took over the editing and design of a magazine and didn’t know how to draw a text box…

Jean Lee. Are you looking for submissions right now? If so, what kind and do you have any guidelines to share?

Shey – Well we are not officially open in that I didn’t want swamped. I wanted to feel my way, get out my books, and the Mr’s book, before dealing with what could be an avalanche. And often I think publishers can take on way too many authors without concentrating on the ones they have. But we already have a signing of a YA author who has a trilogy. So I say to folks, contact me through my blog contact right now. And really so long as it’s good, I’m not laying down all kinds of conditions.

One of the reasons I wanted to do this is that I’ve seen a lot of authors get raw deals, not been able to get a book out cos it’s not fitting the mold, despite having books out. My aim in setting up BWB is to help authors. Believe me, I know how brutal this biz can be.

Jean Lee –  Lastly lastly I’m hoping you’ll allow the little Hamstah Dudes, that precocious batch of knowledgeable cuties  who share amazing author interviews & writing advice on your site, to come on over for a moment and have the last word, as they’ve been very good and patient all through our chat.the last word, as they’ve been very good and patient all through our chat.

 

Jean Lee – Many thanks to Shey for sharing her experience and stories with us! And don’t worry, Hamstah Dudes–Blondie’s working on a Halloween picture just for you. Hopefully I can stop by Shey’s site to share it! 🙂