Interview With the Cleanser.

Tags

books, Cornwall, Mystery, New book, O'Roarke's Destiny, Smugglers, Wreckers, writing, Writing tips

 

“Some say the Cleanser is an exciseman gone to the bad…..”

 

The Cleanser – That would be telling.

The Cleanser – That would be telling.

The Cleanser – That would be telling.

The Cleanser – That would be telling. Now, before I get back out there and prove even more terrifying and elusive, as I menace my way through Cornwall on dark and stormy nights, you have one more question. Do try and  make it count and not waste it on fripperies such as am I really that fearsome, am I one of the five,  or does Lyon eat hamsters? Who said what, and didn’t, how fair, or otherwise not, it is? And please do not interrupt. Have you any idea what happens to hamsters who interrupt, especially with more questions?

The Cleanser–Who, amongst you,  will be brave enough to ask this question?

The Cleanser. They are not amongst you. YOU are amongst you. Now ask or face the consequences.

The Cleanser – Dear, little hamsters, why else but to spread a bit of butter on you and have as toast.

 

But I will add that in a world of secrets and smugglers and did I mention unsavoury–not looking at anyone here, although you hamsters do smell a bit-

– wreckers, Shey rather liked the idea of  upping the anti. Who can, for example, resist having a tale of smuggling without the various ingredients? Don’t answer. You are not the ones being interviewed here.

So secret passages, treasure that is the stuff of legend, stormy nights, old houses, ghosts  and of course mythological  figures are all part of that tapestry. Shey thought about how in  Jamaica Inn the heroine does not know who the head of the wreckers is but obviously if her uncle is scared of him, then he must be fearsome because her uncle is that and more–although she used someone who is also the stuff of legend differently.

Things had begun to change for smugglers in the period O’Roarke’s Destiny is set, shall we say? 

Tom Berryman had behaved as if the devil had crossed his path and this one looked to have horns.

 

And let’s remember in this book nothing is what it seems. A little mystery does no harm sometimes.  As a figure the Cleanser does not drive the plot. There’s no need to when everything the leads do arises from the three magic writing words, where they and only they, are concerned, goal, motivation conflict.

Does the Cleanser really exist?  If they do are they one of the O’Roarke five and if so which one? That’s for me to know and you to find now. Now, if you don’t mind I believe I have some vodka to drink and a Cossack dance to  do before I get back to terrorising the locals? Oh and one last thing… my eyes are not flamingos, what they have is a flaming glow….

Releases Friday 13th…it is a book about a curse after all…..

 

 

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Secondary characters? How many do you need?

Tags

Black Wolf Books, Cornwall, Historical romance, Newbook, O'Roarke's Destiny, Romance, Shehanne Moore, Smugglers, Wreckers

 

SHEY : Dearest Silv, may I say how very kind of you it is to ask me here today  to my blog. I just can’t get over it. The great honour it is. To answer your question about Lizzie I wrote her out because she had no further use …

SHEY. Yes, Lizzie-alas–was adding nothing to the plot.

Nor did I need her after chapter one for the main reason I use a secondary character, that is to hold a mirror to a lead in some way, their personality, their actions, perhaps show them as I did with Dainty and Mitchell Killgower in The Writer and The Rake, in a better light and also I suppose not to make the whole thing too claustrophobic –as I also partly used Susan for in The Unraveling of Lady Fury, and give Fury a sort of confidant.  Lizzie was not going to fulfil any of these things and letting her stay was going to change how I saw this book. So why have her?  There’s also a one scene appearance by a few children, but while they are contributing to the story there, they’re what you might term decorative extras. Spear-carriers in theatrical terms.

Overall I don’t work with a huge cast of speaking characters but I do generally work with more throughout.

Shey. Indeed I think we got that. The world of Doom Bar Hall itself, despite being smack bang in smuggling and wrecking country, is a tight world. Destiny is a loner, probably a high functioning depressive who bashes through her daily routine and set of tasks with tunnel vision. She’s not one for friends—she’d never been what you might call popular, except with the men she drove to distraction years previously–and she confides in nobody, the family were larger than life that way locally. She’s a product of that family.  So to have put in a single scene where she does would have been wrong for her as a character and unbalanced the book.  Divers may swagger  into that world full of confidence and control,  underneath he’s a man on the edge, holding it together and no more. I won’t give away too much of the plot by saying why he’s at this stage when the book opens. He has a sidekick, Gil,  to show there’s another side to him and to mirror some of this ‘disintegration’ but that’s it re Gil being there.

 And because he could be trusted. A hard thing to come by, not just in this world but the world he inhabited. That dancing, dark and shady place of gnarled shadows and twisted paths, haunted by the need to keep one step ahead where nothing could ever be as it seemed. Not even himself.”

  

There’s reasons for Orwell–Destiny’s brother

 face as long as a six fiddle cases, and twenty four rainy days,

and as for Lyon?

.

Shey. He has  quite an appetite.

You knew everything but nothing of what he was really thinking. Hand him a farthing out the goodness of your heart and he’d still need to know where both came from. The farthing and the goodness. Probably your heart too.

Shey I think it’ s important when you are creating a world for a book and I try with each book to create a world, to think of the things that help show it.  And for me in this book it wasn’t the wider smuggling picture which is actually central to the story, but the putting of this hero and heroine and what unfolds in this world between them, centre stage. I felt that could only happen with a small playing ensemble, so even the servants had to go.  I think it’s sometimes something to consider in terms of cementing  a setting, depending on what that setting is. This one was not the world of ball gowns and dance cards and it’s not a pretty one of smuggling either.  And now before you open the voddie and do the Cossack dance… a book trailer.

 

Once he’d have died to possess her, now he just might…

Beautiful, headstrong young widow Destiny Rhodes was every Cornish man’s dream. Until Divers O’Roarke cursed her with ruin and walked out of Cornwall without a backwards glance. Now he’s not only back, he’s just won the only thing that hasn’t fallen down about her head—her ancestral home. The home, pride demands she throw herself in with, safe in the knowledge of one thing. Everything she touches withers to dust.

He’d cursed her with ruin.

Now she’d have him live with the spoils of her misfortune.

Though well versed in his dealings with smugglers and dead men, handsome rogue Divers O’Roarke is far from sure of his standing with Destiny Rhodes. He had no desire to win her, doesn’t want her in his house, but while he’s bent on the future, is there one when a passionate and deadly game of bluff ensues with the woman he once cursed? A game where no-one and nothing are what they seem. Him most of all.

And when everything she touches turns to dust, what will be his fate as passion erupts? Will laying past ghosts come at the highest price of all?

September 13^th 2019 Black Wolf Books.

Character Interrupted. An interview BY Jean Lee

Tags

Black Wolf Books, Character development, Fallen Princeborn Stolen, Historical romance, interview, Jean Lee, London Jewel thieves, Loving Lady Lazuli, Shehanne Moore, Small Press, Splendor, Starkadder Sisterhood, Ya author

 

#Author #Interviews: #historicalromance #writer @ShehanneMoore discusses #character development, #series #writing, #research, & starting a #smallpress #publisher

Jean Lee – Let’s first begin with what you write—smart, sexy, historical fiction. You delve into various time periods with your books, such as the 9th century in The Viking and the Courtesan and the 19th century in Splendor. What process do you go through when choosing the right century for a story’s setting? That is, if Splendor took place in another century, would it still be the Splendor we know?

Probably not. The stories are influenced by the time, the characters too, although they don’t always abide by the constraints of them. Mind you Splendor would be a shopaholic , running up debts galore in any time because some things are timeless. She’d be having to manage everything too. So I guess a bit of both would be true. I generally stick to the Georgian/Regency period—it’s a sort of genre in own right. BUT I do like to dabble and I do spend time thinking of how I will set a book physically within that period, in terms of imagery etc.. There’s also things that happen when I write.

I mean there was never meant to be a Viking in The Viking and The Courtesan. That was a straight Regency. But then halfway through chapter two, the little voice whispered, ‘You know that Viking story idea you have, the one you’ve never really got the idea for the heroine ‘s goal in? How about you just use it here?’ Much as I want to ignore that little voice, I can’t.

Jean Lee. – Such a question should mean I ask you about research, too. I know you’re very passionate about your research to keep the period lifestyle true to history. 

Visit my pages on BookFunnel & Instafreebie today!

Jean Lee. What’s your process in making the research phase as productive as possible?

You know people think I do a lot of research. I don’t . Too much can kill a story and read like a Wikipedia cut and pastes. At the end of the day I don’t want to know every detail of the time a story is set. I can read a history book for that. I want to read of the things that are universal. The things that stand the test of time. But I have always loved history, especially social history, ever since I can remember. I guess that’s what I have at my fingertips when I write. And of course, I will check a historical timeline detail where it is pertinent to a character, or setting, if I want a certain backdrop.

Jean Lee – One thing I love about all your books is that these characters are layered with feeling. They desire, they hate, they aspire, they love, they fear. Your books are so, so much more than the “meet-cute” kinds of romances out there populated by characters with little more than a single quirk each. These characters can get downright wicked, like Devorlane Hawley in Loving Lady Lazuli. How do you bring together both light and dark natures into your characters to keep your stories compelling and un-put-downable?

SHEY – Now Jean, it’s all right, I won’t set the dudes on you and the check is in the mail. You are way too kind. I just love characters. I want to write about the human condition and let’s face it sometimes it’s downright ugly. Okay, Devorlane Hawley, for example, page one, is not a man you would want to meet. He’s plainly gone to hell in a hand cart, is behaving outrageously and now he’s come into the dukedom because his older, perfect brother is dead, he’s for turfing out his sisters, his late mother’s ward, installing some floozie he’s scoured London to find and setting up a pleasure palace in the ancestral home. By page two/three he’s noticing that his home is nothing like he remembered, it’s a mess, his oldest sister is a drunk and that’s needling at what humanity he has, because it’s plain these years have been hard and the family have regrets. The fact is he’s the family black sheep, the man who made the kind of messes we can all make when we’re young. And that law-abiding, God fearing family let him go down for a crime he never committed, largely for  the sake of peace. By the end of chapter one he’s spotted the woman who did commit that crime and his goal instantly changes. Now he’s becoming the architect of his own doom in many ways.

No-one’s all bad—I think it’s important to remember that when you write. But we are all flawed in some way, a bundle of contradictions, the sum and substance of our life experiences. That’s what I’m trying to blend. Ultimately underneath everything Devorlane Hawley isn’t a bad man. In some ways he’s man interrupted by his earlier experiences– and what has shaped his life since has been hardship and brutality. So the race is on then to see if he can become the man he could be, or are the flaws going to get in the way. I spend a lot of time peering through my fingers going… I wouldn’t have done that, to my characters when I write. AND I let them drive everything. I seriously never have any idea where a story is going next.

Jean Lee- Yet another thing I dig (someday I’ll learn to write questions better), particularly where the  London Jewel Thieves are concerned, is that the series doesn’t just revolve around one heroine; rather, each book focuses on a different character of a group. I love how these different perspectives give us a richer look into their world, as well as fresh looks at characters we’ve met in the other books. Which heroine came to you first? Did she bring all the other thieves with her, or did they start telling you their own stories later on?

Good question. Actually the heroine of a short story I have yet to turn into a full length, came first. The idea was there of the jewel thief gang and being forced into stealing because for one reason or another they’ve fallen into the clutches of the man who runs this gang. BUT Cassidy Armstrong aka Sapphire from Loving Lady Lazuli came first in terms of the writing. Originally it was a standalone but as I wrote it, and I was working the background, I thought of that short story and the whole thing just fell into place. The idea of giving the women the name of a jewel, of the Starkadder Sisterhood, and of setting the books after the gang has broken up. So it’s about them having to find their feet by whatever means and keeping one step ahead when there’s prices on their heads.

Jean Lee – Lastly, congratulations on beginning your own small press! I’m so excited to see what Black Wolf Books will bring to readers—your own books, and the books of other authors. You’ve been writing for publishers for a number of years, but now you are both publisher and writer. How would you say your earlier experience prepared you for this change? What’s been the biggest “culture shock,” as it were, with donning the publisher robe?

Shey – Thank you so much Jean and ALSO for having me here today AND congrats on your own forthcoming release. Sure to be a rip along read. MAY I SAY HERE ON TO MY FOLLOWERS, JEAN IS WELL WORTH CHEKING OUT.

Shey- I have wanted to set up Black Wolf Books for about four years now but life got in the way. But I’m there now. I think the writing industry is in a constant state of flux. When I first subbed back in 2012, you still went the traddy route. Yes there were self published books but not so many, nor the same amount of tools to do it. I mean Amazon makes it so damned easy actually now. I have a lot of experience in the writing business that goes way back before 2012 and I’ve been able to use most of it now.

I think the biggest shock…well learning curve was formatting for ebooks and for paperback. Amazon does make it easy I just got in a flap till I mastered it. I initially paid a formatter for the print version for Splendor. I was too scared to do it, in case I messed it up. But when it came back like a dog’s dinner, I stood at the foot of the mountain and told myself to get up there. That it wasn’t anything like the time I took over the editing and design of a magazine and didn’t know how to draw a text box…

Jean Lee. Are you looking for submissions right now? If so, what kind and do you have any guidelines to share?

Shey – Well we are not officially open in that I didn’t want swamped. I wanted to feel my way, get out my books, and the Mr’s book, before dealing with what could be an avalanche. And often I think publishers can take on way too many authors without concentrating on the ones they have. But we already have a signing of a YA author who has a trilogy. So I say to folks, contact me through my blog contact right now. And really so long as it’s good, I’m not laying down all kinds of conditions.

One of the reasons I wanted to do this is that I’ve seen a lot of authors get raw deals, not been able to get a book out cos it’s not fitting the mold, despite having books out. My aim in setting up BWB is to help authors. Believe me, I know how brutal this biz can be.

Jean Lee –  Lastly lastly I’m hoping you’ll allow the little Hamstah Dudes, that precocious batch of knowledgeable cuties  who share amazing author interviews & writing advice on your site, to come on over for a moment and have the last word, as they’ve been very good and patient all through our chat.the last word, as they’ve been very good and patient all through our chat.

 

Jean Lee – Many thanks to Shey for sharing her experience and stories with us! And don’t worry, Hamstah Dudes–Blondie’s working on a Halloween picture just for you. Hopefully I can stop by Shey’s site to share it! 🙂

 

 

A Thousand Passions and Catherine Cavendish

Tags

Anton Schellenbauer Alternberg, Austria, Castle Altenburg, Castle of the Thousand Passions, Catherine Cavendish, Cleopatra, Horror, Kensington Press, New book, Schloss Altenburg

Castle of the Thousand Passions by Catherine Cavendish.

 

 

 

Castle of the Thousand Passions by Catherine Cavendish.

‘I have set a large part of Waking the Ancients in Vienna, Austria where many ghosts and restless spirits walk among the verdant parks and lavish palaces. But Austrian ghosts do not confine themselves to their nation’s imperial capital. They can be found in towns, cities, villages and the depths of the countryside all over this beautiful land.

Also known as Schloss Altenburg, Schloss Tausendlust (Castle of the Thousand Passions) was built in the second half of the 16^th century by Alexander Rüdt von Khollenburg, although it is first mentioned as a farm in the earlier part of that century. It is likely there was an earlier medieval castle on the site but this has not been excavated and today the house is a private residence. It changed hands a number of times over the centuries, belonging to Adam Gabelkhofer in 1605 and passing to his daughter, who sold the estate in 1650 to Christof Rudolf Freiherr von Eibiswald. He gave it back a year later, unable to make a living from the small income supplied by winemaking.

The Haydegg family acquired it and sold it in 1740 and there were more changes of ownership until, in 1790, Anton Schellenbauer Alternberg acquired it. He hailed from Lower Austria and had acquired extreme wealth and a noble title. He also had a reputation for appalling cruelty to his farmers and labourers.

Official history states that he was caught in 1817, arrested and charged with fraud, and was stripped of his nobility, dying in detention in 1829.

But legends go further.

It is said that, one night, his abused workers decided enough was enough. They stormed the house and Schellenbauer hid in the closet. His valet told them where he could be found and they hauled him out. He had hidden from them for years, now they would have their revenge. Using four oxen, they set about tearing him limb from limb.

 It is his ghost who, to this day, haunts the small castle. He is most frequently seen near that same closet, which contains a secret passageway or in the castle grounds. Especially on stormy nights.

 

Following the demise of Schellenbauer, the castle’s fortunes declined sharply. Lightning had destroyed the tower in 1825 and by 1878, most of the castle had fallen into ruin and it was used solely as a winery. It was eventually purchased by the Nyary family in 1903 and an inscription of 1911 above the family coat of arms, shows that major rebuilding began then, and included the construction of a bell tower, under which a chapel was built.

Today, following yet more extensive renovation under its current owners, its beautiful grounds are particularly noted for the magnificent magnolia trees, which bloom in spring. The castle lies on the hill between the villages of Hitzendorf and Berndorf and provides a delightful sight for passers-by.

As for the ghost, the current owners are keeping quiet.

The same cannot be said for Dr. Emeryk Quintillus…

 Waking the Ancients

 Legacy In Death

Egypt, 1908

University student Lizzie Charters accompanies her mentor, Dr. Emeryk Quintillus, on the archeological dig to uncover Cleopatra’s tomb. Her presence is required for a ceremony conducted by the renowned professor to resurrect Cleopatra’s spirit—inside Lizzie’s body. Quintillus’s success is short-lived, as the Queen of the Nile dies soon after inhabiting her host, leaving Lizzie’s soul adrift . . .

Vienna, 2018

Paula Bancroft’s husband just leased Villa Dürnstein, an estate once owned by Dr. Quintillus. Within the mansion are several paintings and numerous volumes dedicated to Cleopatra. But the archeologist’s interest in the Egyptian empress deviated from scholarly into supernatural, infusing the very foundations of his home with his dark fanaticism. And as inexplicable manifestations rattle Paula’s senses, threatening her very sanity, she uncovers the link between the villa, Quintillus, and a woman named Lizzie Charters.

And a ritual of dark magic that will consume her soul . . .

You can find Waking the Ancients here:

Kensington Press

Amazon

Barnes and Noble

Apple

Google

Kobo

‘I have read all of Catherine Cavendish’s books. In addition to writing the kind of horror I love, she has a real knack for blending past and present. And this first part of this new series does not disappoint, opening and closing with the kind of spine-tingling bang where you just know that for her characters horror is everywhere and there’s no escaping it no matter how hard you run.

Pity poor sensible, not easily frightened, Adeline Ogilvie who not only has the misfortune to be a descendant of Cleopatra, but comes to realise there’s something nasty in the basement and that something might be the very person she’s related to. Then there’s Cleopatra’s one true love and it’s not the men history shows her to have been involved with either. Dr. Emeryk Quintillus will stop at nothing to resurrect his queen. And nothing will stop him.

That’s as many spoilers as I’m giving but I will add that not only does Catherine Cavendish effortlessly blend past and present, giving us all kinds of insights into ancient Egypt, her stomping ground for this book is early twentieth century Vienna, the coffee houses, the streets, the historical figures who graced them.
Bring on part two.’

About the Author:

Following a varied career in sales, advertising and career guidance, Catherine Cavendish is now the full-time author of a number of paranormal, ghostly and Gothic horror novels, novellas and short stories. Cat’s novels include the Nemesis of the Gods trilogy – Wrath of the Ancients, Waking the Ancients and Damned by the Ancients, plus The Devil’s Serenade, The Pendle Curse and Saving Grace Devine. She lives with her long-suffering husband, and a black cat who has never forgotten that her species used to be worshipped in ancient Egypt. She sees no reason why that practice should not continue. Cat and her family divide their time between Liverpool and a 260-year-old haunted apartment in North Wales.

You can connect with Cat here:

Catherine Cavendish

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Beguiling something far more dangerous. The non-villainry of the Hellfire Club

Tags

secondary characters, Shehanne Moore, Sir Francis Dashwood, The hellfire caves, The hellfire club, The Writer and the Rake, Writing tips

 

 

 

 The tail end of Brittany’s little scene with Sir Francis Dashwood which takes place just after she finds out, not just  how to get home to her own time, but to finally stay there too. Oh, and her feet just happen to be killing her

“Anyway, whatever is said of us, we’re not as bad as all that.” Sir Francis’s muddy brown eyes held a slimy twinkle. “Just different. There’s one shoe on. Let’s get the other one for you.”

“Yes.”

“You know Mitchell thought you had come to us?”

“What? When?”

“Recently. He seemed to have trouble finding you.” He lifted her other foot. “Do you know he virtually accused me of stealing you?”

“Real—? Well.” She cleared her throat. “He was probably just . . . desperate. I left him a note because I was in such a hurry, but obviously it never reached him. The servants Christian sent are so unreliable.”

“Christian?”

“Lazy, lying, conniving. What? You didn’t know she sent them to spy and report on everything we do, to her? They probably hid that note on purpose from him. She had to know though. She went and arranged this whole evening the second I was gone, in the hope I wouldn’t be here and Mitchell would be left high and dry. You have no idea of the spite of that creature.”

“Hmm. Well, I daresay it’s something we’re all capable of.”

“I’m sorry?”

“I said, didn’t I, that he used to come to our humble, little meetings?”

“I’m sure they’re anything but humble.”

“Well . . . Anyway but then he stopped. Maybe, you’ll be the one to bring him back?”

She might. But then again she wasn’t staying. She rose above her agony to fix on her warmest, most ingenious smile.

“Who knows what the future holds for any of us, Your Grace.” Unless you were Mort. Then it probably did hold certain non-existence. “But, who is to say indeed?”

“Of course he never really forgave us for Gabriella as such. The fact she preferred others to him. Silly, when he preferred so many to her.”

“You’re not saying that Gabriella pretended all that in order to make him jealous?”

“If she did, she did it well. Nor would you ever call Mitchell the jealous kind. No. That was a forced marriage of the worst kind. Still, why don’t you ask him?”

She offered her most enigmatic stare. “Why don’t you?”

“I would like to, my dear, but Mitchell and I don’t really get along any more, which was why I was so surprised he abased himself by visiting me. Here is your dear husband now. If you don’t mind, I shall make myself scarce.”

https://en.wikipedia.org/wiki/Francis_Dashwood,_11th_Baron_le_Despencer

https://www.readyclickandgo.com/…/legend-and-history-the-hell-fire-caves-west-wyc…

 

 

 

If you met a sexy vampire…. The writer Q and A tag.

Tags

books, Question and answers, reading, writing

https://kyrosmagica.wordpress.com/  MARJORIE MALLON

If you met a sexy vampire what would you do? Hook up, get the garlic and crosses out or run a mile?

 

 What’s your favourite genre of book and why?

 

 Who is/are your favourite author (s) , poet (s)? What is it about them that inspires you?

 

 

 

 If you had to control a classroom of year 6 kids would you bale, or enjoy the challenge? Would you be (a.)  too undisciplined to do so, you’d just join in the general mayhem, (b.) enjoy bossy them around, or (c.) pray in a corner for the bell to sound.

 What made you become a writer/blogger?

Do your family support you or do they think you’re crazy, bored,  attention seeking, or all of these? Tell us a bit about your current WIP and/or books…

What is the most awful job and/or experience you’ve ever done/had?

Are you a plotter or a pantser? Does this spill out onto other parts of your life? Are you generally organised/disorganised?

 

 Do you believe in Ghosts? Fate? Love at First Sight? Fairies? Psychic happenings?Numerology, Mermaids, The Loch Ness Monster, Demons…etc…

 

What is the worst haircut/clothes/hats you’ve ever had/worn? Photos please, or describe in vivid detail…

 

Please finish this sentence with more than three extra words: Life is one foot in and one foot out, you ….

Catherine Cavendish

www.catherinecavendish.com/

Jane Hunt

https://jolliffe01.com/blog/

Elizabeth Ellen Carter

eecarter.com/

 Noelle Clark

www.noelleclark.net/

Jean Lee

https://jeanleesworld.com/

Christy Birmingham

 https://poeticparfait.com/author/christybirmingham/Cached

Jenni Styles

https://jannistyles1.wordpress.com/

 DG Kaye

dgkayewriter.com/

QUESTIONS.

1 What is your favourite line of poetry about a hamster? Oh okay, we mean a small furry creature, or animal.

2 What was your favourite children’s book if it was not Mrs Tiggywinkle?

3 You’re in the forest, it’s dark, it’s cold, it’s mysterious, suddenly the bushes part and there snarling before your is  a savage, giant hamster. What happens next?

4 Is there any place in the world you would like to set a book or poem and why?

5  You can have dinner with your favourite book hamster, character. Who is it and what will the first course be? Recipes are welcome. Of course if you can’t find a hamster, just choose another animal.

6 Tell us a bit about what you are working on now.

7 What was the last book you read?

8 How much of you is in your characters or your poetry?

9 Forget all this hero stuff. You’re being cast as the villain and it’s your choice who you pick so long as they are from a book.

10 Who or what inspires your writing?

 

 

 

 

On snatching victory. Jane Hunt and The Dangerous Gift

Tags

Jane Hunt, Limitless Publishing, Rejection, Romantic Suspense, The Dangerous Gift, Writing process, Writing tips

 

 

JANE. I think before meeting ‘the hamstah dudes’, honestly no.

However now and thinking back to my first pet who a hamstah called ‘Daphne, who had a true adventurous spirit,(she once went missing for hours, only to turn up fast asleep in my dad’s wardrobe).

I can see that they have a true fighting instinct, and a certain mystic that shifter romance heroes and heroines need, so maybe I could work one into book 3 of The Dragon Legacy.

Jane. That’s true.

My latest release is a mystery/thriller with a strong romance thread, set in Texas. So I’ve swopped ‘Dragons’ for ‘Cowboys’ and if you see my latest cover maybe you can see the appeal?

Although this story is not like the fantasy/paranormal stories I’ve published previously. It does share the Mystery/Thriller and Romance elements, which are in all my stories.

The Dangerous Gift has a long history. I actually started writing it before I wrote the second book in The Dragon Legacy series – The Revenge Masquerade.

 

Originally I got the idea when I entered a ‘pitch contest’, over three years ago. I’d never written anything based in the US but the series I pitched to required this. Once I started writing, I liked the characters and enjoyed developing the sinister antagonist, so I decided to finish it,

Jane, It was finished probably, 18 months ago. I queried it with all types of publishers, a couple of them liked it but one said ‘romantic suspense was too hard to sell’ and the other one said ‘it wasn’t suspenseful enough’.

Disillusioned, I discussed it with a trusted writer friend and decided to self-publish. Before I got round to doing this, I pitched it in the #PitMad twitter pitch contest, last September and it was picked up by four publishers.

I pursued a couple of them and decided on ‘Limitless Publishing’.

Jane. It was hard to change publishers; I didn’t pitch this book to ‘The Dragon Legacy’s publishers, which would have been the easy and safe option. I wanted a change, to see if my writing could attract another publisher and eventually it did. J

‘Limitless Publishing’ was keen to buy my story, which was great after all the rejections that came before. My primary reason for selling to them was head rather than heart based. They have excellent social media links and provide their authors with expert promotional advice and support. I feel like part of a team. It’s a good feeling and worth waiting for.

Jane. Yes, I always feel like  that when I’m writing. I have an optimistic nature but there were so many times when I wondered if it was any good but then I’d think of a new twist or great dialogue and I would be madly writing again.

Jane, Oh yes, as you know I am easily distracted and having my new grandson living with us has proved to be a major reason not to write. He is so lovely and I want to spend time with him and my daughter, at the expense of everything else. However with this new release and having time to think, I truly want to write again and I am hopeful the next few weeks will be full of writing.

Jane, Jared, the sexy cowboy, on the cover, is loyal, stubborn and protective. His sexy, tough manner hides a sensitive heart which our heroine Jennie is determined to uncover. Family and heritage are important to Jared and he will sacrifice anything, including it seems Jennie, to honour his parents and keep the ranch viable.

Fortunately for him, Jennie is no pushover. Her courageous and impulsive nature makes him realise, he isn’t alone and that some people are worth more than material possessions.

The sinister antagonist will do anything to achieve their own goals, which certainly don’t include a ‘happy ever after’, for Jared and Jennie. Do they succeed? You’ll have to read ‘The Dangerous Gift’ to find out.

Jane. Who knows? I am currently writing a historical mystery romance, which is the first in a series of three. I am half way through with this story and I have already plotted the end so I am desperate to finish this and see if anyone likes it.

‘Limitless Publishing’ would like me to continue ‘The Dangerous Gift’ story into a series and I am currently thinking of ways I can do this.

I am also keen to finish ‘The Dragon Legacy’ series, there are two more books to write but these are on the back burner whilst I explore other genres.

I like to read all genres of romance as well as mystery, thriller and paranormal stories. My aim is to write in all of these genres, so yes contemporary romance could be a possibility too.

Thank you so much for inviting me on your blog Shey and the hamstah dudes. I’ve loved being here x

After a tragic plane crash kills Jennie Taylor’s guardians, she returns to her childhood home—and her first love, Jared Stewart.

At just eighteen years old, Jennie had left the Unicorn Ranch in Texas to seek a life in the outside world. But she wasn’t just running toward independence. Heartbroken and confused, Jennie fled her home after Jared harshly rejected her on the eve of her birthday.

Now she must choose between making a new life on the ranch she has grown to love, or returning to her simple but empty life in England. The choice seems obvious at first, but nothing in life is simple…

Jared is forced to share control of his beloved ranch with the woman he wants but can’t have.

When Jennie receives an anonymous note, she goes to Jared for support. But what she finds is more than she was prepared for, driving the two further apart than ever. When an old friend is murdered and suspicious accidents escalate, endangering Jennie’s safety, Jared becomes her reluctant protector.

Jennie knows Jared is hiding something, but does he really want her gone from the ranch? And if so, could he be the one behind the ominous threats?

Determined to prove Jared isn’t involved, Jennie turns detective. Can she succeed in her courageous but reckless investigation…or is the truth a dangerous gift she won’t survive?

Amazon

Amazon UK

JANE HUNT —-‘Writing has touched my life in every decade. At fifty, I took a risk and made writing my career, fulfilling a lifetime ambition.’

I enjoy writing blogs, book reviews and especially stories. Vivid imagery, atmospheric settings, strong females and sensual males are essential for my stories. Everyday life and ordinary people inspire me. How would someone react, if faced with something extraordinary?  A thread of romance runs through my all my books, whether they be suspense, fantasy or historical.

I want to let my readers escape their lives for a while, experience new places, new people and most importantly, new emotional lows and highs My favorite parts of the writing process are; finding a person, event or place that makes me want to write a story about it and the writing itself; when your fingers cannot type fast enough, to transcribe your thoughts.

Family is very important to me. My two children are my greatest achievement to date. I am an animal welfare supporter and regularly use social media to promote animal welfare issues.

 

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Have yourself a merry Viking Christmas

Tags

Christmas, Christmas in Viking times, Vikings

 

 

 

 

 

 

 

 

 

 

 

 

 

Interview with the villain.

Tags

character interview, interview, Romance, Shehanne Moore, The Viking and The Courtesan, Vikings, villains, writing, writing villains

Dudes, can we back off here before Snotra reaches for the rat poison? A few years ago I did a post on the villain

https://shehannemoore.wordpress.com/2012/10/01/an-ordinary-human-being-with-failings/

I have had villains is all my books–sometimes more than one. Until now the record for the most cardboardy has been held by Lady Margaret. Lady Fury’s mother in law but even she had her reasons for acting as she did. Snotra, my new villain is –hands up– the most obvious villain I’ve written. She’s pushy, driven, money-orientated, insulting, nasty, bossy, argumentative, greedy and determined to have her own way and the hero at all costs.

I had such fun writing her, I didn’t even try to disguise her.  So I think to be true to that second quote card about villains up above, we should hear her side of things…

Dudes, let’s let Snotra answer all right.

Snotra: Rats? I am being interviewed by rats?

Dudes… settle down okay?

Snotra:  You have rat poison. Yes?

Snotra: That woman, that one who my betrothed brought back from England, Malice and her fat ragbag friend, Gentle.  Oh, very well, you don’t think these women were villains and I did not see what they were up to, playing me off against Sinarr, talking about me behind my back, stealing my beloved?  Obviously you don’t. Well, do you know Shehanne asked that fav villain question the other day on facebook and  it was Moriarty, Cruella Deville and Raoul Silva from Skyfall who topped the list. Why was my name not there? Because I am a very nice person. Now would you like some Viking mead? I ‘meade’ it specially.

Snotra: Well, I could say Sinarr and I had known each other since we were children and the way had been hard for me, having no money. But the fact is Shehanne needed a device, a device to show the hero and the heroine’s otherwise questionable actions – him in taking a bed slave, her in conniving behind my back to get back to her own time and all that happened afterwards– in a sympathetic light.  When she first wrote me she wrote me nice. But then she saw the problem she had created. The hero of the book had brought home a bed slave. It made him, not me, look bad.

Then you should swop them for horns. I have just the pair with poison tipped pins… Anyway, that is why Shehanne  

decided that I should have  twice chosen money over my betrothed, why I should call Malice and Gentle names and all these other things, including trying to burn them. We villains are very nice people but these authors need us. And what they need is us NOT to be nice. Behind the scenes Malice and I are the very best of friends….

Next question?

Snotra : Shehanne says it here,

To that I would add,

1 Your villain should NOT drive the plot. We should leave that to the flaws of the heroine and hero. Believe me, Malice and Sinarr had so many, I quite lost count. A villain is only so-oh bad.  It might even be that they can come good….. Especially in ridding the world of rodents.

Snotra. You see.

Snotra : Apart from asking you to drink from my poisoned chalice, you mean you can’t guess?

Snotra :

Extract. The Viking and the Courtesan.

“My apologies for getting right in your way, mistress.”

No doubt Gentle would have far rather said something else but the thought of being turfed out into the rain presently battering the thatched roof and spitting on the roaring fire so the flames sizzled, probably prevented her.

“It’s all right, Gentle. You are so fat we all know you can’t help it. How you never sank the Raven on the way here is a miracle of Odin. We know it was so you could come here and be my giant house-slave that you were spared.”

“Snotra…”

“Oh, don’t frown, Sinarr, you of all people are not going to dispute it.” Give Snotra her due, she knew how to keep the crowd in her orbit by flicking her gaze over the opposition. “She’s a cart-horse. Do you know, Ari, that is why he never chose her for his bed slave? If she was in his bed she’d break it. Here. Drink up. Enjoy. You might as well savour all this house has to offer.”

In 898 AD she wasn’t just from another land.

Wrecking a marriage is generally no problem for the divorce obtaining, Lady Malice Mallender. But she faces a dilemma when she’s asked to ruin her own. Just how businesslike should she remain when the marriage was never consummated and kissing her husband leads to Sin–a handsome Viking who wants her for a bed slave in name only?

She came from another time.

Viking raider Sin Gudrunsson wants one thing. To marry his childhood sweetheart. Only she’s left him before, so he needs to keep her on her toes, and a bed slave, in name only, seems just the thing. Until he meets Malice.

One kiss is all it takes to flash between two worlds

But when one kiss is no longer enough, which will it be? Regency London? Or Viking Norway? Will Malice learn what governs the flashes? Can Sin?

Where worlds collide can love melt the iciest heart?