Where O’Roarke’s Destiny ends… the playlist for Wryson’s Eternity …

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Cornwall, Music, Music to write books to, New book, Romance, Shehanne Moore, Smugglers, writing

https://t.co/h63dNJgnz5

SHEY —- BUT WHO WOULD WANT TO?

SHEHANNE–Okay dudes can I get a word in now? It’s taken a while but drumroll and fanfare–a playlist means there will soon be a new book. Book two of Cornish Rogues featuring a hero and heroine, who I think you might get the drift of from some of these song titles. There’s also a couple of classicals thrown in that feature in the book, Bach’s Goldberg Variations

and a Mozart. And the Cyrin version of Where is my Mind? is also something I play. Both leads are certainly looking for their minds. Of course it should have been ‘Where is My Hamster?’ but then ‘Gone I hope,’ might be the reply. To return to Mercury and the Architects, Mercury does indeed sing with the Architects, one of whom is the amazing LYNZI on the list in her own right with Be My Valentine.

I hate to break it to you dudes, but that is the least of your worries this week. Vodka has just been removed from the shelves of several UK supermarkets…. I say nothing about your little dance that always accompanies it. But ere you despair there’s two song titles here for you, ‘Far Far’ which is where you might want to go and ‘Creep’….. Now, I will ‘put on playlist’ and listen to it…

A tongue can be sacrificed as easily as a goat . . .

   


 

Ten Quotes —-The Viking and the Courtesan – Available ebook and paperback from Amazon-14 the Feb 2022. Presently available on Hinovel.

“No doubt Miss Mallender told you I did try to find her. And I begged her on bended knees. That was for my betrothed’s benefit. She has a lot of money. I don’t want to lose it.”

                                                                               ——-

He was her cousin twice removed. But whether it was twice or ten, it wasn’t far enough.
——-

   “No talking over there, a tongue can be sacrificed as easily as a goat.”
                                                                               ——-

     “You know damn fine you have never been any wife of mine. And if you are pregnant it must rank with the immaculate conception in terms of miracles. Of improbabilities.”

                                                                               ——-

“Although he is no longer game of step, my father shall give you his sword, my heart’s dearest.”
      Game of step?  Hardly able to walk one was a more apt description.
——-

“I don’t care what you want. Shoes are what you can have. And jewels and whatever . . . Do you understand? Now. Lie down. That’s it. Steady. Steady. And do it. You’re in no position to bargain here. If you can’t moan, I’ll get someone else up here who can.”
      She stuck her chin in the air. “So you say. But the choices didn’t exactly look up to much if you ask me.”

                                                                               ——-
        Hadn’t all the girls said as much, that men said all sorts of things because of course, they were greatly misunderstood.  No doubt it was all her fault he’d gone into hiding for four years with Aunt Carter’s silver teapot and Malice’s twenty guineas.  Probably he believed she’d deserted him and not the other way about.
                                                                               ——-
These stars are not mine. 

                                                                               ——-

        “Whether I love her is not the point. I will be her husband.”
       “Oh really? Well, if it’s anything like the husband you made me I wouldn’t hold my breath if I was her.  Unless she wants to die of suffocation?”
                                                                               ——-
                                                                         
  “Being his . . . I do not think I wish to be his wife. No. No. Not if he should take a stick to me. Malice, you cannot mean this. All these years I have known Sinarr, he has never once shown the desire to take a stick to me.”
 “’e must have been alone in that.” Gentle set the cup down on the table.

https://shehannemoore.wordpress.com/books-by-shehanne-moore/the-viking-and-the-courtesan/

In 898 AD she wasn’t just from another land.
Wrecking a marriage is generally no problem for the divorce obtaining, Lady Malice Mallender. But she faces a dilemma when she’s asked to ruin her own. Just how businesslike should she remain when the marriage was never consummated and kissing her husband leads to Sin–a handsome Viking who wants her for a bed slave in name only?
She came from another time.
Viking raider Sin Gudrunsson wants one thing. To marry his childhood sweetheart. Only she’s left him before, so he needs to keep her on her toes, and a bed slave, in name only, seems just the thing. Until he meets Malice.
One kiss is all it takes to flash between two worlds
But when one kiss is no longer enough, which will it be?  Regency London? Or Viking Norway? Will Malice learn what governs the flashes? Can Sin?
Where worlds collide can love melt the iciest heart

The Ball’s the Thing

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writing

ANNA KARENIN   Leo Tolstoy .  The ball scene.

“The ball had just begun when Kitty and her mother stepped on to the central staircase, which was bathed in light and embellished with flowers and powdered footmen in red livery. From the interior came a steady rustle of movement which filled the rooms like bees buzzing in a hive, and while they adjusted their hair in front on a mirror between the potted plants on the landing, the delicately clear sounds of the violins in the orchestra could be heard striking up the first waltz in the ballroom.”

Shey. As Silv just said there –sorry, just let me let go of her paws–I am on my 8th book and when that’s done there will have been a ball, or dance scene in six of them. I was uncertain re this latest one whether the ball would actually take place but on reflection, I am big on what ball scenes in books can offer. You can blame the scene in Tolstoy’s Anna Karenin for that. It’s not only a case in point being the first time Vronsky and Anna really eye each other up, leaving Kitty standing. The lavish description of the ball, of Kitty descending the staircase, full of starry eyed hope was like a beacon to me when I read that book. An eternity ago now but even now, I can remember it. Before that, talking balls? Well, there was Cinderella. I used the idea of Cinderella shamelessly in Splendor. The second ball scene –yes there’s two– is the big pivotal moment where she finds out the whole truth about the hero and runs, realising there’s things she can’t manage—managing things being her biggest strength and greatest flaw– and things she can’t lay on him either, leaving her glove on the stairs. Of course I thought the shoe might be a bit much, as would hamsters pulling the coach.

I’m sure you were asked but you fell under the wheels and that is why you are crushed. Sadly.

A ball also gave scope for when he loses her in a complicated dance set, mirrorring the maze of hopelessness he then lives in for months, and the contrast between this glittering world and the one facing her, if she doesn’t ‘manage’ this evening and that of her ex fiance, now begging in the gutter outside.

But the first ball scene was ideal for the hero really noticing what’s been under his nose and that’s her, as opposed to the awkward, clumsy, accident-prone, woman who has faced him as a man across a pair of duelling pistols and a chessboard. From the liveried footmen to the shining chandeliers, balls are such glittering occasions, all kinds of magic can be at work. Especially when neither partner can dance and they don’t want anyone knowing either.

I dunno dudes, you tell me. In the Viking and the Courtesan, Malice decides to confront her husband in a similar glittering scenario, after he’s set the law on her for services unrendered re a little biz she runs– a move that backfires spectacularly when, having failed to recognise her, he then kidnaps her at fork and knife-hurriedly-nicked-from-the-kitchen-point, after she tries to insist that the pillow she’s stuffed up her skirt is far more than that; all to the tune of a Mozart minuet.

‘Since you were low enough to ask us, naturally we were low enough to come.’

Miitchell Killgower cuts his’ ball’-breaking ex sister-in-law and aunt by marriage, short at the start of the ball scene in the Writer and the Rake. A ball she’s thrown in the middle of a bitter inheritance dispute, in order to expose the fact his ‘wife’ in his sham marriage has been missing presumed vanished off the face of the earth for weeks. It’s another pivotal moment where the heroine discovers that Morte, a man roughly five years older than herself is in fact her ten times great grandson and aged a thousand, and has her revolting feet admired by Francis Dashwood,—the actual founder of the Hellfire Club. Balls are also a great place to introduce real historical figures.

Again, neither hero nor heroine can dance, except the latter on a 21st century nightclub floor. But they’ve had a lot of fun learning–a good chance to sort of get together–with the help of Mitchell’s polar opposite teenage son, who he’s finally liking. Alas, all before Brittany learns from Morte, exactly what she’s doing wrong about getting back to her time. Sob, sob as the dudes would say.

Nor do balls have to be grand society affairs as in these three books. In Loving Lady Lazuli the fact the ball was set in Assembly Rooms in a small town, and held for everyone regardless of class, on Christmas Eve, was a good excuse to delve into a more rustic affair, with children jigging on the upstairs landing and farmer’s wives unpacking pot luck suppers. And the perfect scenario

for the heroine to go for broke with an I am Spartacus moment about who she really is. Or rather an ‘I am Sapphire,’ after she’s gone round nicking every thing she can lay her hands on and dump it on the floor, because the hero intends betraying her so what does it matter? It’s also the perfect scenario for him to show exactly the man he really is and finally admit his feelings for her.

There’s no grand ball in His Judas Bride either. Not in the wilds of Scotland at that time. There’s a supper party/ dance, where the heroine learns that her drunken, womanising, horror of a husband-to-be may have other sides to him–he’s an ‘awfie guid cook, when he lays aff the nips’ apparently. But there’s still no way she can marry him, after he insists not just on dancing with her but in her showing off the fine dancing skills she’s allegedly learnt in ‘Edinboro.’ With the emphasis on the word ‘allegedly’ and every step of what she’s making up, under the nose of her betrothed’s brother, a man nothing gets past, reminding her of the abuse she suffered for years in a prison cell, she also learns it’s time to run, as in ‘now’,

thus setting up the rest of the book.

SO yes, after much debate the current WIP does have a ball scene. Why the uncertainty? Well, that it’s being held in an abandoned house, by two people on the run and even the food on the guests’ plates is of course

nicked and not a bowl matches a plate, should be answer enough. Also I didn’t want to go for another world crashing in ruins ball scene. But equally, if a world is going to crash…….

, where better to let it fall than on a ballroom floor?

So, there you go, balls in books, balls in films. From Scarlett O’Hara leaping forward to….raise money for the ‘noble’ cause., with Rhett Butler, Anna and the King of Siam, to Maria getting up close and personal with Captain Von Trapp–AND, let’s not forget one I forgot until Rene reminded me in the comments, Jezebel where Bette Davis loses her lover over a red dress. Even if there’s no ball, there’s dancing, the romance of Dirty Dancing, of Strictly Ballroom.

So come on folks, tell me your fav ball or dance scene that way?

Oh come on dudes, just crack open the voddie and get on with the cossack dance will you?

The Gowns of Resa …

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Artgowns, Gowns, gowns for heroines, heroines, Resa McConaghy

 

 

Please meet Shehanne Moore: writer, author, publisher, wife, mother and one of the official Art Gowns models. By Resa McConachy.

 

SMART + SEXY = SMEXY

The Smexy Pen of Shehanne Moore

I just finished reading “Loving Lady Lazuli”

Cassidy Armstrong has had an unfortunate life, that has scarred her in more ways than one. Cast off from family as a baby, and her brother dead from beatings, she is pressed into being a jewel thief. Nonetheless, she has managed to hoard her virginity like it was a massive collection of fine Waterford Crystal worth more florins than any working class person would see in a lifetime

Now, she has returned to claim her birthright. As a fake widow, Lady Cassidy Armstrong can move around more freely, searching for her proof of heritage. Yet, even after 10 years of aging, donned in a widow’s “Crow Black” and with a new name; Devorlane Hawley (fifth Duke of Chessington) recognizes her.

I asked Shehanne: Devorlane Hawley – Fifth Duke of Chessington, was off at war for 10 years. Was it the Napoleonic Wars? If not, which war was he in, and can you give a bit of history of the war and/or London around the time of this story?

Answer: It was the Napoleonic Wars but he was in the military a little before they actually started in 1803, as an unwilling recruit shall we say?  And obviously since the book is set in 1810 and the wars didn’t end for another five years, he’s no longer a soldier, having been badly wounded and invalided out. The Wars came out of chaos that was the French Revolution and for some time, a long time, it looked as if Napoleon Bonaparte could become master of Europe, until he was finally defeated at the Battle of Waterloo and exiled to Saint Helena. I imagine that life for people in London and indeed elsewhere, would–as  ever, even as we’re seeing today– depend on your wealth.  Whatever your class, most people had a relative in the army or navy and  would be anxious about that but that’s roughly where any kind of things in common would end.  For the rich there was the chance to make more money, for the women to adopt new fashions, go to charitable balls and see some wonderful re-enactments of battles etc onstage. For the poor–the usual struggle for survival. All the English counties had a militia, there to protect the county  and of course there was espionage, the suggestion of which the heroine of this book uses to her advantage at one point.

“Never judge a book by its cover, unless there’s a gown on it.”

I came up with that exceptionally memorable saying, after reading “Splendor”. It was the first book by Shehanne that I read. I pair it here with “Loving Lady Lazuli”, as they are both part of a series about London Jewel Thieves.

You can read my review, and mini interview with Shehanne by clicking on the drawing of “Splendor”, above.

I read “The Viking and the Courtesan” quite recently. It is definitely a bit of a departure from the other stories.

Malice Mallender is quite the piece of work. For the right price “Strictly Business” will destroy any marriage, usually by dealing with the wife nuisance. The right price; enough to buy the latest pair of shoes she covets in Madame Faro’s window. So, what happens when “Strictly Business” is inadvertently hired to destroy Malice’s own marriage to Lord Cyril Hepworth?

I asked Shehanne: In “The Viking and the Courtesan” – How did you come up with the idea of “time displacement” ?

Answer: My dearest, lovely Resa, first let me thank for all your kindness and especially for the gowns and asking me here today. You may know I must be amongst your biggest fans, not just as a mega admirer of your work but the fact you make gowns to be used for charity.

Okay, so to answer your question, I had a flash moment.  I never ever set out to write a time displacement  story.  Just like I never ever set out to write any book.  But I had written the first few chapters of this book exactly as they stand now, to the bit where she goes to her husband, Cyril’s flat. The story was to be a second chance love story between them but one day as I was belting away at the keyboard, I thought that idea was a bit  too similar to the Lady Fury book. Then the little voicewhispered… you know that Viking idea you have where you have the hero’s story but not the heroine’s? Hmm?? Well … why don’t you just bung that in here?  Quite understandably I thought, no way. Are you serious????  I mean, come on. Then I went and thought about it for a moment. And I thought, okaaaay. Maybe I should just give it a try for a chapter or so, no more? What have I got to lose really? And that was it. That’s the truth. It just popped into my head.

The moment I saw the new cover of Shehanne’s re-released tale of Lady Fury (Genoa 1820), I fell in love with the gown. I read chapter one on Shehanne’s blog.  Then I read the book.

“Rule One: There will be no kissing. Rule two: You will be fully clothed at all times… Widowed Lady Fury Shelton hasn’t lost everything—yet. As long as she produces the heir to the Beaumont dukedom, she just might be able to keep her position.” 

Perhaps ex-privateer Flint Blackmoore (a man she’d rather see rotting in hell than sleeping in her bed) has never been good at following the rules, still she decides to use him to produce an heir.

I asked Shehanne: In “Lady Fury” – What was your impetus for coming up with “the rules”? Did you have a reason for making Blackmoore a privateer… ie: a love of ships, a port you have been stimulated historically by?

Answer: Ooh, I have always loved pirate stories since I read Treasure Island as a kid. I was reared on all the old films and one of my fav board games was buccaneer.  I was gutted to learn it just wasn’t possible to pursue my chosen choice of career actually. But I did always want to write a book about a pirate or a privateer. As for  ‘the rules’, well, once again I had written first few chapters and I thought, now what? You can tell by now I never ever think anything out. And I thought, well, he’s got her cornered which she’s er…not going to take lying down. So what would she do here to pay him back and keep any feelings which she sees she sort of still might have, under wraps Then I thought I could maybe have a little fun dissecting a certain activity shall we say? I am a great believer in having fun especially with rules on anything. Let’s face it, I dunno about you but over here in Scotland right now, and England, well .. I never saw so many that were badly thought through.

his is my favourite book by Shehanne. It is her most recent, and proves that she gets better with time. As the ending demands a sequel, I am hoping there is one in progress!

You can read my review, some Q&A with Shehanne and see the gown drawings by clicking on my above rendition of Destiny

Shehanne’s titles are available worldwide on Amazon, Ingram Books & Barnes and Noble. If you click on the above banner, you will go to Amazon’s universal “select a country” page. Once there, select “Books”. In “Books” search “Shehanne Moore. It will take you to all of her titles.

LOVE!

https://artgowns.com/

Love. Seven quotes from seven books.

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Love, Valentine's Day

 

 

The fault, dear Brutus ….

Tags

Cornwall, Cursed families, Curses, The Brontes, The kennedys, The Romanovs

 

May everything you touch wither to dust.’ Cursed? Or just unlucky? Shehanne Moore

    ‘The question is this. I cursed you. I cursed you and your brothers –” 

   “One of whom—” 

   “Blew his brains out at midnight. Do you seriously think I didn’t trouble myself to find out?”

     “Oh, I’m sure-“
 

     “May everything you touch, turn to dust.”’ 

   Cursed? Or just unlucky? Nice to think it’s the latter but legends of curses permeate practically every culture in history. from entire families to items—jewels especially—but places too. It would be good to say we just like someone to blame misfortune on but then again, some folks don’t seem to have a lot of good fortune, do they? 

   Let’s take my new heroine, Destiny who is the victim of just such a curse…

   “But the fact was that curse uttered for nothing had killed Ennis, as surely as if Divers O’Roarke had pushed his carriage down that ravine that night.” 

   It’s very convenient to believe that all the loss and tragedy that follows Destiny about like a bad smell is the result of that curse, when it was probably on the cards anyway. Also, at the time she was cruising for the proverbial bruising, causing besotted men to shoot each other, this could just have been a wind change in her life, a what-goes-round-comes-round time. But then again, the loss of a mother, father, brother, husband and more in the space of two years, not to mention another brother becoming an alcoholic, does seem the kind of misfortune that would give the Kennedy family a run for their money in the cursed stakes. 

     And I think that is where curses have their power—superstitious–but even so. Would you really want to flout a curse by wearing the Hope diamond for example? Or indeed by then touching someone who was cursed? 

   “From Land’s End to Launceston people avoided her like she had the plague. In fact it was probably from Land’s End to John O’Groats. She couldn’t get another husband even if she wanted to.” 

     Whether it is balderdash or not, if something goes wrong after you flout a curse, well, you are probably going to blame the curse and wish you hadn’t done it, even if curses may, or may not exist. The Rhodes family aren’t alone in being cursed. Other famous families, in addition to the Kennedys, include the Hapsburgs, the Grimaldis, the Hemingways. I guess the Romanovs weren’t exactly what you might call lucky either.

     Of course big families like that, in terms of being newsworthy, of having wealth etc., are always going to find their bones being picked over by the ‘lesser mortals.’ And the Rhodes family have that local standing.

     ‘She was a Rhodes and Rhodes were all about living life to the hilt.’

     Big old house, family tree going back centuries, suggestions of links to pirates, definite links to smugglers. Legends surround them, like Raven’s Passage, said to stretch from their family seat, Doom Bar Hall, all the way to the beach, a fabulous place stuffed with golden treasures.

 

 It’s easy to say that some of these real families were cursed when you can point to the actual curse itself, how it came to be uttered and who was responsible. Rasputin, of course gets held responsible for cursing the Romanovs but as a family they had plenty of misfortune before that. Nicholas II’s father and grandfather didn’t exactly fare brilliantly either and Rasputin never cursed them. But then the times they were living in were pretty explosive. No pun intended actually. Just pointing out the possible carnage/ill heath rate which brings me to the Brontës, another family that might be construed as cursed. Equally fame eventually touched them, so we know of their lives. But their deaths were the lot of entire families especially given the unsanitary conditions of the time. 

     The thing about curses? I honestly think you pay your money you take your chances…NOW go open the voddie and do Cossack dances.

.

 “He cursed you, me, Chancery. You most of all. Think how different your life would now be if he hadn’t uttered these damnable words. When Chancery loved Rose. Wanted to marry her, for God’s sake. That Divers O’Roarke didn’t know is no damned excuse.”

     “I am thinking. And I’m thinking we are the life we live. Its graces and its pain. And while we may not always have any control over it, we can control what we do about it. But if you want to believe in a load of old gypsy mutterings and superstition and hold it responsible for the fact you can’t walk past a drink, without feeling obliged to down and then drown in it, that’s your choice. This is mine.’

O’Roarke’s Destiny Shehanne Moore.

The Gowns of Destiny.

Tags

Cornwall, Resa's Artgowns

 

O’Roarke’s Destiny – by Shehanne Moore

A REBLOG OF ARTGOWNS, DESTINY GOWNS AND A REVIEW FROM RESA BY RESA

Is the line between love and hate so fine you can’t see it? If you can’t see it, can you cross it?

Some women are attracted to bad boys. Are some men attracted to bad girls? What if a good boy became a bad boy? What if a bad girl became a good girl, even when she was bad?

That’s just part of the passion play in O’Roarke’s Destiny. The intrigue, mystery and small matter of an effective curse cast by Diver’s O’Roarke is the story’s action.

It’s 1801, Cornwall; a time when women needed men, more than men needed women. Or, so society knew. 1801, Cornwall; Destiny Rhodes needs no one, nor anything: save Doom Bar Hall, its servants, Aunt Modesty’s porcelain, Lord Tredwynne’s antique armour, Grandfather Austell’s stuffed parrots, garlands in the hall at Christmas, her garden and all the embroidered pillows sewn up mended.  At least that’s what Destiny was thinking. 

However, it all seems somewhat moot after Divers O’Roarke wins Doom Bar Hall, from Destiny’s drunkard brother, Orwell.

It’s a world of smugglers, pirates, excisemen and extreme danger, yet, Destiny needs only her instincts. She’s in over her head, but owns a drive to do what has to be done to get to the bottom of what is going on, and retain a position to remain at Doom Bar Hall.

Still, Lyons busted her illegal casks of spirits. Who tipped him off?  Mostly, why did Divers O”Roarke take the fall for her?

💥 BREAKING NEWS! 💥

There’s gowns in the story.

Tragically, Destiny’s dear husband Ennis, while in his carriage, had cascaded to his death into a ravine.(credit to the curse) Now, Destiny is in an eternal mourning in black. On top of it all, she has pined away her body’s curves, and chopped off her luscious long black hair.

Divers O’Roarke wants her, but black is for widows. He has won Doom Bar Hall … fair & square? So, her gowns are his, to sell at his pleasure. Yet, his pleasure is far from the few bits of coin he could get for the gowns. What he wants is to see Destiny, in any gown other than widow’s black.

Eventually, Destiny must wear a gown for him. She dons her least sexy gown, which is in Egyptian blue. (I don’t have that colour in my caddy, but I came up with an eau de nil). This colour is not her best, possibly her worst, definitely her most disliked.

Yet, what Divers O’Roarke wants is to see her in her most vibrant and glorious red gown. Will she wear it?

1. How did the idea of a curse come up? Are you superstitious, dabble in say; Tarot or Astrology? How/why did the curse entail everything turning to dust? Why not turn to toads, a lowly insect or even a hamster? (a little cheek)

Oh, now there was  a time I  did some work for a psychic  journalist. I did once say what haven’t I done writing wise and other way wise when it comes to earning a crust. And yes I also did some Tarot work for her too as part of that. So I did learn the cards.  At that time I also could do card readings from  playing cards. I had a great aunt who could do the tea leafs.  That totally fascinated me growing up. I think much as we may mock it, we do want to know a bit about what’s ahead, that HOPEFULY there’s a corner that will be turned or some good luck coming. As for the  curse idea? Well, the book started about a house that the heroine had lost. And that idea came from us having to sell up our family home and me jokingly saying to a friend, I should just have flung myself in with it as a housekeeper. Then I thought BINGO idea for a book here. And it started out as fun and frothy but there were things on the table that weren’t right. Like why didn’t the hero just put her out? How can he be so besotted with this family when they were horrible to him as a child? Was light and frothy going to sustain a book? Then for some reason I saw their pasts and how and why he had cursed her and how everything had then gone wrong in her life since. Everyone she cared about has died. So she gets this name locally that way. Now if only I had thought beyond the box though, you are right. He should have said may everything you touch turn into a hamster dude. But then she’d have been overrun.  That might have been a worse curse.  2. Your use of humour helps in feeling the underlying intense emotional states of Destiny and O’Roarke.  With Destiny it’s the simple practical day to day things she plans to do the next day. With O’Roarke, it’s what to dig his grave with. Did you intend these character’s personal thoughts to be a humorous relief? Or did it just turn out that way?

No. Firstly I always like to use humour of thoughts. We all have them, let’s be clear. Maybe not about graves and what to dig them with etc., but we do have little idiosyncrasies and of course we are not always aware of them either.  And I also know my readers expect to have a few giggles. So I couldn’t not. My characters always have some kind of wee saying or attitude. One heroine had sliding scales of things. Another would sooner swallow a crocodile than do whatever and as the book went on, that list grew and grew. One hero–my most impatient one–had Christ on various things.  I did feel this book would be a bit dark if I didn’t have these bits. They are neither of them in the best place emotionally.  However I then have the prob of her being a widow and I did NOT want to tackle it by having her thinking well, she was widow, thank God, because she had every reason not to have loved her husband. I felt that was a get out.  So I thought if I had her, having been hit so hard that her way through is to line up  tasks and tick the boxes, that that actually could prove quite humorous, especially if she’s so busy lining up these tasks, while people keep ‘getting in her face’  she doesn’t see how deep the waters are getting. It was like a wee you may think wink to my readers  she’s going to be incandescent with rage the way my other ladies would be, but you are in for a surprise here. She’s too busy thinking she has that cushion cover to sew and that stool to mend. In a way these are the things that also need to be prised loose from her fingertips. 

 3. I’m fascinated by “Doom Bar Hall”. How did you come up with that name? Had you considered calling it “Rhodes Hall”?

Doom Bar Hall was called after Doom Bar sandbar in Cornwall. Given I wanted to write of curses and smuggling, and not such great emotional states, I wanted something dark sounding and it is quite a fearsome sandbar I gather, responsible for hundreds of ship wrecks down the years. Originally before I went from frothy to dark, from Hampshire to Cornwall geographically,  the house was called Lavistock and the book title was the Lady of Lavistock. Divers wasn’t called Divers O’Roarke either at that point. I just felt all round this was stronger. I do like to create a pervading mood and landscape for each book. This became the one here.

Resa, I want to thank you not just for inviting me here today, but your wonderful friendship AND the talent and readiness to use it to create gowns, for all those you create gowns for AND that includes my ladies. They and I salute you. 

Here’ s the first drawing I did of Destiny. I was trying too, hard with the chopped off hair look. Yet, I still like it, because she looks like a pirate courtesan, with hair for an eye patch.  Yet, perhaps this is a more correct visual introduction to Destiny.

Shehanne Moore is a native of Scotland, Dundonian by birth. She is the author of many Romance novels.

Having read 3 (almost 4) of her books, I can say her attention to the details of an era puts one in a different time and place. You don’t question it. You are there.

As for the flame of love she burns with her words, I suggest you read a book to see the fire!

Click on the pic below, to buy O’Roarke’s Destiny on Amazon!

A cover for one’s book can be as daunting as writing it. After a great search, Shehanne found the image below. The colours were wrong, but they were made right.

Eye’d like to thank all who took the time to read this post. Love you all!

“Destiny” As a Resa one eye

NOW ALL ABOUT RESA

My name is Resa McConaghy. I’m a Costume Designer for film and television.

“Art Gowns” is a creative project that has sprung from my old Blog,  Queen’s end.

As “Art Gowns” continues on,  I will Post other creative clothing ideas with the “Art Gowns” branding.

All of these ideas, of course, will revolve around the “Art of Glamorous Fantasy”. I’m thinking things like Poetry Shirts, DIY Gowns and DIY Crystaline Accessories.

This is all new to me, and should develop with time.

https://artgowns.com/

Secondary characters? How many do you need?

Tags

Black Wolf Books, Cornwall, Historical romance, Newbook, O'Roarke's Destiny, Romance, Shehanne Moore, Smugglers, Wreckers

 

SHEY : Dearest Silv, may I say how very kind of you it is to ask me here today  to my blog. I just can’t get over it. The great honour it is. To answer your question about Lizzie I wrote her out because she had no further use …

SHEY. Yes, Lizzie-alas–was adding nothing to the plot.

Nor did I need her after chapter one for the main reason I use a secondary character, that is to hold a mirror to a lead in some way, their personality, their actions, perhaps show them as I did with Dainty and Mitchell Killgower in The Writer and The Rake, in a better light and also I suppose not to make the whole thing too claustrophobic –as I also partly used Susan for in The Unraveling of Lady Fury, and give Fury a sort of confidant.  Lizzie was not going to fulfil any of these things and letting her stay was going to change how I saw this book. So why have her?  There’s also a one scene appearance by a few children, but while they are contributing to the story there, they’re what you might term decorative extras. Spear-carriers in theatrical terms.

Overall I don’t work with a huge cast of speaking characters but I do generally work with more throughout.

Shey. Indeed I think we got that. The world of Doom Bar Hall itself, despite being smack bang in smuggling and wrecking country, is a tight world. Destiny is a loner, probably a high functioning depressive who bashes through her daily routine and set of tasks with tunnel vision. She’s not one for friends—she’d never been what you might call popular, except with the men she drove to distraction years previously–and she confides in nobody, the family were larger than life that way locally. She’s a product of that family.  So to have put in a single scene where she does would have been wrong for her as a character and unbalanced the book.  Divers may swagger  into that world full of confidence and control,  underneath he’s a man on the edge, holding it together and no more. I won’t give away too much of the plot by saying why he’s at this stage when the book opens. He has a sidekick, Gil,  to show there’s another side to him and to mirror some of this ‘disintegration’ but that’s it re Gil being there.

 And because he could be trusted. A hard thing to come by, not just in this world but the world he inhabited. That dancing, dark and shady place of gnarled shadows and twisted paths, haunted by the need to keep one step ahead where nothing could ever be as it seemed. Not even himself.”

  

There’s reasons for Orwell–Destiny’s brother

 face as long as a six fiddle cases, and twenty four rainy days,

and as for Lyon?

.

Shey. He has  quite an appetite.

You knew everything but nothing of what he was really thinking. Hand him a farthing out the goodness of your heart and he’d still need to know where both came from. The farthing and the goodness. Probably your heart too.

Shey I think it’ s important when you are creating a world for a book and I try with each book to create a world, to think of the things that help show it.  And for me in this book it wasn’t the wider smuggling picture which is actually central to the story, but the putting of this hero and heroine and what unfolds in this world between them, centre stage. I felt that could only happen with a small playing ensemble, so even the servants had to go.  I think it’s sometimes something to consider in terms of cementing  a setting, depending on what that setting is. This one was not the world of ball gowns and dance cards and it’s not a pretty one of smuggling either.  And now before you open the voddie and do the Cossack dance… a book trailer.

 

Once he’d have died to possess her, now he just might…

Beautiful, headstrong young widow Destiny Rhodes was every Cornish man’s dream. Until Divers O’Roarke cursed her with ruin and walked out of Cornwall without a backwards glance. Now he’s not only back, he’s just won the only thing that hasn’t fallen down about her head—her ancestral home. The home, pride demands she throw herself in with, safe in the knowledge of one thing. Everything she touches withers to dust.

He’d cursed her with ruin.

Now she’d have him live with the spoils of her misfortune.

Though well versed in his dealings with smugglers and dead men, handsome rogue Divers O’Roarke is far from sure of his standing with Destiny Rhodes. He had no desire to win her, doesn’t want her in his house, but while he’s bent on the future, is there one when a passionate and deadly game of bluff ensues with the woman he once cursed? A game where no-one and nothing are what they seem. Him most of all.

And when everything she touches turns to dust, what will be his fate as passion erupts? Will laying past ghosts come at the highest price of all?

September 13^th 2019 Black Wolf Books.

‘I know I have not won Doom Bar Hall from you.’ O’Roarke’s Destiny Chapter 1

Tags

Cornwall, New book, O'Roarke's Destiny, Regency, Shehanne Moore, Smugglers, Smuggling in Cornwall

 

I know I have not won Doom Bar Hall from you………

      CHAPTER ONE

 

   Cornwall 1801–For every smuggler, there is an exciseman who will hunt him down …

Destiny Rhodes was used to losing everything in one stroke. She’d just never thought it would be this stroke.

“A Gull Wrysen, here, you say?”

“I does, ma-am.” Lizzie’s voice tolled as befitted someone who was in the running to win the grand prize in the looking most like your surname competition at Penvellyn Fair.  So, Here Lies Lizzie Tooms, Loyal Servant of the Rhodes, Now Gone as Them, Probably unto Hell, could have been etched into her forehead.

Ignoring the rattle of the chimney pots crashing onto the lawn outside, Destiny stared harder at her reflection in the mirror above the fireplace.

“And?”

“And quoth  I, seein’ as you be a’ askin’ and me havin’ spoken to him, far worse bells could be a’tollin’ for them what are cursed.”

“Do you know, I’m very glad you think so, Lizzie? After all, here was me thinking it could well be the man who did the cursing. So why don’t we all just look on the bright side and say a prayer of joy and thankfulness? I mean, it’s not like we haven’t got anything better to do, now is it? Where’s the captain by the way?”

“Busy.”

“Lying drunk on the stable floor, you mean? Having managed to get here on his sodding horse but not off it properly? Oh, that’s busy, I suppose, if you can call such things busy.” She clasped the mantelshelf tighter in her mittened fingers, the image of Orwell meandering home beneath frozen stars, flickering through the flames. If only she was such a frozen star, instead of standing here, staring as the straw end of this place disappeared down a dark rabbit hole. Doom Bar Hall. The only thing in her life still standing. The bricks and mortar she’d poured herself into. Every flower, painting, tuck on every cushion, even her pine cone garlands that made this room a work of art at Christmas. Gone. On the turn of a card.  “Yes, a fine thing to be as busy as that.”

“I can only reports what t’es my sacred duty to report, ma-am.”

“Well, it’s something of a pity you felt it was your sacred duty to come in here and report this.”

Maybe she should just fall down now on the fender and be done with it? Then at least she might be buried along with her garlands.

“Anyways, I be sure your brother’s done his sacred best.”

“You know, for once you and I couldn’t agree more. His level best, or should that be epic, to get drunk? His very best to lose this place. As for everything in it–?”

Yet, despite what she’d thought a moment ago, was this really so unexpected when Orwell inhabited the drinks cabinet the way fish did the ocean and would be sure to win the empty cider barrel in the drinking it dry competition at Penvellyn Fair.  In fact, there was no might about it. The miracle was it had taken him this long. As for what she could do about it? Apart from winning first prize in the breaking her hand by punching a wall competition?

“Ma-am, I be sure that despite everythin’, he has this in hand.”

“Really? Well? That’s a first. A second first, I must say. You thinking and him having this in hand.”

“If he does not have it in hand, the Lord shall. You watch this. He will be our salvation, ma-am.”

“Oh, please do spare me. Truly. Unless you think a sermon to match the one on the Mount, is something I can stand tonight? Wait around for the Lord being me salvation, and first prize in the look at all them moldering bones competition is what I’ll win.”

“Then what do you require, ma-am?”

“Right now? Apart from a sodding great dose of arsenic, you mean?”

The strength to deal with this but that didn’t look like it was coming unless that sodding, great albatross that had just careered inside her velvet gown–a triple-weighted blind one at that—found some other gown to career into. Finally, ashes existed she couldn’t rise from, despite everyone always saying she should have been named Phoenix. Imagine that, when Lizzie was sure to have it broadcast all over Penvellyn by this time tomorrow, if not before, how Destiny had collapsed in the library fireplace and lain there, cursed, like all who’d passed down the long, dusty road to the charnel house before her, too?

“Ma-am, I know we have had our differences—“

“You can say that again.”

Mostly on the subject of accents. Destiny sounded like her mother who had come from up north. Yorkshire somewhere.  And Lizzie only took instructions from those who didn’t, which made it even more ridiculous she took them from Orwell who was more refined than a glass of malt whiskey. Orwell who probably reeked worse than one right now and was in no fit state to open his mouth, let alone let an order fall out of it.

As for Lizzie’s pity? Another lecture on the Lord? Lizzie producing a bible from her apron pocket in another minute or so, in all probability, and asking Destiny to read from it? Well, Destiny wouldn’t want first prize for making the heavens fall down. Now, would she? Especially not when she’d already won the one for having her head panned in with the meat mallet. After all, it was vital she at least try to raise her chin, though what she was lifting it for she’d no idea.

“No. Don’t.” Lizzie parted her lips and Destiny hurried on. “Once is quite enough. Look, just send in this … this man. Me brother may be lying on the stable floor too drunk to deal with him. I’m not. Go on.”

Yes. Let those who thrived on the pantomime of her life, say her black heart dripped something so common as blood? Over her burned and beaten body. That would be death, not this, even if all of it was death now. How could Orwell do this?

“If it is yore wish and yore command, ma’am?”

“I’d hardly put it that strongly. But what else can I do?  Still, fear not Lizzie,”  she lowered her gaze from the mirror as Lizzie nodded. “Whatever happens, I’m sure the servants’ places will be guaranteed. After all, in my humble experience, everyone needs servants. Even a death knell one like you.”

Well? Everybody did. How very lucky to be one. Suppose she said she was? Found a mob cap, claimed to be the housekeeper? Bit an arsenal of bullets, swallowed them too, suffered the laughter, the snide remarks, the fact Orwell  wasn’t the only one to drag the family through the gutter?  Endure the servants too? The ones who had so  recently been hers?

How far a falling from a heaven too high.

What? Have it round the county that she qualified for entering the best servants competition because she cleaned boots and changed beds for her new master, fetched him his pipe and slippers, dusted his ornamental vases?

No. She’d sooner starve. After all, she wasn’t exactly likely to win it.

My God, if only Chancery had lived. Actually, if everyone who had ever touched her sorry life had damn well lived, she’d not be in this mess. But Chancery’s death, over that sodding Rose O’Roarke had started an endless procession to the charnel house. All beneath the winding sheet of one certainty. The hollow toll of another death would shortly follow.

Until the moment Chancery took up with Rose O’Roarke, he’d been heir to Doom Bar Hall, not sodding Orwell and sodding Orwell’s brandy bottles. Captain Rhodes, if you pleased, seeing as he, and them, commanded the local militia. Then the curse uttered by Rose’s grey-eyed brother, Divers O’Roarke, across her marble-veined corpse had come true. They were all rotting in hell. Destiny most of all.

Her shoulders sagged. She glanced back in the gilt framed mirror, wreathed in ornamental cherubs on their way to heaven—lucky them–the mirror she’d found in the attic and spent weeks cleaning, mending and wiping dead flies off. Gull sodding Wrysen’s mirror now. Well?

Unless?

Unless she took it down, of course. Took it with her. It was heavy as an elephant. That much was obvious the second she reached forward to wrench it free. Not that she’d ever won any prizes for wrenching an elephant. No. There weren’t exactly many of them about in Cornwall. And any there were, were hardly likely to be nailed to the wall, the half of which she’d be trying to get out of the door next if any more plaster showered onto her fingers. And where would she put that?

No. This was over. Over. Over. The words ticked like the grandfather clock in the hall outside. All she could do was go with her head held high. Let the locals have their farthing’s worth. Well?

Unless?

She fingered her throat. It was an idea. Even if she wasn’t quite sure where it came from.

“Dstny … ”

The French doors banged open in the gale howling over the cliff face. Orwell, staggering in here with wet boots and slurred apologies for losing her pine cone garlands, was the last thing she needed. Certainly, if she was really considering that idea.  She slipped her gaze from her—actually, some might say, edifying as a dead viper’s–reflection.  And they would be right.  Some things had to be faced when it came to ideas.

“Goodness me. Orwell. Sit down, why don’t you? Preferably not in here, before  your wet feet take first prize for ruining the rug, when it’s no longer ours to ruin either. At least I hope that’s from your wet feet.”

The spindle chair nearly went over beneath his backside as he collapsed into it. She braced for the crash. It  would certainly be one thing less for Gull Wrysen to claim if it smashed.

Unless?

Orwell sank his head with its untidy chestnut quiff on his chest and tried pulling his coat-tails from beneath his backside. “I say, old gril, l mean girl … I’ll need … that is, I’ll nleed to … I’ll need ver’ much to …  to … ”

“What? Sober up? Stop drinking? Get Doom Bar Hall back? Likely as a chocolate doily surviving in hell that is, if you must know.”

“Mulst know? Well, I… I sullpose, I sullpose I do. I mean … Do you know, it’s the damndest thing … but I don’t knlow what I mean …”

“Oh, I think we can all see that, Orwell. Maybe we should hang a sign in Truro, saying, ‘This is Orwell Rhodes. He doesn’t know what he means but one thing’s for certain, he has lost Doom Bar Hall. Throw him a farthing someone, so he can maybe buy it back.'”

Unless?

Hearing footsteps marching along the hall, she raised her chin.

“Yes Lizzie, what is it?”

“Milord Wrysen, ma’am.” Lizzie’s bobbed curtsy was probably the lowest the man towering in the doorway had ever seen. It was certainly the lowest Destiny had ever seen it. Start as you mean to go on her father had always said. Lizzie was starting well. Destiny should take a leaf out of that book.

“Should I fetch tea, ma-am?”

A good question. But no amount of tea in the best china cups Destiny had found moldering in the stables would sort this.

Unless?

She flicked her gaze over the man opposite. About thirty? Black haired—not her preferred color–a dusting of stubble on his chin.  Eyes like gleaming black bullets. A plain, if not inelegant greatcoat, and leather boots, flecked with mud. No wedding ring. It didn’t mean he wasn’t married.

In that moment she decided.

“No. I am sure His Grace here would prefer something stronger, Lizzie.”

Like herself.

She pinched her cheeks, although this Gull Wrysen could take her as she was. So long as he did take her.

It could be worse. Orwell could have lost the wager to Divers O’Roarke. Then she’d really be in trouble. It was common knowledge he regularly gambled the fortune he’d amassed designing houses and gardens in London.

Hadn’t the sun’s rays shone on him since he’d sworn that oath? Shone to the extent his chestnut hair must be burnt black while she looked more of a corpse than his sister, Rose.

This was the hand she’d been dealt. This was the hand she’d play though.

Smiles were beyond her. Gull Wrysen would see what he was getting and what he was getting was someone young enough at twenty five, to be thought attractive, despite her cropped hair and–all right–the fact she’d give a dead viper a run for its money in the looks’ stakes. But really, some might say, that was all.

As for what she was getting? Well? Doom Bar Hall was what she was getting. Very nice it was too. When nothing else mattered, she wouldn’t be the first, or last, to  manage a few ecstatic moans where required.

Only think of the fuel for the fires of all these little effigies the locals liked to make of her. The fires that had been dying of malnutrition lately.

She settled her gaze on his face.

“Well, Your Grace? Do allow me.”

She meant a drink. Orwell was sitting there, after all. Besides Gull Wrysen was standing as if she was Medusa and he’d been turned to stone. But hopefully this was purely temporary.

“Thank you, Lizzie,” she added, seeing that only Lizzie’s jaw had moved and that was in the direction of the floor. “Yes. As you can see, I will deal with this. And please shut your mouth while you’re about it. It’s wholly bad enough you look like a tombstone. We don’t want you adding trout to the mix. Not when Mr. Wrysen and I have things to discuss, regarding the house.”

She waited for Lizzie to win every prize going in the collecting her jaw and sailing like a doom-ridden ship away competition, before setting out two glasses. Gold rimmed ones from the set that added perfection to her Christmas Eve when she  finally sat before the fire in the cavernous, leather armchair and treated herself to a measure of port. Glasses she’d be keeping now if this went her way. Why shouldn’t it? She was cursed, not incapable.

Yes. This man wasn’t so bad. Fair hair would have reminded her of Ennis, who some might say, was probably birling ten times in his coffin. Not the man to think of and face this one standing in the candlelit shadows in his mud-spattered boots and greatcoat, holding his hat beneath his arm as if he’d no idea what to do with it.

Well, she knew, she knew exactly. She slipped the top off the decanter, inhaled the rich ruby scent. If it came right down to it here, she could cook and dust, if need be. If he wanted to bring in a woman, if need be, she’d say nothing. After all, there would be nothing to say anything about on her part. No jealousy. Nothing. She wouldn’t insult Ennis’s memory with that kind of thing that betrayed low moral fiber.

“But perhaps I am being presumptuous with your drink and your servants, now Doom Bar Hall has fallen to you, Lord … Lord …?”

“Me?” He shifted uncertainly, the ghost of a smile hanging to his lips. Totally unnerved. No bad sign. “Oh, good God, no. Miss … Miss Rhodes, isn’t it?”

“Well, it’s not the devil incarnate, though there’s plenty round here certainly say so.”

“Good .. I mean … No, I mean I think there’s been some kind of mistake.”

She nearly clattered the decanter top onto the sideboard. Some kind of mistake?  My God.  Damn Orwell. And yet, Lord love him. A mistake. It was all a mistake.  Thank God she’d had enough moral fiber not to open her mouth.

“I mean … You mean you’re not Gull Wrysen? And you’re not here to take Doom Bar Hall from me? Well, I never.” Especially given how close she’d been to offering herself. ”You know, I just can’t believe how I—well, never mind, have the drink anyway.”

“Gull?” Gull Wrysen lips twitched as he reached for the glass. “I’m not Gull Wrysen. Not that I know of anyway, unless I’ve been re-christened. I’m not Wrysen either. My name, so far as I know my name anyway, is Gil. Gil Wryson. And I’m not a gentleman either. Well … again… Not that I know of.”

“I see.”

Damn Lizzie. As ever, she won first prize in the being spat on by the Fates competition. After they fell about the floor laughing at her first. Why hadn’t she known no man would be called Gull? And Wrysen was a Cornish pronounciation? Still, she could surely weather a blob or two of spittle seeing as this was all a mistake?

“Although that’s not the mistake,” he added.

Damn the Fates to hell. Still, one mercy in a drought dropping from the heavens? She hadn’t danced  about the floor waving her drawers in the air.  Whether he was a gentleman or not, was neither here, nor there, when it came to getting him to agree to this. And she would, so long as her own name was Destiny Rhodes, she would. Now. She’d have to. Just swallow what rose in her throat, forget about the fact that when everything she touched turned to dust, the pity was he didn’t drop at her feet, and do it.

“Then … let’s get straight to the point. I’ve always been a frank talking kind of girl.”

“The point, Miss Rhodes?”

“Doom Bar Hall is not just my home, as well as my brother, Orwell’s, it has been  my whole life since my husband, Ennis, died. You look surprised?”

“Only in that—”

“I seem young to be a widow? Well, I was and I am, I suppose. Of course I could have lived at Pangbury, the family home but we were guests there ourselves, him having a younger brother with family. So I put the money he left me into Doom Bar Hall, because it has been in the Rhodes family for generations. I returned to my maiden name too. I think you’ll find I’m quite a woman of the world, however.”

It was the most tactful way to put what she was about to propose, which was why she turned away. Not before she saw Gil Wryson’s gleaming black eyes were searching her face in bemusement. But perhaps he simply couldn’t believe his luck? She knew she couldn’t. Believe her luck that was. Certainly at having got this far.

“I suppose what I am trying to say to you, is that I am in this house,” she added. “Yes. It is in me even though you may have won it from my brother, Orwell.”

“I think you’re mistaken there, Miss Rhodes.”

“Really? Well I don’t. You did win it. I’m not going to argue about that, or how easy it probably was, knowing Orwell’s drinking habits, to diddle him of his left pinkie. His thumb too.”

“Perhaps. But it … ”

Must he keep interrupting her when she was doing her level best here to get up from the pit, soar to the sky and secure the roof above her head? And the desperation he might refuse, lay like a lather on her bones? She glided forward then turned to face him.

“Doom Bar Hall is too precious to me. As you will see when I show you around, I am in every scrap of this place. In fact you might even say I am this place. That is why you should also know something.”

“What?”

“I come with it.”

Start as you mean to go on. Finish too. The blank cut-out she was inside meant it was nothing for her to stand here and offer herself like this. Once. Perhaps. But now? Given the alternative? Although equally, some might say, she had risen to this with a surprising fervor.

“I’m sorry?”

“Oh, I am too, Mr. Wryson, but I honestly have no choice.”

He blinked, as if he hadn’t known what was coming, or didn’t want her, although he did have the good manners to smile. “Am I to understand?  Are you … are you suggesting … ”

Orwell’s boots scraped on the scuffed floorboards.

“Dstny. Dsny, old girl, thart’s what … you see … it’s like this … I relemmber now. …”

“Oh please, Orwell, do be quiet for once in your sorry life. Let’s just agree I’ll handle this, shall we? You can go to the devil for all I care. In fact, shall we say Truro marketplace if you don’t button up?”

Yes. Gil Wryson wasn’t the devil and he wasn’t Divers O’Roarke–not that the devil troubled her, if she’d to narrow that list down. Divers O’Roarke now? Exactly how likely was he to be here in Cornwall?

Ignoring the wind banging the shutters, the batter of incessant rain cutting a silver stream down the moonlit glass, she continued,

“Now then, Mr. Wryson, these are the terms I place honorably on the table before you. They are very simple. Doom Bar Hall is my life. I will not be separated from it. So if you take Doom Bar Hall, you take me, to do what you will with. I’ll be your queen, your housekeeper, I’ll be your whatever you desire, because no-one knows this place like me. If you can’t do that, if you have some other agenda, some other woman, for that matter, whatever you have, walk away now.  I know I have not won Doom Bar Hall from you, that in a million years I may not have done that, but then again I never lost it in a devil’s hand of cards, played against a man too drunk to know his own name, let alone the family one he’s thrown away. These are my terms. I’m not leaving here, unless it is in a box. Do you understand?”

“Miss … Lady … ?”

Ignoring him, she lifted the glass to her lips. Courage flowed into her veins, all the way to her pounding temples.  It always did when she made up her mind.

“In the circumstances, you may call me, Destiny.”

Orwell tried again to struggle to his feet. “Dstiny. Don’t. You … you don’t know … “

“Orwell, I asked you to stay out of this. What you do is up to you just as this is up to me. I am doing this. I am keeping our home.”

Her shell would anyway. What followed behind, a pallbearer at an unspeakable funeral might wince. She waited, a prisoner of the silence, the one existing in her soul, for Gil Wryson to speak. His lips cinched uncertainly, as if he didn’t know how to approach this. Gentlemanly of him, but not the point.

“Destiny?”

“Yes.”

“Well, I … I’m sure I can call you that, Miss … Miss Rhodes, if that’s acceptable … ”

“Why shouldn’t it be? We’re going to be things to each other, after all. Let’s drink a toast to it.”

“But what I was trying to explain, maybe not terribly well, that is true, and perhaps your brother—“

“Oh, him? He doesn’t count for anything where this is concerned.”

“– is too, is that I didn’t actually win the game. So really … ”

Her heart beat in such hope it almost felled her, although hope was something that had lived in the dark for the last two years. Doom Bar Hall wasn’t lost at all.

Relief washed like an ocean, ambushing her as she stood there encased in tortuous, threadbare velvet. Her cheeks pulsed. To think she’d abased herself for nothing. But what did that matter? She downed the drink in one, wiped a mittened hand across her mouth.

“Then … if you didn’t win …?”

“No. I suppose that’s what I meant when I said I wasn’t a gentleman.”

“I’m sorry, Mr. Wryson, you will think me thick as a sea mist—“

“Not at all.”

“–but the truth is I really don’t understand what you being, or not being a gentleman, has to do—“

“I’m acting on behalf of my employer.”

“Your employer?”

So it was true? She’d lost Doom Bar Hall. Still, she’d made that decision before this man walked in here.  How he looked, how old he was, who he was, had made no difference then. Why should it now?

“He thought there would be difficulties, you see.”

“Apart from me brother lying drunk I can’t imagine how.”

“Well he did. And that was why he asked me to spy out the lie of the land, if you will. After all, this is quite a house to lose–”

“Do you think I don’t know that? That is why my offer is the same because I don’t intend to lose it–”

“Especially when there’s past associations.”

“Past associations.” She resisted the urge to finger her throat, which prickled as if a moth’s wing was stuck in it somewhat of a sudden. “What do you mean?”

“I mean my employer once lived—not in the house itself—but on the estate, and is known to you.”

“Known?”

She swallowed the astonishment sitting cold as marble in her mouth. There was only one man she could think of who’d done that but of that one man, she didn’t want to think. Not when the blood drained from her face, the floor loomed so perilously close she struggled to stand in her black slippers and Orwell staggered to his feet.

“Dstny … I triled to tell you. But you … you … Anyway, you’re nlot seris … ”

“Unless the name Divers O’Roarke is unfamiliar to you, Miss Rhodes?” Gil Wryson’s voice was oiled velvet.

“Divers O’Roarke?”

How did she say the name as if it was nothing to her, the name of the man who had cursed them, cursed her loudest of all?

Because she must.

“No. I believe I have vague memories of him.”

“Good, because he is waiting outside. I will be sure to pass the details of your offer to him if you still desire it.”

Before she could think whether she did or not, whether some might say this was putting it rather strongly, or she should change her mind, a footfall sounded in the doorway behind her.

“Good evening, Destiny,” clanged the sounding bell of hell and a voice she sort of recognized from there. “I see you haven’t changed.”

BLURB

Once he’d have died to possess her, now he just might…

Beautiful, headstrong young widow Destiny Rhodes was every Cornish man’s dream. Until Divers O’Roarke cursed her with ruin and walked out of Cornwall without a backwards glance. Now he’s not only back, he’s just won the only thing that hasn’t fallen down about her head—her ancestral home. The home, pride demands she throw herself in with, safe in the knowledge of one thing. Everything she touches withers to dust.

He’d cursed her with ruin.

Now she’d have him live with the spoils of her misfortune.

Though well versed in his dealings with smugglers and dead men, handsome rogue Divers O’Roarke is far from sure of his standing with Destiny Rhodes. He had no desire to win her, doesn’t want her in his house, but while he’s bent on the future, is there one when a passionate and deadly game of bluff ensues with the woman he once cursed? A game where no-one and nothing are what they seem. Him most of all.

And when everything she touches turns to dust, what will be his fate as passion erupts? Will laying past ghosts come at the highest price of all?

 

Releasing Friday September 2019 .. It is about a curse after all …Paperback and Ebook. E book can be pre-ordered here.

 

A dance with her wouldn’t exactly kill him. #Scottish Brides and murder

Tags

Black Wolf Books, His Judas Bride, Historical Scottish Brides, Lucia de Lammermoor, Shehanne Moore, The Bride of Baldoon, Walter Scott

Today…

Today His Judas Bride is out in paperback. FOR THE FIRST TIME.

So I thought, why not just get the dudes to help me blog this lovely blog I wrote way back about brides. Scottish brides in particular. There is surely nothing like rooting a piece of fiction in reality.  Of course I was going to get Bobby Bub to tell us all about his lovely bride Olga.

But there, as you can see he has forgotten.

I don’t think so. It might bore you so you fall asleep at your present making.

Okay so…where were we…? Yes. Rooting fiction in reality. And why, having chosen Glencoe as a setting, I then thought, well what kind of book would I want to write.

Scotland has a proud reputation for brides. Yes.

Lucia de Lammermoor. Okay. Italian yeah I get it. An opera from the book, The Bride of Lammermoor by Walter Scott no less. Aka the Bride of Baldoon. No matter the version you accept of the story, the facts leading to the wedding day and its aftermath are always the same. She was a nobleman’s daughter in love with someone else, after the wedding feast Mr was found with a dagger in his heart.

You know I think it just was.

Then…Then there was the Cumming bride, whose lovely father agreed to her marrying into the Mackintoshes so his clan could enjoy a little banquet carve up over the hors d’oevres. When it came to exchanging rings this was somewhat difficult, since the bride’s hands had been hacked off as she clung to the castle battlements. The hand-fasting ribbons would have made wonderful bandages as you can see… had she not fallen to her death. 

Or even…dare I mention it… ribbons for decorating Christmas pressies? Moving swiftly on as she did, how about the bride story that rocked Cromarty concerning a woman who appeared from nowhere, married the laird and disappeared…well she didn’t just quite disappear, she went off with a man in black.

Man as in the devil after he turned up at the feast looking for her. Neither he nor she were ever seen again and it was very clear she did not want to go with him either. What with all that inspiration, how could I not write a story about a bride?

As for the plum cake Ulla had probably labored all day to make, or maybe it was Ewen McDunnagh, it was in as many pieces as the plate it had sat on.

Talking was not a wise decision.

“Do you know I used to go about this glen, with a black wolf pelt on my shoulder?”

She didn’t. Firstly, the vision was surreal. But she didn’t want to say so, when this had gone so badly wrong and he was standing in the center of the carnage with his back to her so she couldn’t see his face.

“I got it from the devil.”

She edged a breath. Most people with any desire to go about Lochalpin dressed like that, would just have killed a wolf, maybe waited till they found a dead one to get the pelt. Him now?

“The self same day Morven died. It let me take care of quite a bit of business when I wore it.”

No wonder. If he was telling her all this, maybe she should say something? But when the things he’d said about protecting her were too unnerving, how could she? Unless they were part of the game? Bringing her here, when he was knew fine why she’d come. Part of it anyway. The other bit? All of it? She swallowed.

“Well anyway.” He straightened, strode to the door. A few muttered words were exchanged with Wee Murdie.

Kara moistened her lower lip. Had the time been spent where she should have said something?

He turned to her. “Maybe if I’d kept that pelt I’d have taken care of this business a little sooner and a bit better but I didn’t. And you’re really leaving me no choice.”

————————————————–

If he knew how to stop this he would

Desiring her could be murder.

To love, honor, and betray…

To get back her son, she will stop at nothing…

Dire circumstances have forced Kara McGurkie to forget she’s a woman. Dire circumstances force her to swear to love and honor, to help destroy a clan, when it means getting back her son. But when dire circumstances force her to seduce her fiancé’s brother on the eve of the wedding, will the dark secrets she holds and her greatest desire be enough to save her from his powerful allure?

To save his people, neither will he…

Since his wife’s murder, Callm McDunnagh, the Black Wolf of Lochalpin, ruthlessly guards heart and glen from dangerous intruders. But from the moment he first sees Kara he knows he must possess her, even though surrendering to his passion may prove the most dangerous risk of all.

 She has nothing left to fear except love itself…

Now only Kara can decide what passion can save or destroy, and who will finally learn the truth of the words… Till death do us part.

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