McGonagall’s Ghost…still working the crowd.

Tags

Dundee, New York, poetry, William McGonagall, Writers and Social Media, writing

William Topaz McGonagall a Scottish poet of Irish descent, writer of roughly 200 poems, including “The Tay Bridge Disaster” and “The Famous Tay Whale”, which are widely regarded as some of the worst in English literature.

ONE……..A writer with a voice that took uniqueness to a whole new level.

TWO….. A true journalist in terms of reporting everything.

THREE…. He self published.

FOUR… He was shameless when it came to self promotion.

FIVE.. Proving there was no such thing as bad publicity. And could you imagine him on Instagram, Facebook and Twitter today?And the use he’d make of it?

SIX…. He was deeply into public appearances in terms of meeting his fans.

SEVEN … He also did literary dinners. And bestowed himself briefly on New York, as other famous authors including Charles Dickens

and Oscar Wilde had.

‘Oh mighty city of New York, you are wonderful to behold,

Your buildings are magnificent — the truth be it told.’

…….’When I go to Ireland, they won’t treat me as I was treated in New York. In the streets there when they looked at my poems with the Royal coat of arms, printed on the top, the Yankies shouted ‘To the deuce with that.’ ………..W McGonagall. ….

EIGHT He was very well read for a man from a poor family quite important for a writer and prepared even more therefore to branch out…

NINE…. He rubbed shoulders with the famous.

TEN….. Like him or loathe him he has not only remained a controversial figure to this day, he has stood the test of time.

ELEVEN.. Before ve open vodka and do cossack dance for you, McGonagall’s Ghost is Track 12 on More Than Seven Wonders. More to follow once the Archie Foundation get the online buy link live, but presently available from Oxfam Books and 13 Records in Dundee.

Reviews, podcasts and first chapter dissections.

Tags

Art Gowns, Costume Designer, First Chapters, Jean Lee, Rebecca Budd, Resa McConachy, Scotland, Study in First Chapters, Working with Publishers, Writing tips

HIS JUDAS BRIDE interview/review by RESA McCONACHY.

This fiery, passionate romance thrills without much graphic reference. True, Lady Kara wears a see through gown, revealed at the top of the story. However, it’s not her choice. She makes many choices, good and bad, but her gowns are imposed by her vile father.

Comments are in regular type. My questions are in italics. Shey’s answers are in bold.

1 – Shey, I want to draw Lady Kara in her gowns. It feels like 1700. Is there an exact year to this tale?

I based the Trojan horse premise of this book on the actual Glencoe Massacre. Let’s be clear that whole bit of Scotland was a law unto itself. South of the highland line was an entirely different Scotland. Anyway, the way to get into Glencoe, which was pretty impregnable at that time, was to come as friends. I liked that idea of a small clan who largely survived where they were because no-one could get in or out.

I looked up the Glencoe Massacre. It was in 1692. So, without mentioning an exact year, the flavour of your writing sets up the right time frame.

2 –  Ewen and some other characters speak in a dialect that give the Scottish highlands an authentic feel.“Whit? Can ye no see Ah’m busy.” “How is it no’? Mah horse, laddie.” Is this written by ear, or have you studied  Gaelic? Or?

Now here in Scotland we probably speak English, in  a local dialect. This is sometimes incomprehensible to those who are not local. We also speak…maybe not old Scots but certainly Scots as Ewen and some of the other characters do. Gaelic would have been spoken by the clans. It was mainly spoken in the Highlands and islands of western Scotland. It is still spoken by about 58,000 people in these parts. When you’re writing dialogue and trying to give something an authentic feel, you’re torn between that and being understood which was why I didn’t have everybody–hero and heroine particularly speaking in some form of Scots. I think it’s fair to say we often joke that there’s more than one book set here which we don’t understand because the dialogue is not authentic.  For example ‘donnae’ is a name, not the word for ‘don’t’ which is ‘dinnae’!

3 – I find certain small bits of your writing make me laugh…..such as Ewen’s talents, the description of the green dress and Callm asking himself:

Is it just me? Or do you insert this humour on purpose?

No and no. It’s not just you and no I don’t mean to do it, but it sort of comes out. I mean, I love that people have idiosyncrasies. They are what makes us. Kara’s little habit of firstly, secondly, thirdly, and her mantra about doing  things that she will be happy, or not happy with, when it comes to choices–quite awful things in some instances. These are her little idiosyncrasies.

Also people can be gloriously unselfaware. As you see with Callm asking himself why he shouldn’t be considered suitable, is a rich seam to be mined. Also let’s face it too, funny things do happen to people. Things like Kara not being able to get on that horse and walking round the yard trying to, while making out she knows what’s she’s doing. Well, honestly one day in the middle of nowhere in Yorkshire of all places, this woman asked if I could hold this absolute beast of a horse steady while she got on it. She’d been walking for miles at this point trying to do just that and hadn’t come across anybody.  As for asking me? Well… But hey (no pun intended) I did it. In truth I’ve never been any good at being serious, or keeping a straight face. It’s probably why my palms have half inch fingernail dents in them. Just joking. But not actually.  So I guess I don’t bung the humour in on purpose. It just appears.

4- Near the end of the story, Ewen joins Callm on the mission. It’s a wonderful twist of sorts, that solidifies the family. When asked why, Ewen answers – “Te get mah bride, Kertyn. Or Ardene. Whitever ane will hae me.

Kertyn returns with Callm and Ewen’s entourage. Does this mean Kertyn marries Ewen?

Well now… I didn’t want to ruin it entirely for the poor girl given he’s not exactly an oil painting, but I guess she is gonna be lady ruler of Lochalpin while Kara is gonna rule her glen. That’s if Kertyn doesn’t do a runner next!!!!  I honestly just don’t like writing cardboardy villains. No-one is all bad.  (except maybe Snotra from the Viking!)

Hahahaha! No oil painting! Just oily! Still, you gave Ewen the talents of dancing and cooking/baking! 

Lol…I did!!  I wanted to give him something!! Also, I wanted to explore resentment between two brothers who ultimately are still brothers.

I wanted to explore Ewen as the younger sibling, the one the lassies never looked at. As he says, no very bonnie, he’s loud, overweight, and cos he has had the glen handed to him on a plate, even down to Callm keeping it safe for him, he’s fallen in with the wrong crowd and is throwing his power around. Meantime here’s the big bro who obvi has done so much right… the wife, the child … in the past anyway.

And by the way Shey, OMG! Snotra is a total bitch!!! 

On that note, I thank Shehanne Moore for  answering all of my questions. I totally enjoyed this book! A+

‘So much of her life had revolved around fear and shock, little paths of darkness she had managed to find her way along, to places where she’d always managed to survive, after all. It hadn’t  broken her. Because the thing she had to care about was always there for her to see. No matter how dark the night. To tell herself it was all gone, lost at Maisie’s croft door, and she should now do as she was told, would be an act of unparalleled folly. She’d no intentions.

Yet it was hard when she also saw clearly as the silver moon above her head that she hadn’t lost Arland at the croft door. She had lost him a long time ago.

Until this moment she just hadn’t wanted to see she had.’

His Judas Bride- Shehanne Moore.

ABOUT RESA.

“My name is Resa McConaghy. I’m a Costume Designer for film and television.

“Art Gowns” is a creative project that has sprung from my old Blog,  Queen’s end.

As “Art Gowns” continues on,  I will Post other creative clothing ideas with the “Art Gowns” branding.

All of these ideas, of course, will revolve around the “Art of Glamorous Fantasy”. I’m thinking things like Poetry Shirts, DIY Gowns and DIY Crystaline Accessories.

This is all new to me, and should develop with time.

Cheers! “

https://artgowns.com/

https://jeanleesworld.com/2021/09/08/a-powerful-study-in-character-on-this-firstchapter-fiction-podcast-the-unraveling-of-lady-fury-by-shehannemoore/ via @jeanleesworld

Season 3 Episode 33: Shehanne Moore on the Writer/Publisher Connection https://teatoasttrivia.com/2021/08/16/season-3-episode-33-shehanne-moore-on-the-writer-publisher-connection/ via @chasingart

Visiting Wolfe Manor with Adele Marie Park

Tags

Adele Marie Park, Black Wolf Books, Boarding schools, Wolve Manor, Ya horror

AND BY HER TOO

Hi, I’m happy to be here today. Hi Dudes, it’s good to finally meet you all.

Wolfe Manor began as an exercise on “showing not telling”, however as is always the case it blossomed into a horror awakening tale of Fianna and the others who called Wolfe Manor home.

I was diagnosed with borderline personality disorder, dyspraxia, functional neurology disease, and am on the autistic scale. The reason I’m including this information is that it had a lot to do with the development of Fianna and the story.

Change is annoying, I know most people will agree with me but change to someone like me is a nightmare. Confusion, anxiety, and their friends visit and overstay their welcome.

I placed Fianna in her secure life in her secure home, Wolfe Manor. Then threw her a curve ball introducing change in the first chapter by introducing Miriam with her hippy hat and witchy vibes. From there things just got worse for Fianna until she is forced to face her fears and do battle with them.

Did I base Fianna on myself? Well, no. I am lucky enough not to have to battle demons or live in a private school hundreds of years old.

Yet, I have had to battle all through my life against situations, people who have hurt and betrayed me and the loss of family. So, I guess I was writing Fianna from experience to a certain degree.

Wolfe Manor took a long, long time to come to fruition. When Black Wolfe Books were gracious enough to take me on, there were many re-writes, days, and nights spent going over the manuscript. My wife helped so much, reading the whole manuscript several times, and picking out not only spelling or grammar but whole scenes that didn’t make sense.

I am proud of the finished product and happy to see others enjoy the story and wish for more.

Is there vodka in the story? No but there is plenty of tea drunk.

Speaking of which, the character of Mr Smith, came with a fully realised back story and way of talking that resembles a certain British actor who is well known for playing fantastic gangster characters. Can you guess who it is?

Once she lived a normal life, a good, boring life, but a safe one…

Abandoned as a baby on the steps of Wolfe Manor, Fianna was raised with love, secure inside its walls. Now her bubble of safety is about to burst. Can she save the home and school which once cocooned her when old fears overwhelm? Facing students at the start of a new term is frightening enough without nightmares resurfacing which terrify Fianna.

She may have a degree in teaching but will this skill help her?
The return of old friends sends Fianna spiraling down the rabbit hole of her past. Wolfe Manor may call her to be what she was born to be, but can she find out in time to save it from an evil only she can defeat? Or if she fails and Wolfe Manor falls, what happens when the evil faces humanity unchallenged?

Meet Adele Marie Park Here.

http://www.facebook.com/firefly.fly.14

https://firefly465.wordpress.com/

‘Fantasy, horror writer. Forever stories that flow into me and hopefully out of me, onto paper and into your minds. I am from a small Orcadian island called Rousay. I am married to my beautiful wife Becca, who patiently puts up with my creative moods. My daughter Tara, I am so proud of and our dog Dante who keeps us sane, well, as sane as you can get in our world. And say hello, our world is fun, mad and great to visit.’

Read the latest review from Horror Addicts here.

Book Review: Wolfe Manor by Adele Marie Park https://horroraddicts.wordpress.com/2021/08/15/book-review-wolfe-manor-by-adele-marie-park/ via @horroraddicts13

The Ball’s the Thing

Tags

writing

ANNA KARENIN   Leo Tolstoy .  The ball scene.

“The ball had just begun when Kitty and her mother stepped on to the central staircase, which was bathed in light and embellished with flowers and powdered footmen in red livery. From the interior came a steady rustle of movement which filled the rooms like bees buzzing in a hive, and while they adjusted their hair in front on a mirror between the potted plants on the landing, the delicately clear sounds of the violins in the orchestra could be heard striking up the first waltz in the ballroom.”

Shey. As Silv just said there –sorry, just let me let go of her paws–I am on my 8th book and when that’s done there will have been a ball, or dance scene in six of them. I was uncertain re this latest one whether the ball would actually take place but on reflection, I am big on what ball scenes in books can offer. You can blame the scene in Tolstoy’s Anna Karenin for that. It’s not only a case in point being the first time Vronsky and Anna really eye each other up, leaving Kitty standing. The lavish description of the ball, of Kitty descending the staircase, full of starry eyed hope was like a beacon to me when I read that book. An eternity ago now but even now, I can remember it. Before that, talking balls? Well, there was Cinderella. I used the idea of Cinderella shamelessly in Splendor. The second ball scene –yes there’s two– is the big pivotal moment where she finds out the whole truth about the hero and runs, realising there’s things she can’t manage—managing things being her biggest strength and greatest flaw– and things she can’t lay on him either, leaving her glove on the stairs. Of course I thought the shoe might be a bit much, as would hamsters pulling the coach.

I’m sure you were asked but you fell under the wheels and that is why you are crushed. Sadly.

A ball also gave scope for when he loses her in a complicated dance set, mirrorring the maze of hopelessness he then lives in for months, and the contrast between this glittering world and the one facing her, if she doesn’t ‘manage’ this evening and that of her ex fiance, now begging in the gutter outside.

But the first ball scene was ideal for the hero really noticing what’s been under his nose and that’s her, as opposed to the awkward, clumsy, accident-prone, woman who has faced him as a man across a pair of duelling pistols and a chessboard. From the liveried footmen to the shining chandeliers, balls are such glittering occasions, all kinds of magic can be at work. Especially when neither partner can dance and they don’t want anyone knowing either.

I dunno dudes, you tell me. In the Viking and the Courtesan, Malice decides to confront her husband in a similar glittering scenario, after he’s set the law on her for services unrendered re a little biz she runs– a move that backfires spectacularly when, having failed to recognise her, he then kidnaps her at fork and knife-hurriedly-nicked-from-the-kitchen-point, after she tries to insist that the pillow she’s stuffed up her skirt is far more than that; all to the tune of a Mozart minuet.

‘Since you were low enough to ask us, naturally we were low enough to come.’

Miitchell Killgower cuts his’ ball’-breaking ex sister-in-law and aunt by marriage, short at the start of the ball scene in the Writer and the Rake. A ball she’s thrown in the middle of a bitter inheritance dispute, in order to expose the fact his ‘wife’ in his sham marriage has been missing presumed vanished off the face of the earth for weeks. It’s another pivotal moment where the heroine discovers that Morte, a man roughly five years older than herself is in fact her ten times great grandson and aged a thousand, and has her revolting feet admired by Francis Dashwood,—the actual founder of the Hellfire Club. Balls are also a great place to introduce real historical figures.

Again, neither hero nor heroine can dance, except the latter on a 21st century nightclub floor. But they’ve had a lot of fun learning–a good chance to sort of get together–with the help of Mitchell’s polar opposite teenage son, who he’s finally liking. Alas, all before Brittany learns from Morte, exactly what she’s doing wrong about getting back to her time. Sob, sob as the dudes would say.

Nor do balls have to be grand society affairs as in these three books. In Loving Lady Lazuli the fact the ball was set in Assembly Rooms in a small town, and held for everyone regardless of class, on Christmas Eve, was a good excuse to delve into a more rustic affair, with children jigging on the upstairs landing and farmer’s wives unpacking pot luck suppers. And the perfect scenario

for the heroine to go for broke with an I am Spartacus moment about who she really is. Or rather an ‘I am Sapphire,’ after she’s gone round nicking every thing she can lay her hands on and dump it on the floor, because the hero intends betraying her so what does it matter? It’s also the perfect scenario for him to show exactly the man he really is and finally admit his feelings for her.

There’s no grand ball in His Judas Bride either. Not in the wilds of Scotland at that time. There’s a supper party/ dance, where the heroine learns that her drunken, womanising, horror of a husband-to-be may have other sides to him–he’s an ‘awfie guid cook, when he lays aff the nips’ apparently. But there’s still no way she can marry him, after he insists not just on dancing with her but in her showing off the fine dancing skills she’s allegedly learnt in ‘Edinboro.’ With the emphasis on the word ‘allegedly’ and every step of what she’s making up, under the nose of her betrothed’s brother, a man nothing gets past, reminding her of the abuse she suffered for years in a prison cell, she also learns it’s time to run, as in ‘now’,

thus setting up the rest of the book.

SO yes, after much debate the current WIP does have a ball scene. Why the uncertainty? Well, that it’s being held in an abandoned house, by two people on the run and even the food on the guests’ plates is of course

nicked and not a bowl matches a plate, should be answer enough. Also I didn’t want to go for another world crashing in ruins ball scene. But equally, if a world is going to crash…….

, where better to let it fall than on a ballroom floor?

So, there you go, balls in books, balls in films. From Scarlett O’Hara leaping forward to….raise money for the ‘noble’ cause., with Rhett Butler, Anna and the King of Siam, to Maria getting up close and personal with Captain Von Trapp–AND, let’s not forget one I forgot until Rene reminded me in the comments, Jezebel where Bette Davis loses her lover over a red dress. Even if there’s no ball, there’s dancing, the romance of Dirty Dancing, of Strictly Ballroom.

So come on folks, tell me your fav ball or dance scene that way?

Oh come on dudes, just crack open the voddie and get on with the cossack dance will you?

Beginning Again with Jane Austen

Tags

Elaine Jeremiah, Fan fiction, Jane Austen, Newbook, Regency, Romance, writing

ELAINE JEREMIAH. Well funnily enough it was my husband who suggested I write Jane Austen fan fiction. TBH the sales of my romance books weren’t amazing. My husband pointed out that to be successful as an indie author, it can be a good idea to target a sub-genre to gain a bigger, more loyal readership. It can be easier to be more successful within a sub-genre. Romance is of course a huge genre, with loads of sub-genres to it. I’d read a bit of Jane Austen fan fiction, so thought I’d write a story about a girl who’s a huge Jane Austen fan (like me!) who accidentally time travels to Regency England. I then decided to turn it into a trilogy and having taken a break from writing it to write my ‘Pride and Prejudice’ variation, I’m now working on book 3.But being honest again, the first two books in my trilogy didn’t make waves. I hadn’t read that widely in Jane Austen fan fiction and as I read more and more JAFF,

I realised over time that what is most popular is ‘Pride and Prejudice’ variations, particularly those about Elizabeth Bennet and Mr Darcy, set in the Regency era. Basically retellings of the Darcy/Elizabeth story which people love. The time travel story I’d written, while I’d enjoyed writing it very much, wasn’t quite what people wanted to read within the genre.So having written and published book 2 of my trilogy, I decided to turn my attention to writing a ‘Pride and Prejudice’ variation. I thoroughly enjoyed writing it, though it took me a lot longer in the end to write than I’d planned. I got bogged down with the plotting of the story and then the editing stage took a long time. I changed quite a lot, with the help of my beta readers and then my editor, which was absolutely right, but it did take quite a lot longer.

I’m very happy with the result though. The story is much stronger and better for all my hard work and I’m really pleased and proud to finally be able to share it with the world.

ELAINE JEREMIAH. Hahaha! I wish! But no, I don’t live in South Korea, I haven’t even been there yet, but it’s on my bucket list. I’m definitely going to go there one day, for sure. I kind of fell into a love of all things Korean by accident – a friend of mine recommended Korean dramas – or Kdramas as they’re known – and I started watching them and was hooked. They’re all on Netflix. I would highly recommend them!

Most of them are romances and a lot of them follow the Darcy/Elizabeth trope of rich arrogant man falls in love with feisty, poorer girl. I just love them – I’ve watched more than 25 series now. The settings and the people are beautiful. It’s so interesting to learn about another culture this way. South Korea is a first world country, but of course it’s Eastern so they have a very different society to ours. There are good and bad sides to that and it’s fascinating to me to learn about their culture.

I was inspired by watching so many Kdramas to start learning the language and more about the country in general. I’ve got this Korean language audio course I’m listening to, mostly while I do housework! It’s so much fun. I also have an app on my phone I use. So I’m in love with all things Korean!

ELAINE JEREMIAH . Of course (not) But you see I live in Bristol, South West England, which isn’t far from the Regency city of Bath, the setting for 2 of Jane Austen’s novels. Di you know has some beautiful Regency buildings and is also generally a great city to live in? There’s loads to see and do, like visiting the Clifton Suspension Bridge or the SS Great Britain, which was one of the first passenger steamships crossing the Atlantic in the mid-nineteenth century. It’s now a permanent museum in Bristol’s docks. Well worth a visit if you ever come to Bristol.

If you’re into street art, Bristol is also the home of Banksy and if you have a sharp eye and know where to look, you can spot some of his murals on certain buildings. Bristol also has loads of great shops, restaurants, museums, cinemas, art galleries – you name it, Bristol has pretty much got it.

ELAINE JEREMIAH. RE Jane? Loads of reasons. Partly because the characters she creates feel so real, they’re so well developed. Characters like Elizabeth Bennet and Mr Darcy stay with you in your mind long after you’ve finished reading her novels. And there’s always something new to spot in them, even if you’ve read them loads of times before.

For example, I’m realising the more I read ‘Pride and Prejudice’ just why exactly Mrs Bennet is so keen to get her 5 daughters married off and how in some respects she’s actually quite wise. It was very difficult for women in Austen’s day who weren’t working class to get work and support themselves except as a governess. Which wasn’t a great job. If they weren’t married and couldn’t get work, they’d have to rely on their male relatives to support them. So a young woman in the Regency era, especially if her family weren’t rich, would need to marry well. Mrs Bennet is very aware of this, particularly because being girls her daughters can’t inherit the family home when their father dies and it will go to his distant cousin Mr Collins instead.

Jane Austen is also very funny – I laugh out loud at some of the scenes in her books when I’m reading them. She also doesn’t hold back at subtly criticising the social conventions of the era she lived in. Like how Elizabeth Bennet, a woman who’s not very well off, turns down not one but two marriage proposals, defiantly refusing to marry without love. That’s very subversive for the era it was written in. 

As for the writing just now? Actually I would say it’s been easier than usual. It’s really given me something to focus on and take my mind off the dire news that we’re bombarded with day after day.

And because what with the internet and me self-publishing digitally via Amazon, it can all be done remotely anyway. So you don’t need to physically be in the same room with someone to share your work with them, to use beta readers or an editor. I can also promote my writing entirely online. What with this new release and how well it’s going, I feel more motivated than ever now to crack on with my writing!

ELAINE JEREMIAH. Uhmmmmmm. Well…uhm…as I mentioned, I’m writing book 3 in my Jane Austen-inspired time travel romance trilogy. And that would be hard to do in hamster cage. It’s called ‘Captivated in Time’. So maybe one day I might be very willing to…might even enjoy..living in hamster cage. What’s more, I’ve more or less plotted it out, so I pretty much know what’s going to happen. I know the ending! So this could be sooner rather than later. I’m trying to keep the momentum going – I tend to write quite slowly, so I want to try and make more time for writing and get this one finished as soon as I can. After that, I plan to write more Darcy/Elizabeth Regency era ‘Pride and Prejudice’ variations. That’s what’s most popular within JAFF and actually I feel that writing in Regency-esque language is what I’m most comfortable doing. I feel like I’ve finally found my niche. Just maybe not in a hamster cage. …. But look on the bright side of keeping all that voddie to yourselves.

Little does Elizabeth Bennet think the journey across muddy fields from her home at Longbourn to Netherfield Park will change her life forever.

But an unexpected encounter with the proud and haughty Mr Darcy leaves her injured and vulnerable. Worse still, she is left alone with him for a significant amount of time. Her reputation at risk, she is forced to make a decision about her future. Now her life will never be the same again. Can Elizabeth ever be happy? Or will she always loathe Mr Darcy

Amazon US: https://amzn.to/3s7xr6dAmazon UK: https://amzn.to/2LiP3LH

Elaine lives in Bristol, South West England with her husband and their golden retriever, Dug. But she was privileged enough to grow up in Jane Austen country, in Hampshire.

She’s always loved writing, but it’s only been in recent years that she’s been able to devote more time to it. She decided to self-publish with the help of her wonderful husband who’s very tech-savvy! In 2013 she self-published her first novel, but it was only with her fourth, her novel ‘Love Without Time’, that she felt she finally found her niche: Jane Austen Fan Fiction!

She’s always loved Jane Austen’s writing and the Regency era, so this felt like a natural thing for her to do. ‘Elizabeth and Darcy: Beginning Again’ is the first ‘Pride and Prejudice’ variation she’s written.

If you want to connect with Elaine online, her Facebook page can be found here:

https://www.facebook.com/elainejeremiahauthor/

Her Twitter handle is: @ElaineJeremiah

Her website is here: https://elainejeremiah.co.uk/

Catherine Cavendish and the Eloise Complex.

Tags

Asylums, Catherine Cavendish, Flame Tree Press, ghosts, Haunted Asylums, Horror, Michigan, New horror book, the Eloise Complex

‘The Unquiet Spirits of the Eloise Complex‘

BY CATHERINE CAVENDISH.

(Please insert pic 1)

Image: Detroit Free Press

What can be scarier than an old abandoned asylum?

Not much in my book. And if you’re looking for a place with a freakish amount of scares, then the Eloise Complex would be right up your street. A few years ago, if you had the cash, you might even have wanted to make a purchase. That’s if you had a million or so dollars lying around in your attic. Of course, that money would have bought you a place that was once big enough have its own zip code.

The complex certainly has a history. It all started in 1839 when Wayne County, Michigan established a farm and poorhouse which expanded until it eventually covered 902 acres and encompassed some 70 buildings.

In 1913, there were three divisions – The Eloise Hospital (the mental hospital), Eloise Sanitorium (TB hospital), and the Eloise Infirmary (the Poorhouse). In 1945, it was renamed the Wayne County General Hospital and Infirmary at Eloise Michigan.

Back when it was at its height, during the Great Depression, around 10,000 patients and 2000 workers lived there in a self-contained city that included a bakery, slaughterhouse, fire department, post office, amusement hall, cannery, tobacco field, cemetery and police department. It was in these days that it earned its own zip code.

Image – Edward Pevos MLive

Eloise was at the forefront of pioneering psychiatric treatment. Now, today, we might laud this as a Good Thing. At the time we are talking, back in the first half of the 20^th century, we are talking straitjackets and electroshock therapy, lobotomies that rendered the patient into a permanent vegetative state.

In Eloise’s case, there was also massive overcrowding. 10,000 patients there may well have been – maybe even more. But the facility was only built -even at its largest – to house 8.300. Patients slept on floors, were left unattended and neglected. Some inmates spent their entire adult lives there and, when they died, their burials were usually anonymous. The more disruptive patients could find themselves physically restrained – bound by hands and feet and, at one time, it has been reported, they could be chained to the roof of the asylum barn, above the pigs who dwelt beneath.

(Please insert pic 4)

Image – Bill Bresler https://eu.hometownlife.com/

By 1974 it had two divisions: the Wayne County General Hospital and the Wayne County Psychiatric Hospital (there being no further need for a TB hospital following the development of the life-saving streptomycin drug). The psychiatric division closed in 1982.

By 2019, just 5 of the buildings remained (firehouse, bakery, power plant, commissary and ‘D’ building) along with the cemetery. The complex was redeveloped into a strip mall, golf course and condominiums. ‘D’ building is now called the Kay Beard building and the old commissary is now a homeless shelter. The firehouse (which became the psychiatric facility laundry) and the power plant are still standing but the bakery was severely damaged by arson in 2016. The entire complex was sold in 2019 for the princely sum of $1, as it was at that time costing $375,000 per year simply to maintain it. Its purpose is to provide affordable housing for senior citizens in a minimum of 106 units.

But what of the ghosts?

In December 2019, members of the group Detroit Paranormal Expeditions visited the long closed-off basement of a building on the complex. It had been flooded for decades but had recently been drained.

They reported the eerie stillness, the total, unnatural quiet and the strong sense of someone else being down there with them. They heard the sound of dripping water (perhaps not so surprising) and shuffling footsteps (more disquieting). Their videos captured orange and white lights, and an orb.

The group have paid a number of visits to the Eloise complex – with terrifying results. They describe being chased out of the place by ghostly phenomena, describing it as so haunted as to have almost daily supernatural occurrences – shadows, unexplained noises, objects moving of their own accord, disembodied voices, unexplained footsteps.

 Other visitors to the complex have described a so-called ‘flying ghost’.

With so much spirit activity, we can only wish the new residents well in their brand-new homes. Given the philanthropic nature of the current enterprise, maybe that will go some way towards placating those who, as yet, cannot leave.

A few years ago, a horror film – Eloise – was shot on location in the ruined buildings, making for a highly atmospheric setting.

You’re next…

Carol and Nessa are strangers but not for much longer.

In a luxury apartment and in the walls of a modern hospital, the evil that was done continues to thrive. They are in the hands of an entity that knows no boundaries and crosses dimensions – bending and twisting time itself – and where danger waits in every shadow. The battle is on for their bodies and souls and the line between reality and nightmare is hard to define.
Through it all, the words of Lydia Warren Carmody haunt them. But who was she? And why have Carol and Nessa been chosen?

The answer lies deep in the darkness…

Amazon

Barnes and Noble

Flame Tree Press

About The Author

Following a varied career in sales, advertising and career guidance, Catherine Cavendish is now the full-time author of a number of paranormal, ghostly and Gothic horror novels, novellas and short stories. In addition to In Darkness, Shadows Breathe, Cat’s novels include The Garden of Bewitchment. The Haunting of Henderson Close, the Nemesis of the Gods trilogy – Wrath of the Ancients, Waking the Ancients and Damned by the Ancients, plus The Devil’s Serenade, The Pendle Curse and Saving Grace Devine.

Her novellas include: The Malan Witch, The Darkest Veil, Linden Manor, Cold Revenge, Miss Abigail’s Room, The Demons of Cambian Street, Dark Avenging Angel, The Devil Inside Her, and The Second Wife

Her short stories have appeared in a number of anthologies including Midnight in the Pentagram, Midnight in the Graveyard and Haunted Are These Houses.

She lives by the sea in Southport, England with her long-suffering husband, and a black cat called Serafina who has never forgotten that her species used to be worshipped in ancient Egypt. She sees no reason why that practice should not continue.

You can connect with Cat here:

Catherine Cavendish

Facebook

Twitter

Goodreads

MeWe

Relevant links for this article:

Detroit Free Press: https://eu.freep.com/story/news/local/michigan/wayne/2018/06/21/eloise-asylum-hospital-michigan/720896002/

https://eu.freep.com/story/news/local/michigan/wayne/2019/03/19/ghost-eloise-psychiatric-hospital-westland-haunted-basement/3204379002/

The Guardian: https://www.theguardian.com/us-news/2015/nov/11/eloise-hospital-haunted-michigan-mental-asylum

Detroit Paranormal Expeditions:

Dawn Ziegler:

Hometown Life

https://eu.hometownlife.com/story/news/local/westland/2019/10/16/scary-encounters-coming-eloise-asylum/4000027002/

Last Year…

Tags

#Films, #Newyear, #resolutions, #Scottish

India, Slovenia, Bahamas, United States, United Kingdom, Monaco, Curacao, Timor-Leste. Brazil, Finland, Italy, Ireland, Spain, Canada, Germany. Thailand, Indonesia, France, Australia, Turkey, Nigeria, Bangladesh Roumania, Philippines, Kenya, Saudi Arabia, Pakistan, Netherlands,South Africa, Uganda, United Arab Emirates, Nepal. Austria, Guatemala, Greece, Jamaica, Belgium, Bosnia and Herzegovina. Poland, Sweden, Japan, Mexico, Serbia, Columbia, Norway, Croatia, Morocco, Malta, Czech Republic, European Union, Chile, Mauritius, Israel Sri Lanka, New Zealand, Switzerland, Dominican Republic, Malaysia, Venezuela, Russia, South Korea, Albania, Iraq. Reunion, Qatar, Tanzania, Bahrain, Ukraine, Singapore, Albania, Egypt, Yemen, Peru, China, Mali, Hong King and SAR China, Denmark, Trinidad and Tobago, El Salvador, Argentina, Armenia, Libya, Cyprus, Haiti, Benin, Macedonia, Bulgaria, Zambia, Kuwait, Guam, Azerbaijan, Ghana, Panama, SLovakia, Algeria, Burkina Faso, Jordan, Hungary, Vietnam, Malawi, Sengal, Somali, Cambodia, Congo Brazzaville, Myanmar-Burma, Georgia. Angola, Ethiopia Taiwan, Syria, Zimbabwe. Gabon,. American Samoa, Kyrgyzstan.

A little slice of raunch.

https://shehannemoore.wordpress.com/

Men in Kilts. Why do we love them? https://shehannemoore.wordpress.com/2014/07/12/men-in-kilts-why-do-we-love-them/ via @shehannemoore

Films and Box Sets Not To Watch in a Pandemic

https://shehannemoore.wordpress.com/2020/04/04/films-and-box-sets-not-to-watch-in-a-pandemic/

One day in 1950s Korea

https://shehannemoore.wordpress.com/2020/06/05/one-day-in-1950s-korea/

Sin Eating with Cat Cavendish

Tags

Catherine Cavendish, Cornwall, Horror, Old customs, SIlver Shamrock Publishing, Sin eaters, The Malan Witch, Witches

The Last Sin Eater—by Catherine Cavendish

 

 

 

My latest novella – The Malan Witch – features two of the most evil witches you could ever encounter. Their sins were innumerable and their possession of an ancient cottage on a remote and picturesque coastline spells danger not only for Robyn Crowe’s life but her soul as well.

In thee circumstances, she might have been well advised to call on the local sin eater – should she have been lucky enough to find one still around. You see, the last one died in 1906, and when you find our more, you’ll probably not be surprised that there was hardly a queue of people waiting to take up his discarded mantle.

You can still visit him -or rather, his grave – for he lies (we hope at peace) in the graveyard of the peaceful rural St. Margaret’s Church in the tiny village of Ratlinghope near Shrewsbury in Shropshire, England. He was evidently held in high esteem by local folk who restored his memorial stone and held a commemorative service for him on its completion on 2010.

 

His name was Richard Munslow and his occupation – if you could call it that – was to eat and drink over the body of a deceased person and, by doing so, take on the sins of the recently departed.

Their services were generally called on in cases of sudden death where the unfortunate person had been unable to perform their final confession and be shriven. The sin eater would ensure that the loved one would enjoy a smooth and untroubled passage to heaven.

Sin eaters were generally poor and would be paid to perform their services. Sadly, they were often shunned by respectable people as they also prevented the sin-ridden deceased from returning to the word of the living and were often associated with witches and all manner of evil spirits. No one wanted to know them – until they required their services. The wooden platter on which their food and drink was served was destroyed after the ‘ceremony’ of sin-eating was performed as it was believed it would be forever infested with evil. Even to look a sin-eater directly in the eye was considered exceptionally bad luck.

The practice of sin-eating is an ancient custom, its origins lost in the far-off mists of time. It was also fairly localized – being practiced mainly in Wales and the English border towns and countryside (known as the Marches). By the 19^th century, it had largely died out.

Curiously, Richard Munslow was not of the poor and downtrodden classes. He was a well-off farmer of good social standing but it is believed that his four children all died of Scarlet Fever within one week of each other in May 1870 and this sent him into such a state of depression and mental anguish that he resurrected the already outdated ritual of sin-eating.

Naught remained of their bodies to be buried, for the crows took back what was theirs.’

 An idyllic coastal cottage near a sleepy village. What could be more perfect? For Robyn Crowe, borrowing her sister’s recently renovated holiday home for the summer seems just what she needs to deal with the grief of losing her beloved husband.

But behind those pretty walls lie many secrets, and legends of a malevolent sisterhood – two witches burned for their evil centuries earlier. Once, both their vile spirits were trapped there. Now, one has been released. One who is determined to find her sister. Only Robyn stands in her way.

And the crow has returned.

You can order The Malan Witch here:

Amazon

About The Author

Following a varied career in sales, advertising and career guidance, Catherine Cavendish is now the full-time author of a number of paranormal, ghostly and Gothic horror novels, novellas and short stories. Cat’s novels include The Garden of Bewitchment. The Haunting of Henderson Close, the Nemesis of the Gods trilogy – Wrath of the Ancients, Waking the Ancients and Damned by the Ancients, plus The Devil’s Serenade, The Pendle Curse and Saving Grace Devine.

 

In addition to The Malan Witch, her novellas include The Darkest Veil, Linden Manor, Cold Revenge, Miss Abigail’s Room, The Demons of Cambian Street, Dark Avenging Angel, The Devil Inside Her, and The Second Wife

 

Her short stories have appeared in a number of anthologies including Silver Shamrock’s Midnight in the Graveyard. Her story, The Oubliette of Élie Loyd, will appear in their forthcoming Midnight in the Pentagram, to be published later this year.

 

She lives by the sea in Southport, England with her long-suffering husband, and a black cat called Serafina who has never forgotten that her species used to be worshipped in ancient Egypt. She sees no reason why that practice should not continue.

 

You can connect with Cat here:

Catherine Cavendish

Facebook

Twitter

Goodreads

MeWe

Tea, toast, trivia podcasts and some manga news.

Tags

Mangatoon, podcast, writing

‘We are all the product of our experiences in life, of our upbringings, our hopes, dreams, failures, mistakes, needs, fears. Life shapes us and life is not always perfect.’ Shehanne Moore, Tea, Toast and Trivia podcast with Rebecca Budd.

Podcast.

Season 2 Episode 41: The Art of Romance with Shehanne Moore https://teatoasttrivia.com/2020/08/03/season-2-episode-41-the-art-of-romance-with-shehanne-moore/ via @chasingart

https://bit.ly/3arNB1H

https://mangatoon.mobi/en/detail/398527

 

 

 

The Anna Campbell books are coming….

Tags

Anna Campbell, Charles James Fox, Courtesans, Eigg, Elizabeth Armitage, Highland Romance, highlanders, Historical romance, Publishing, Romance, Scotland, writing

‘As many beginner romance writers do, I decided category would be an easy way into the industry. Even though my heart has always been with long juicy historicals.’ Anna Campbell.

 

 

SHEY. ‘As many beginner romance writers do, I decided category would be an easy way into the industry. Even though my heart has always been with long juicy historicals.’  Thrilling words from a thrilling lady and author,  Anna Campbell, our guest today. Anna, would you say that after a long journey to get into the industry,  and a career there that has now spanned thirteen years, that your heart is where it wants to be?

ANNA.  Hi Lady Shey! Hi Dudes! Thanks for having me to visit today. I love writing historical romance – I don’t think any genre sweeps you away into a larger-than-life world the way historical romance does. Having said that, I have a vague idea of writing a historical mystery series but I fear I’m never going to have the time when I’m so busy writing my Highlanders and my rakes and my smart-mouthed Regency ladies.

 

SHEY. Your first book, Claiming the Courtesan which has won numerous awards was  ‘dark and sexy,’

and very different from a number of historicals out there at that time.

Ignoring the dudes please tell us what gave you the idea to go darker?  Were there any true historical stories of dukes marrying their mistress that inspired you?

ANNA  – When I wrote CTC, I had pretty much decided I was never going to be published. I’d written for most of my life without getting a contract – the publishing world was very different back in the early 2000s! So I just went where my heart took me – and that was to a very dark story about a tormented duke and the courtesan he loves. The fashion when I started Courtesan was very much romantic comedy, Julia Quinn and Amanda Quick and all those sparkling Regencies. But as I wasn’t writing for a market but to please myself, that didn’t much matter (so I thought!). Verity and Kylemore’s story came from my imagination but I had a marvellous moment after I’d written the first draft when I read Katy Hickman’s book Courtesans and came across the story of the courtesan Elizabeth Armitage and her aristocratic husband Charles James Fox. These two had a lot in common with my made-up characters. It felt like a sign from the universe that I was onto something.

SHEY –Both  wonderful books for those who haven’t read them BTW. Claiming the Courtesan was the start of a rollercoaster ride where you released a number of books for many major publishers–again, all to tremendous acclaim–but for last few years you decided to go your own way, publishing your books yourself.  What was your thinking behind that move? And how has it worked out for you?

ANNA -I love being an indie, although I’ll always be tremendously grateful for my career in traditional publishing. I learned so much and I picked up a large readership which stood me in good stead when I went out on my own. A few things pushed me down the independent route – I wanted to write stories in a variety of tones. While I’d started my career writing dark stories, at heart I’m actually quite a jolly soul and I wanted to write some romantic comedy. I also wanted more releases a year than a trad career allows.

SHEY– You’ve also gotten deeply into Scotland, especially the unspoiled island of Eigg.

Not that I noticed. Which of your ultra sexy heroes would you want to spend a day with there and what would you do ……. ?

And can you tell us why you find Eigg so bewitching?

ANNA — Ha, all of my heroes! Although perhaps not at the same time. That’s just too much like hard work! Just because he’s the most recent and also because I developed a major crush on him as I wrote the story, I’ll choose Brock Drummond, Earl of Bruard, who stars in The Highlander’s Forbidden Mistress, my latest release.

Brock is a wonderful mixture of heart and intellect and sexiness – so at least some of what I do with him on the Isle of Eigg will involve conversation! Really! I’ve included a picture of the view over to Rum from Laig Beach on Eigg.

It’s pretty obvious why I’m so in love with the place! I’ve always loved islands and this one has such a rich history and such glorious scenery. I also love that when I go there, I feel like the rest of the world is a million miles away (well, a couple of hours on a CalMac ferry, anyway!)

Shey–You know we were up for having our anniversary in Arisaig again,  heading over to Eigg for a day to bag the Sgurr, before winding up in Glencoe. RIGHT NOW ACTUALLY.  Oh well, the best laid plans of hamsters and women, but thank you for giving that wee flavour and here’s hoping for next year. Right now  I gather they are asking tourists to stay away from Eigg before you dudes get any bright ideas here. Anna, you’ve also moved into Scotland  as  a setting for many of your books. Give us the low down, is it the men in kilts, or something else that has drawn you in that direction?

ANNA–Well, a man in a kilt is always welcome!

Not to mention that wonderful accent. Sigh. Actually I’ve been in love with Scotland

since my very first visit back in the mid-1980s. I’ve been back numerous times since and the love affair has only intensified. I think it’s the most beautiful country on earth and the history is full of soul-stirring stories. Not to mention the music. That goes straight to the heart. When I first visited, I wondered if there was something in the idea of the blood calling me home. I am, after all, a Campbell, even if one raised on the other side of the world.

SHEY —How do you do your research for your novels?

ANNA– These days because I know the period I’m working in so well, I mostly do book-specific stuff. For example, with The Highlander’s Lost Lady, a lot of the plot hinged on issues like the age of consent in Scotland in the 1820s so I had a wonderful dive into marital law in the Regency period.

SHEY —What would you say has changed most about  the writing industry since you first started subbing your work?

ANNA — Ha, do you want a 10-page answer?

When I started writing, the only way to get published and find an audience was to get a contract with a traditional publisher, and books were available in print format only. Digital technology has created so many more ways for people to read and to publish. There’s a freedom now that there wasn’t back when I started writing as a teen.

Shey —Returning to that, you’ve written– in the hope of  getting published– since 3rd Grade, getting to the stage where   ‘under the bed was more crowded than the centre of Hong Kong at Chinese New Year,’ with manuscripts, finished, unfinished or rejected, you set yourself targets, goals, often doing mundane jobs,  did you ever think of giving up?

ANNA–I did! When I was in my late 30s, I was working in a dead-end job and nothing was happening with my writing career. I decided that wanting to be published was like wanting to dance for the Bolshoi (also a girlish dream for the young Anna!). It was time to put aside these silly fantasies of being a writer and start trying to build a proper life for myself. I lasted about 18 months and I was absolutely miserable. So when I went back to writing, I decided I needed to be a bit smarter about what I was doing. So I joined Romance Writers of Australia, and I started to write something that had a bit of commercial appeal. It still took a couple of years, but the decisions I made after giving up started me on the road to publication.

SHEY — Would you say that keeping your eye on markets and looking for the way in, with work that is marketable played its part and what tips would you give aspiring writers out there? I’d mention the worthy master here but as Bobby Bub ses, he can’t actually write. He can’t spell neither.

ANNA–The weird thing is I ended up getting published with a book I didn’t think any publisher would ever touch with a barge pole. At the time, the idea of a heroine who sleeps with men for money seemed very out there. I’d also advise against chasing trends. These days, trends come and go faster than a speeding bullet. My tip for aspiring writers is to read a lot in what’s being published now and take note of popular tropes (not trends). Marriage of convenience is a trope; hockey playing heroes is a trend. Also if you start a book, fight through the sagging middle to finish it.

Partly because there’s nothing you can do with the start of a book, but also because finishing a book will teach you more about writing than a million writing courses.

SHEY —What’s next for Anna Campbell?

ANNA–Lockdown has done wonders for the appearance of new Anna Campbell books! There are three more this year to finish up the Lairds Most Likely series. The Highlander’s Rescued Maiden is out at the end of September and as those who have followed me for a while know, I always do a Christmas story. The Highlander’s Christmas Countess should be out end of October. I’m also contributing a story to a Christmas historical romance anthology, but details of that are under wraps right now.

Next year I’m very excited because I’m starting a new series based back in Regency London, stories full of glamour and passion. Stay tuned for the announcement of details, but if you enjoyed my Dashing Widows series, I think you’ll be very pleased with this new direction.

If you’d like to keep up with the latest, why not join my mailing list? Just email me with your contact details: AnnaCampbellOz@hotmail.com Or I regularly update my website: www.annacampbell.com

Bio:

Australian Anna Campbell has written 11 multi award-winning historical romances for Avon HarperCollins and Grand Central Publishing. As an independently published author, she’s released 25 bestselling stories, including seven in her latest series, The Lairds Most Likely. Anna has won numerous awards for her Regency-set stories, including RT Book Reviews Reviewers Choice, the Booksellers Best, the Golden Quill (three times), the Heart of Excellence (twice), the Write Touch, the Aspen Gold (twice), and the Australian Romance Readers’ favorite historical romance (five times).

Links:

Website: www.annacampbell.com

Facebook: https://www.facebook.com/AnnaCampbellFans

Twitter: AnnaCampbellOz

BookBub: https://www.bookbub.com/authors/anna-campbell

Amazon: https://www.amazon.com/Anna-Campbell/e/B002NKV1HQ

Blurb for The Highlander’s Forbidden Mistress:

A week to be wicked…

 Widowed Selina Martin faces another marriage founded on duty, not love. When notorious libertine Lord Bruard invites her to his isolated hunting lodge, he promises discretion – and seven days of hedonistic pleasure before she weds her boorish fiancé. All her life, Selina has done the right thing, but this no-strings-attached chance to discover the handsome rake’s sensual secrets is irresistible. She’ll surrender to her wicked fantasies, seize some brief happiness, then knuckle down to a loveless union. What could possibly go wrong?

 

In a lifetime of seduction, Brock Drummond, the dashing Earl of Bruard, has never wanted a woman the way he wants demure widow Selina Martin. When Selina agrees to become his temporary lover, he soon falls captive to an enchantment unlike any other. He sets out to slake his white hot desire until only ashes remain, but as each day of forbidden delight passes, the idea of saying goodbye to his ardent mistress becomes more and more unbearable.

When scandal explodes around them and threatens to destroy Selina, Brock is the only person she can turn to. After so short a time, can she trust a man whose name is a byword for depravity?

Will this sizzling liaison prove a mere affair to remember? Or will their week of passion spark a lifetime of happiness for the widow and her dissolute Scottish earl?

Excerpt from THE HIGHLANDER’S FORBIDDEN MISTRESS: THE LAIRDS MOST LIKELY BOOK 7

Derwent Hall, Essex, December 1823

Selina was too aware that it was late and that she was alone with a man whose reputation was bad enough to send respectable virgins shrieking for their mammas. Lord Bruard’s company was the closest thing to satanic temptation that she was ever likely to experience.

She swallowed to moisten a dry throat and set the book on the mantel. “I must go,” she said, and cursed the squeak in her voice.

“Must you?” Bruard didn’t sound as if he cared whether she stayed or went. He continued as if they were in the middle of a friendly conversation. “You shouldn’t let Canley-Smythe bully you, you know. If he bullies you now, before he gets his ring on your finger, he’ll turn into a domestic tyrant when you marry.”

She paused in the act of turning away toward the door. “This is none of your business, sir.”

Unfortunately, it was also a perfectly accurate assessment of her future. Selina was no fool, and she had few illusions about what life with Cecil was going to be. But what choice did she have?

With a leisurely grace that made Selina’s foolish heart skip around inside her tight chest, Bruard sat up. She thought she’d committed her whole self to marrying Cecil, but now it turned out that her heart hadn’t signed up to the arrangement. Her heart cried out that she was still young and at last she had the chance to flirt with an attractive man. It insisted that if she ran away now, she was a filthy coward.

“Oh, that’s true.” Again no shame. “But I’m telling you this out of pure altruism. Stand up for yourself now, or he’ll crush every ounce of spirit out of you.”

“Pure altruism?” She gave a snort of amusement that would have shocked Cecil. “It seems the world is completely wrong about you, Lord Bruard.”

The half-smile reappeared, deepening the creases around Bruard’s deep-set eyes. The breath jammed in her lungs. Dear God, no wonder the ladies went insane for him. He truly was extraordinarily attractive. He should have warning signs posted all over him.

Because he was right about her avoiding him, this was closer than she’d ever ventured to the wicked Lord Bruard. This was certainly the longest she’d spent talking to him.

And danger bristled in the air.

So remaining in this room made no sense. Yet remain Selina did.

His gaze fixed on her. “No, my lovely little ghost, the world isn’t wrong about me.”

The power of his attraction made her stomach cramp with nerves, as she remembered all those depraved fantasies that wore Lord Bruard’s intense dark face. Did he know she’d thought of him in the privacy of the night? She had a sick feeling that he must.

“G-ghost?” she stammered.

He shrugged. How could such a prosaic movement make her heart somersault? Except his shoulders were broad and hard, and she ached to run her hands along them and down those strong arms, displayed to advantage in the best of London tailoring.

He wore black. But then didn’t the devil always come in black?

“That’s how I think of you. With your neat little gray frocks, and the way you watch everything you say, and never miss anything that goes on around you.”

This time, genuine fear spurred the unsteady beat of the heart. She hadn’t thought she’d be of the slightest interest to such a famous libertine. It turned out she was wrong. Just as she’d watched him, he’d watched her.

She gulped for air to clear a swimming head and raised a shaking hand to her bosom, before she realized how revealing the gesture was. “You shouldn’t think of me at all.”

His expression grew more intent, and she faltered back a step. She should flee, pride or no pride, but it was as if her feet were tacked to the parquetry floor.

“Nor should you think of me, when you’re marrying that ponderous oaf in a fortnight, and you’re obviously a woman who guards her chastity the way a miser guards his gold.”

Heat blazed in her cheeks, and she avoided his eyes. How could he make her virtue sound like the worst of sins? “I don’t think of you. I…”

Oh, what was the use? Coyness suddenly seemed too shabby to countenance. As he uncoiled and rose to his feet, she made a helpless gesture. “I don’t want to think of you,” she mumbled.