Where O’Roarke’s Destiny ends… the playlist for Wryson’s Eternity …

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Cornwall, Music, Music to write books to, New book, Romance, Shehanne Moore, Smugglers, writing

https://t.co/h63dNJgnz5

SHEY —- BUT WHO WOULD WANT TO?

SHEHANNE–Okay dudes can I get a word in now? It’s taken a while but drumroll and fanfare–a playlist means there will soon be a new book. Book two of Cornish Rogues featuring a hero and heroine, who I think you might get the drift of from some of these song titles. There’s also a couple of classicals thrown in that feature in the book, Bach’s Goldberg Variations

and a Mozart. And the Cyrin version of Where is my Mind? is also something I play. Both leads are certainly looking for their minds. Of course it should have been ‘Where is My Hamster?’ but then ‘Gone I hope,’ might be the reply. To return to Mercury and the Architects, Mercury does indeed sing with the Architects, one of whom is the amazing LYNZI on the list in her own right with Be My Valentine.

I hate to break it to you dudes, but that is the least of your worries this week. Vodka has just been removed from the shelves of several UK supermarkets…. I say nothing about your little dance that always accompanies it. But ere you despair there’s two song titles here for you, ‘Far Far’ which is where you might want to go and ‘Creep’….. Now, I will ‘put on playlist’ and listen to it…

Carolyn Haynes, Bewitched and a Beloved Star

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Bewitched, Carolyn Haynes, Lloyd Haynes, Room 222 B, Sol Saks, writing

‘Have you ever seen one of those dramatic moments in a film when two people meet, and all the noise in the room disappears?’

CAROLYN. Yes, it was at Hugh Hefner‘s party, and I was there to meet Hugh and his then-girlfriend Barbie Benton. I don’t think I ever believed in love at first sight until that evening. Even then, it took some time before I realized the thunderbolt was love. LOL During my conversation with Lloyd, I asked him what he did for a living, and he told me he was a bra salesman. Considering where we were, I thought business must be good. Besides, Lloyd was too convincing for me to laugh out loud, so I just stared quietly. LOL 

CAROLYN. Lloyd Haynes, the lead actor of the 1970s TV show Room 222. The show had premiered a month earlier, and I missed it and didn’t know who Lloyd was. Despite that evening we weren’t together right away. It was quite a long journey.

CAROLYN. I started as a child with dancing, ballet, piano, voice, and modeling lessons. Then appeared in a few children’s shows, sang with on-camera personalities. I still have newspaper clippings that my mother saved. I grew into television, films, sang in a few clubs, and Lloyd and I almost toured together as singers, but my family came first.

CAROLYN. Yes, after Lloyd died, I wasn’t ready to go back to acting, and working with Sol Saks became available.

CAROLYN. Yes! I’ve been in the process of writing a book on Bewitched for the last two years now. I’m editing at the moment and hope to find a publisher with more clout to launch the book.

CAROLYN. Over the years, people asked questions regarding Lloyd and growing up in the Hollywood area. Then, one day a dear friend suggested I write a book. I was reluctant, but she convinced me.

I prayed a lot and began the four-year adventure that I surprisingly enjoyed. With the success of my first book, I then had the honor to write a book for Sol Saks. Though he did ask me a couple of times while we worked together, I couldn’t imagine writing in those days. 

CAROLYN Thank you, dudes. I hope it’s a book that people enjoy reading. The best advice I received on writing I learned from Sol Saks. During the years we worked together, I took pages of notes on the advice he gave university students, his regime, and experiences writing for newspapers, scripts for radio, television, and books. His words explain it so much better than I can, and I believe I’ve captured the advice in this new book. 

ABOUT CAROLYN

A native of Los Angeles, California U.S.A. and born into a large fun-loving Italian family, I had the good fortune to grow up in Montrose, California and New York. I have been blessed with four wonderfully talented children, worked as an actor, assisted Mr. Sol Saks of “Bewitched” with his writing projects, continued my formal education, and traveled. Now, “Help for Angela,” my first true short story has just been published and Imy special biography, “The Lloyd Haynes Story.” Samuel Lloyd Haynes, notably known for his staring depiction of Pete Dixon on “Room 222,” is a look at an extraordinary international, multicultural, and sometimes controversial soul that I think you will enjoy.

CONNECT WITH CAROLYN HERE

https://twitter.com/carolyngrace505?lang=en

https://www.facebook.com/carolynhaynes5050

https://thelloydhaynesstory.wordpress.com/

https://amzn.eu/3oNCik6

Lloyd Haynes, the beloved star of critically acclaimed 1970s television series Room 222. A visceral story of unyielding love and epic valor, as we follow Lloyd Haynes remarkable journey from a family mortuary to stardom, military officer, and recognition from the U. S. Senate. “With all those gorgeous women around, what made his eyes seek-out yours? Or, did you seek-out his?” Alison Bogert A MUST READ- SUPERBLY WRITTEN – The Tribune

The Ball’s the Thing

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writing

ANNA KARENIN   Leo Tolstoy .  The ball scene.

“The ball had just begun when Kitty and her mother stepped on to the central staircase, which was bathed in light and embellished with flowers and powdered footmen in red livery. From the interior came a steady rustle of movement which filled the rooms like bees buzzing in a hive, and while they adjusted their hair in front on a mirror between the potted plants on the landing, the delicately clear sounds of the violins in the orchestra could be heard striking up the first waltz in the ballroom.”

Shey. As Silv just said there –sorry, just let me let go of her paws–I am on my 8th book and when that’s done there will have been a ball, or dance scene in six of them. I was uncertain re this latest one whether the ball would actually take place but on reflection, I am big on what ball scenes in books can offer. You can blame the scene in Tolstoy’s Anna Karenin for that. It’s not only a case in point being the first time Vronsky and Anna really eye each other up, leaving Kitty standing. The lavish description of the ball, of Kitty descending the staircase, full of starry eyed hope was like a beacon to me when I read that book. An eternity ago now but even now, I can remember it. Before that, talking balls? Well, there was Cinderella. I used the idea of Cinderella shamelessly in Splendor. The second ball scene –yes there’s two– is the big pivotal moment where she finds out the whole truth about the hero and runs, realising there’s things she can’t manage—managing things being her biggest strength and greatest flaw– and things she can’t lay on him either, leaving her glove on the stairs. Of course I thought the shoe might be a bit much, as would hamsters pulling the coach.

I’m sure you were asked but you fell under the wheels and that is why you are crushed. Sadly.

A ball also gave scope for when he loses her in a complicated dance set, mirrorring the maze of hopelessness he then lives in for months, and the contrast between this glittering world and the one facing her, if she doesn’t ‘manage’ this evening and that of her ex fiance, now begging in the gutter outside.

But the first ball scene was ideal for the hero really noticing what’s been under his nose and that’s her, as opposed to the awkward, clumsy, accident-prone, woman who has faced him as a man across a pair of duelling pistols and a chessboard. From the liveried footmen to the shining chandeliers, balls are such glittering occasions, all kinds of magic can be at work. Especially when neither partner can dance and they don’t want anyone knowing either.

I dunno dudes, you tell me. In the Viking and the Courtesan, Malice decides to confront her husband in a similar glittering scenario, after he’s set the law on her for services unrendered re a little biz she runs– a move that backfires spectacularly when, having failed to recognise her, he then kidnaps her at fork and knife-hurriedly-nicked-from-the-kitchen-point, after she tries to insist that the pillow she’s stuffed up her skirt is far more than that; all to the tune of a Mozart minuet.

‘Since you were low enough to ask us, naturally we were low enough to come.’

Miitchell Killgower cuts his’ ball’-breaking ex sister-in-law and aunt by marriage, short at the start of the ball scene in the Writer and the Rake. A ball she’s thrown in the middle of a bitter inheritance dispute, in order to expose the fact his ‘wife’ in his sham marriage has been missing presumed vanished off the face of the earth for weeks. It’s another pivotal moment where the heroine discovers that Morte, a man roughly five years older than herself is in fact her ten times great grandson and aged a thousand, and has her revolting feet admired by Francis Dashwood,—the actual founder of the Hellfire Club. Balls are also a great place to introduce real historical figures.

Again, neither hero nor heroine can dance, except the latter on a 21st century nightclub floor. But they’ve had a lot of fun learning–a good chance to sort of get together–with the help of Mitchell’s polar opposite teenage son, who he’s finally liking. Alas, all before Brittany learns from Morte, exactly what she’s doing wrong about getting back to her time. Sob, sob as the dudes would say.

Nor do balls have to be grand society affairs as in these three books. In Loving Lady Lazuli the fact the ball was set in Assembly Rooms in a small town, and held for everyone regardless of class, on Christmas Eve, was a good excuse to delve into a more rustic affair, with children jigging on the upstairs landing and farmer’s wives unpacking pot luck suppers. And the perfect scenario

for the heroine to go for broke with an I am Spartacus moment about who she really is. Or rather an ‘I am Sapphire,’ after she’s gone round nicking every thing she can lay her hands on and dump it on the floor, because the hero intends betraying her so what does it matter? It’s also the perfect scenario for him to show exactly the man he really is and finally admit his feelings for her.

There’s no grand ball in His Judas Bride either. Not in the wilds of Scotland at that time. There’s a supper party/ dance, where the heroine learns that her drunken, womanising, horror of a husband-to-be may have other sides to him–he’s an ‘awfie guid cook, when he lays aff the nips’ apparently. But there’s still no way she can marry him, after he insists not just on dancing with her but in her showing off the fine dancing skills she’s allegedly learnt in ‘Edinboro.’ With the emphasis on the word ‘allegedly’ and every step of what she’s making up, under the nose of her betrothed’s brother, a man nothing gets past, reminding her of the abuse she suffered for years in a prison cell, she also learns it’s time to run, as in ‘now’,

thus setting up the rest of the book.

SO yes, after much debate the current WIP does have a ball scene. Why the uncertainty? Well, that it’s being held in an abandoned house, by two people on the run and even the food on the guests’ plates is of course

nicked and not a bowl matches a plate, should be answer enough. Also I didn’t want to go for another world crashing in ruins ball scene. But equally, if a world is going to crash…….

, where better to let it fall than on a ballroom floor?

So, there you go, balls in books, balls in films. From Scarlett O’Hara leaping forward to….raise money for the ‘noble’ cause., with Rhett Butler, Anna and the King of Siam, to Maria getting up close and personal with Captain Von Trapp–AND, let’s not forget one I forgot until Rene reminded me in the comments, Jezebel where Bette Davis loses her lover over a red dress. Even if there’s no ball, there’s dancing, the romance of Dirty Dancing, of Strictly Ballroom.

So come on folks, tell me your fav ball or dance scene that way?

Oh come on dudes, just crack open the voddie and get on with the cossack dance will you?

Beginning Again with Jane Austen

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Elaine Jeremiah, Fan fiction, Jane Austen, Newbook, Regency, Romance, writing

ELAINE JEREMIAH. Well funnily enough it was my husband who suggested I write Jane Austen fan fiction. TBH the sales of my romance books weren’t amazing. My husband pointed out that to be successful as an indie author, it can be a good idea to target a sub-genre to gain a bigger, more loyal readership. It can be easier to be more successful within a sub-genre. Romance is of course a huge genre, with loads of sub-genres to it. I’d read a bit of Jane Austen fan fiction, so thought I’d write a story about a girl who’s a huge Jane Austen fan (like me!) who accidentally time travels to Regency England. I then decided to turn it into a trilogy and having taken a break from writing it to write my ‘Pride and Prejudice’ variation, I’m now working on book 3.But being honest again, the first two books in my trilogy didn’t make waves. I hadn’t read that widely in Jane Austen fan fiction and as I read more and more JAFF,

I realised over time that what is most popular is ‘Pride and Prejudice’ variations, particularly those about Elizabeth Bennet and Mr Darcy, set in the Regency era. Basically retellings of the Darcy/Elizabeth story which people love. The time travel story I’d written, while I’d enjoyed writing it very much, wasn’t quite what people wanted to read within the genre.So having written and published book 2 of my trilogy, I decided to turn my attention to writing a ‘Pride and Prejudice’ variation. I thoroughly enjoyed writing it, though it took me a lot longer in the end to write than I’d planned. I got bogged down with the plotting of the story and then the editing stage took a long time. I changed quite a lot, with the help of my beta readers and then my editor, which was absolutely right, but it did take quite a lot longer.

I’m very happy with the result though. The story is much stronger and better for all my hard work and I’m really pleased and proud to finally be able to share it with the world.

ELAINE JEREMIAH. Hahaha! I wish! But no, I don’t live in South Korea, I haven’t even been there yet, but it’s on my bucket list. I’m definitely going to go there one day, for sure. I kind of fell into a love of all things Korean by accident – a friend of mine recommended Korean dramas – or Kdramas as they’re known – and I started watching them and was hooked. They’re all on Netflix. I would highly recommend them!

Most of them are romances and a lot of them follow the Darcy/Elizabeth trope of rich arrogant man falls in love with feisty, poorer girl. I just love them – I’ve watched more than 25 series now. The settings and the people are beautiful. It’s so interesting to learn about another culture this way. South Korea is a first world country, but of course it’s Eastern so they have a very different society to ours. There are good and bad sides to that and it’s fascinating to me to learn about their culture.

I was inspired by watching so many Kdramas to start learning the language and more about the country in general. I’ve got this Korean language audio course I’m listening to, mostly while I do housework! It’s so much fun. I also have an app on my phone I use. So I’m in love with all things Korean!

ELAINE JEREMIAH . Of course (not) But you see I live in Bristol, South West England, which isn’t far from the Regency city of Bath, the setting for 2 of Jane Austen’s novels. Di you know has some beautiful Regency buildings and is also generally a great city to live in? There’s loads to see and do, like visiting the Clifton Suspension Bridge or the SS Great Britain, which was one of the first passenger steamships crossing the Atlantic in the mid-nineteenth century. It’s now a permanent museum in Bristol’s docks. Well worth a visit if you ever come to Bristol.

If you’re into street art, Bristol is also the home of Banksy and if you have a sharp eye and know where to look, you can spot some of his murals on certain buildings. Bristol also has loads of great shops, restaurants, museums, cinemas, art galleries – you name it, Bristol has pretty much got it.

ELAINE JEREMIAH. RE Jane? Loads of reasons. Partly because the characters she creates feel so real, they’re so well developed. Characters like Elizabeth Bennet and Mr Darcy stay with you in your mind long after you’ve finished reading her novels. And there’s always something new to spot in them, even if you’ve read them loads of times before.

For example, I’m realising the more I read ‘Pride and Prejudice’ just why exactly Mrs Bennet is so keen to get her 5 daughters married off and how in some respects she’s actually quite wise. It was very difficult for women in Austen’s day who weren’t working class to get work and support themselves except as a governess. Which wasn’t a great job. If they weren’t married and couldn’t get work, they’d have to rely on their male relatives to support them. So a young woman in the Regency era, especially if her family weren’t rich, would need to marry well. Mrs Bennet is very aware of this, particularly because being girls her daughters can’t inherit the family home when their father dies and it will go to his distant cousin Mr Collins instead.

Jane Austen is also very funny – I laugh out loud at some of the scenes in her books when I’m reading them. She also doesn’t hold back at subtly criticising the social conventions of the era she lived in. Like how Elizabeth Bennet, a woman who’s not very well off, turns down not one but two marriage proposals, defiantly refusing to marry without love. That’s very subversive for the era it was written in. 

As for the writing just now? Actually I would say it’s been easier than usual. It’s really given me something to focus on and take my mind off the dire news that we’re bombarded with day after day.

And because what with the internet and me self-publishing digitally via Amazon, it can all be done remotely anyway. So you don’t need to physically be in the same room with someone to share your work with them, to use beta readers or an editor. I can also promote my writing entirely online. What with this new release and how well it’s going, I feel more motivated than ever now to crack on with my writing!

ELAINE JEREMIAH. Uhmmmmmm. Well…uhm…as I mentioned, I’m writing book 3 in my Jane Austen-inspired time travel romance trilogy. And that would be hard to do in hamster cage. It’s called ‘Captivated in Time’. So maybe one day I might be very willing to…might even enjoy..living in hamster cage. What’s more, I’ve more or less plotted it out, so I pretty much know what’s going to happen. I know the ending! So this could be sooner rather than later. I’m trying to keep the momentum going – I tend to write quite slowly, so I want to try and make more time for writing and get this one finished as soon as I can. After that, I plan to write more Darcy/Elizabeth Regency era ‘Pride and Prejudice’ variations. That’s what’s most popular within JAFF and actually I feel that writing in Regency-esque language is what I’m most comfortable doing. I feel like I’ve finally found my niche. Just maybe not in a hamster cage. …. But look on the bright side of keeping all that voddie to yourselves.

Little does Elizabeth Bennet think the journey across muddy fields from her home at Longbourn to Netherfield Park will change her life forever.

But an unexpected encounter with the proud and haughty Mr Darcy leaves her injured and vulnerable. Worse still, she is left alone with him for a significant amount of time. Her reputation at risk, she is forced to make a decision about her future. Now her life will never be the same again. Can Elizabeth ever be happy? Or will she always loathe Mr Darcy

Amazon US: https://amzn.to/3s7xr6dAmazon UK: https://amzn.to/2LiP3LH

Elaine lives in Bristol, South West England with her husband and their golden retriever, Dug. But she was privileged enough to grow up in Jane Austen country, in Hampshire.

She’s always loved writing, but it’s only been in recent years that she’s been able to devote more time to it. She decided to self-publish with the help of her wonderful husband who’s very tech-savvy! In 2013 she self-published her first novel, but it was only with her fourth, her novel ‘Love Without Time’, that she felt she finally found her niche: Jane Austen Fan Fiction!

She’s always loved Jane Austen’s writing and the Regency era, so this felt like a natural thing for her to do. ‘Elizabeth and Darcy: Beginning Again’ is the first ‘Pride and Prejudice’ variation she’s written.

If you want to connect with Elaine online, her Facebook page can be found here:

https://www.facebook.com/elainejeremiahauthor/

Her Twitter handle is: @ElaineJeremiah

Her website is here: https://elainejeremiah.co.uk/

Catherine Cavendish and the Eloise Complex.

Tags

Asylums, Catherine Cavendish, Flame Tree Press, ghosts, Haunted Asylums, Horror, Michigan, New horror book, the Eloise Complex

‘The Unquiet Spirits of the Eloise Complex‘

BY CATHERINE CAVENDISH.

(Please insert pic 1)

Image: Detroit Free Press

What can be scarier than an old abandoned asylum?

Not much in my book. And if you’re looking for a place with a freakish amount of scares, then the Eloise Complex would be right up your street. A few years ago, if you had the cash, you might even have wanted to make a purchase. That’s if you had a million or so dollars lying around in your attic. Of course, that money would have bought you a place that was once big enough have its own zip code.

The complex certainly has a history. It all started in 1839 when Wayne County, Michigan established a farm and poorhouse which expanded until it eventually covered 902 acres and encompassed some 70 buildings.

In 1913, there were three divisions – The Eloise Hospital (the mental hospital), Eloise Sanitorium (TB hospital), and the Eloise Infirmary (the Poorhouse). In 1945, it was renamed the Wayne County General Hospital and Infirmary at Eloise Michigan.

Back when it was at its height, during the Great Depression, around 10,000 patients and 2000 workers lived there in a self-contained city that included a bakery, slaughterhouse, fire department, post office, amusement hall, cannery, tobacco field, cemetery and police department. It was in these days that it earned its own zip code.

Image – Edward Pevos MLive

Eloise was at the forefront of pioneering psychiatric treatment. Now, today, we might laud this as a Good Thing. At the time we are talking, back in the first half of the 20^th century, we are talking straitjackets and electroshock therapy, lobotomies that rendered the patient into a permanent vegetative state.

In Eloise’s case, there was also massive overcrowding. 10,000 patients there may well have been – maybe even more. But the facility was only built -even at its largest – to house 8.300. Patients slept on floors, were left unattended and neglected. Some inmates spent their entire adult lives there and, when they died, their burials were usually anonymous. The more disruptive patients could find themselves physically restrained – bound by hands and feet and, at one time, it has been reported, they could be chained to the roof of the asylum barn, above the pigs who dwelt beneath.

(Please insert pic 4)

Image – Bill Bresler https://eu.hometownlife.com/

By 1974 it had two divisions: the Wayne County General Hospital and the Wayne County Psychiatric Hospital (there being no further need for a TB hospital following the development of the life-saving streptomycin drug). The psychiatric division closed in 1982.

By 2019, just 5 of the buildings remained (firehouse, bakery, power plant, commissary and ‘D’ building) along with the cemetery. The complex was redeveloped into a strip mall, golf course and condominiums. ‘D’ building is now called the Kay Beard building and the old commissary is now a homeless shelter. The firehouse (which became the psychiatric facility laundry) and the power plant are still standing but the bakery was severely damaged by arson in 2016. The entire complex was sold in 2019 for the princely sum of $1, as it was at that time costing $375,000 per year simply to maintain it. Its purpose is to provide affordable housing for senior citizens in a minimum of 106 units.

But what of the ghosts?

In December 2019, members of the group Detroit Paranormal Expeditions visited the long closed-off basement of a building on the complex. It had been flooded for decades but had recently been drained.

They reported the eerie stillness, the total, unnatural quiet and the strong sense of someone else being down there with them. They heard the sound of dripping water (perhaps not so surprising) and shuffling footsteps (more disquieting). Their videos captured orange and white lights, and an orb.

The group have paid a number of visits to the Eloise complex – with terrifying results. They describe being chased out of the place by ghostly phenomena, describing it as so haunted as to have almost daily supernatural occurrences – shadows, unexplained noises, objects moving of their own accord, disembodied voices, unexplained footsteps.

 Other visitors to the complex have described a so-called ‘flying ghost’.

With so much spirit activity, we can only wish the new residents well in their brand-new homes. Given the philanthropic nature of the current enterprise, maybe that will go some way towards placating those who, as yet, cannot leave.

A few years ago, a horror film – Eloise – was shot on location in the ruined buildings, making for a highly atmospheric setting.

You’re next…

Carol and Nessa are strangers but not for much longer.

In a luxury apartment and in the walls of a modern hospital, the evil that was done continues to thrive. They are in the hands of an entity that knows no boundaries and crosses dimensions – bending and twisting time itself – and where danger waits in every shadow. The battle is on for their bodies and souls and the line between reality and nightmare is hard to define.
Through it all, the words of Lydia Warren Carmody haunt them. But who was she? And why have Carol and Nessa been chosen?

The answer lies deep in the darkness…

Amazon

Barnes and Noble

Flame Tree Press

About The Author

Following a varied career in sales, advertising and career guidance, Catherine Cavendish is now the full-time author of a number of paranormal, ghostly and Gothic horror novels, novellas and short stories. In addition to In Darkness, Shadows Breathe, Cat’s novels include The Garden of Bewitchment. The Haunting of Henderson Close, the Nemesis of the Gods trilogy – Wrath of the Ancients, Waking the Ancients and Damned by the Ancients, plus The Devil’s Serenade, The Pendle Curse and Saving Grace Devine.

Her novellas include: The Malan Witch, The Darkest Veil, Linden Manor, Cold Revenge, Miss Abigail’s Room, The Demons of Cambian Street, Dark Avenging Angel, The Devil Inside Her, and The Second Wife

Her short stories have appeared in a number of anthologies including Midnight in the Pentagram, Midnight in the Graveyard and Haunted Are These Houses.

She lives by the sea in Southport, England with her long-suffering husband, and a black cat called Serafina who has never forgotten that her species used to be worshipped in ancient Egypt. She sees no reason why that practice should not continue.

You can connect with Cat here:

Catherine Cavendish

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MeWe

Relevant links for this article:

Detroit Free Press: https://eu.freep.com/story/news/local/michigan/wayne/2018/06/21/eloise-asylum-hospital-michigan/720896002/

https://eu.freep.com/story/news/local/michigan/wayne/2019/03/19/ghost-eloise-psychiatric-hospital-westland-haunted-basement/3204379002/

The Guardian: https://www.theguardian.com/us-news/2015/nov/11/eloise-hospital-haunted-michigan-mental-asylum

Detroit Paranormal Expeditions:

Dawn Ziegler:

Hometown Life

https://eu.hometownlife.com/story/news/local/westland/2019/10/16/scary-encounters-coming-eloise-asylum/4000027002/

Sin Eating with Cat Cavendish

Tags

Catherine Cavendish, Cornwall, Horror, Old customs, SIlver Shamrock Publishing, Sin eaters, The Malan Witch, Witches

The Last Sin Eater—by Catherine Cavendish

 

 

 

My latest novella – The Malan Witch – features two of the most evil witches you could ever encounter. Their sins were innumerable and their possession of an ancient cottage on a remote and picturesque coastline spells danger not only for Robyn Crowe’s life but her soul as well.

In thee circumstances, she might have been well advised to call on the local sin eater – should she have been lucky enough to find one still around. You see, the last one died in 1906, and when you find our more, you’ll probably not be surprised that there was hardly a queue of people waiting to take up his discarded mantle.

You can still visit him -or rather, his grave – for he lies (we hope at peace) in the graveyard of the peaceful rural St. Margaret’s Church in the tiny village of Ratlinghope near Shrewsbury in Shropshire, England. He was evidently held in high esteem by local folk who restored his memorial stone and held a commemorative service for him on its completion on 2010.

 

His name was Richard Munslow and his occupation – if you could call it that – was to eat and drink over the body of a deceased person and, by doing so, take on the sins of the recently departed.

Their services were generally called on in cases of sudden death where the unfortunate person had been unable to perform their final confession and be shriven. The sin eater would ensure that the loved one would enjoy a smooth and untroubled passage to heaven.

Sin eaters were generally poor and would be paid to perform their services. Sadly, they were often shunned by respectable people as they also prevented the sin-ridden deceased from returning to the word of the living and were often associated with witches and all manner of evil spirits. No one wanted to know them – until they required their services. The wooden platter on which their food and drink was served was destroyed after the ‘ceremony’ of sin-eating was performed as it was believed it would be forever infested with evil. Even to look a sin-eater directly in the eye was considered exceptionally bad luck.

The practice of sin-eating is an ancient custom, its origins lost in the far-off mists of time. It was also fairly localized – being practiced mainly in Wales and the English border towns and countryside (known as the Marches). By the 19^th century, it had largely died out.

Curiously, Richard Munslow was not of the poor and downtrodden classes. He was a well-off farmer of good social standing but it is believed that his four children all died of Scarlet Fever within one week of each other in May 1870 and this sent him into such a state of depression and mental anguish that he resurrected the already outdated ritual of sin-eating.

Naught remained of their bodies to be buried, for the crows took back what was theirs.’

 An idyllic coastal cottage near a sleepy village. What could be more perfect? For Robyn Crowe, borrowing her sister’s recently renovated holiday home for the summer seems just what she needs to deal with the grief of losing her beloved husband.

But behind those pretty walls lie many secrets, and legends of a malevolent sisterhood – two witches burned for their evil centuries earlier. Once, both their vile spirits were trapped there. Now, one has been released. One who is determined to find her sister. Only Robyn stands in her way.

And the crow has returned.

You can order The Malan Witch here:

Amazon

About The Author

Following a varied career in sales, advertising and career guidance, Catherine Cavendish is now the full-time author of a number of paranormal, ghostly and Gothic horror novels, novellas and short stories. Cat’s novels include The Garden of Bewitchment. The Haunting of Henderson Close, the Nemesis of the Gods trilogy – Wrath of the Ancients, Waking the Ancients and Damned by the Ancients, plus The Devil’s Serenade, The Pendle Curse and Saving Grace Devine.

 

In addition to The Malan Witch, her novellas include The Darkest Veil, Linden Manor, Cold Revenge, Miss Abigail’s Room, The Demons of Cambian Street, Dark Avenging Angel, The Devil Inside Her, and The Second Wife

 

Her short stories have appeared in a number of anthologies including Silver Shamrock’s Midnight in the Graveyard. Her story, The Oubliette of Élie Loyd, will appear in their forthcoming Midnight in the Pentagram, to be published later this year.

 

She lives by the sea in Southport, England with her long-suffering husband, and a black cat called Serafina who has never forgotten that her species used to be worshipped in ancient Egypt. She sees no reason why that practice should not continue.

 

You can connect with Cat here:

Catherine Cavendish

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The Anna Campbell books are coming….

Tags

Anna Campbell, Charles James Fox, Courtesans, Eigg, Elizabeth Armitage, Highland Romance, highlanders, Historical romance, Publishing, Romance, Scotland, writing

‘As many beginner romance writers do, I decided category would be an easy way into the industry. Even though my heart has always been with long juicy historicals.’ Anna Campbell.

 

 

SHEY. ‘As many beginner romance writers do, I decided category would be an easy way into the industry. Even though my heart has always been with long juicy historicals.’  Thrilling words from a thrilling lady and author,  Anna Campbell, our guest today. Anna, would you say that after a long journey to get into the industry,  and a career there that has now spanned thirteen years, that your heart is where it wants to be?

ANNA.  Hi Lady Shey! Hi Dudes! Thanks for having me to visit today. I love writing historical romance – I don’t think any genre sweeps you away into a larger-than-life world the way historical romance does. Having said that, I have a vague idea of writing a historical mystery series but I fear I’m never going to have the time when I’m so busy writing my Highlanders and my rakes and my smart-mouthed Regency ladies.

 

SHEY. Your first book, Claiming the Courtesan which has won numerous awards was  ‘dark and sexy,’

and very different from a number of historicals out there at that time.

Ignoring the dudes please tell us what gave you the idea to go darker?  Were there any true historical stories of dukes marrying their mistress that inspired you?

ANNA  – When I wrote CTC, I had pretty much decided I was never going to be published. I’d written for most of my life without getting a contract – the publishing world was very different back in the early 2000s! So I just went where my heart took me – and that was to a very dark story about a tormented duke and the courtesan he loves. The fashion when I started Courtesan was very much romantic comedy, Julia Quinn and Amanda Quick and all those sparkling Regencies. But as I wasn’t writing for a market but to please myself, that didn’t much matter (so I thought!). Verity and Kylemore’s story came from my imagination but I had a marvellous moment after I’d written the first draft when I read Katy Hickman’s book Courtesans and came across the story of the courtesan Elizabeth Armitage and her aristocratic husband Charles James Fox. These two had a lot in common with my made-up characters. It felt like a sign from the universe that I was onto something.

SHEY –Both  wonderful books for those who haven’t read them BTW. Claiming the Courtesan was the start of a rollercoaster ride where you released a number of books for many major publishers–again, all to tremendous acclaim–but for last few years you decided to go your own way, publishing your books yourself.  What was your thinking behind that move? And how has it worked out for you?

ANNA -I love being an indie, although I’ll always be tremendously grateful for my career in traditional publishing. I learned so much and I picked up a large readership which stood me in good stead when I went out on my own. A few things pushed me down the independent route – I wanted to write stories in a variety of tones. While I’d started my career writing dark stories, at heart I’m actually quite a jolly soul and I wanted to write some romantic comedy. I also wanted more releases a year than a trad career allows.

SHEY– You’ve also gotten deeply into Scotland, especially the unspoiled island of Eigg.

Not that I noticed. Which of your ultra sexy heroes would you want to spend a day with there and what would you do ……. ?

And can you tell us why you find Eigg so bewitching?

ANNA — Ha, all of my heroes! Although perhaps not at the same time. That’s just too much like hard work! Just because he’s the most recent and also because I developed a major crush on him as I wrote the story, I’ll choose Brock Drummond, Earl of Bruard, who stars in The Highlander’s Forbidden Mistress, my latest release.

Brock is a wonderful mixture of heart and intellect and sexiness – so at least some of what I do with him on the Isle of Eigg will involve conversation! Really! I’ve included a picture of the view over to Rum from Laig Beach on Eigg.

It’s pretty obvious why I’m so in love with the place! I’ve always loved islands and this one has such a rich history and such glorious scenery. I also love that when I go there, I feel like the rest of the world is a million miles away (well, a couple of hours on a CalMac ferry, anyway!)

Shey–You know we were up for having our anniversary in Arisaig again,  heading over to Eigg for a day to bag the Sgurr, before winding up in Glencoe. RIGHT NOW ACTUALLY.  Oh well, the best laid plans of hamsters and women, but thank you for giving that wee flavour and here’s hoping for next year. Right now  I gather they are asking tourists to stay away from Eigg before you dudes get any bright ideas here. Anna, you’ve also moved into Scotland  as  a setting for many of your books. Give us the low down, is it the men in kilts, or something else that has drawn you in that direction?

ANNA–Well, a man in a kilt is always welcome!

Not to mention that wonderful accent. Sigh. Actually I’ve been in love with Scotland

since my very first visit back in the mid-1980s. I’ve been back numerous times since and the love affair has only intensified. I think it’s the most beautiful country on earth and the history is full of soul-stirring stories. Not to mention the music. That goes straight to the heart. When I first visited, I wondered if there was something in the idea of the blood calling me home. I am, after all, a Campbell, even if one raised on the other side of the world.

SHEY —How do you do your research for your novels?

ANNA– These days because I know the period I’m working in so well, I mostly do book-specific stuff. For example, with The Highlander’s Lost Lady, a lot of the plot hinged on issues like the age of consent in Scotland in the 1820s so I had a wonderful dive into marital law in the Regency period.

SHEY —What would you say has changed most about  the writing industry since you first started subbing your work?

ANNA — Ha, do you want a 10-page answer?

When I started writing, the only way to get published and find an audience was to get a contract with a traditional publisher, and books were available in print format only. Digital technology has created so many more ways for people to read and to publish. There’s a freedom now that there wasn’t back when I started writing as a teen.

Shey —Returning to that, you’ve written– in the hope of  getting published– since 3rd Grade, getting to the stage where   ‘under the bed was more crowded than the centre of Hong Kong at Chinese New Year,’ with manuscripts, finished, unfinished or rejected, you set yourself targets, goals, often doing mundane jobs,  did you ever think of giving up?

ANNA–I did! When I was in my late 30s, I was working in a dead-end job and nothing was happening with my writing career. I decided that wanting to be published was like wanting to dance for the Bolshoi (also a girlish dream for the young Anna!). It was time to put aside these silly fantasies of being a writer and start trying to build a proper life for myself. I lasted about 18 months and I was absolutely miserable. So when I went back to writing, I decided I needed to be a bit smarter about what I was doing. So I joined Romance Writers of Australia, and I started to write something that had a bit of commercial appeal. It still took a couple of years, but the decisions I made after giving up started me on the road to publication.

SHEY — Would you say that keeping your eye on markets and looking for the way in, with work that is marketable played its part and what tips would you give aspiring writers out there? I’d mention the worthy master here but as Bobby Bub ses, he can’t actually write. He can’t spell neither.

ANNA–The weird thing is I ended up getting published with a book I didn’t think any publisher would ever touch with a barge pole. At the time, the idea of a heroine who sleeps with men for money seemed very out there. I’d also advise against chasing trends. These days, trends come and go faster than a speeding bullet. My tip for aspiring writers is to read a lot in what’s being published now and take note of popular tropes (not trends). Marriage of convenience is a trope; hockey playing heroes is a trend. Also if you start a book, fight through the sagging middle to finish it.

Partly because there’s nothing you can do with the start of a book, but also because finishing a book will teach you more about writing than a million writing courses.

SHEY —What’s next for Anna Campbell?

ANNA–Lockdown has done wonders for the appearance of new Anna Campbell books! There are three more this year to finish up the Lairds Most Likely series. The Highlander’s Rescued Maiden is out at the end of September and as those who have followed me for a while know, I always do a Christmas story. The Highlander’s Christmas Countess should be out end of October. I’m also contributing a story to a Christmas historical romance anthology, but details of that are under wraps right now.

Next year I’m very excited because I’m starting a new series based back in Regency London, stories full of glamour and passion. Stay tuned for the announcement of details, but if you enjoyed my Dashing Widows series, I think you’ll be very pleased with this new direction.

If you’d like to keep up with the latest, why not join my mailing list? Just email me with your contact details: AnnaCampbellOz@hotmail.com Or I regularly update my website: www.annacampbell.com

Bio:

Australian Anna Campbell has written 11 multi award-winning historical romances for Avon HarperCollins and Grand Central Publishing. As an independently published author, she’s released 25 bestselling stories, including seven in her latest series, The Lairds Most Likely. Anna has won numerous awards for her Regency-set stories, including RT Book Reviews Reviewers Choice, the Booksellers Best, the Golden Quill (three times), the Heart of Excellence (twice), the Write Touch, the Aspen Gold (twice), and the Australian Romance Readers’ favorite historical romance (five times).

Links:

Website: www.annacampbell.com

Facebook: https://www.facebook.com/AnnaCampbellFans

Twitter: AnnaCampbellOz

BookBub: https://www.bookbub.com/authors/anna-campbell

Amazon: https://www.amazon.com/Anna-Campbell/e/B002NKV1HQ

Blurb for The Highlander’s Forbidden Mistress:

A week to be wicked…

 Widowed Selina Martin faces another marriage founded on duty, not love. When notorious libertine Lord Bruard invites her to his isolated hunting lodge, he promises discretion – and seven days of hedonistic pleasure before she weds her boorish fiancé. All her life, Selina has done the right thing, but this no-strings-attached chance to discover the handsome rake’s sensual secrets is irresistible. She’ll surrender to her wicked fantasies, seize some brief happiness, then knuckle down to a loveless union. What could possibly go wrong?

 

In a lifetime of seduction, Brock Drummond, the dashing Earl of Bruard, has never wanted a woman the way he wants demure widow Selina Martin. When Selina agrees to become his temporary lover, he soon falls captive to an enchantment unlike any other. He sets out to slake his white hot desire until only ashes remain, but as each day of forbidden delight passes, the idea of saying goodbye to his ardent mistress becomes more and more unbearable.

When scandal explodes around them and threatens to destroy Selina, Brock is the only person she can turn to. After so short a time, can she trust a man whose name is a byword for depravity?

Will this sizzling liaison prove a mere affair to remember? Or will their week of passion spark a lifetime of happiness for the widow and her dissolute Scottish earl?

Excerpt from THE HIGHLANDER’S FORBIDDEN MISTRESS: THE LAIRDS MOST LIKELY BOOK 7

Derwent Hall, Essex, December 1823

Selina was too aware that it was late and that she was alone with a man whose reputation was bad enough to send respectable virgins shrieking for their mammas. Lord Bruard’s company was the closest thing to satanic temptation that she was ever likely to experience.

She swallowed to moisten a dry throat and set the book on the mantel. “I must go,” she said, and cursed the squeak in her voice.

“Must you?” Bruard didn’t sound as if he cared whether she stayed or went. He continued as if they were in the middle of a friendly conversation. “You shouldn’t let Canley-Smythe bully you, you know. If he bullies you now, before he gets his ring on your finger, he’ll turn into a domestic tyrant when you marry.”

She paused in the act of turning away toward the door. “This is none of your business, sir.”

Unfortunately, it was also a perfectly accurate assessment of her future. Selina was no fool, and she had few illusions about what life with Cecil was going to be. But what choice did she have?

With a leisurely grace that made Selina’s foolish heart skip around inside her tight chest, Bruard sat up. She thought she’d committed her whole self to marrying Cecil, but now it turned out that her heart hadn’t signed up to the arrangement. Her heart cried out that she was still young and at last she had the chance to flirt with an attractive man. It insisted that if she ran away now, she was a filthy coward.

“Oh, that’s true.” Again no shame. “But I’m telling you this out of pure altruism. Stand up for yourself now, or he’ll crush every ounce of spirit out of you.”

“Pure altruism?” She gave a snort of amusement that would have shocked Cecil. “It seems the world is completely wrong about you, Lord Bruard.”

The half-smile reappeared, deepening the creases around Bruard’s deep-set eyes. The breath jammed in her lungs. Dear God, no wonder the ladies went insane for him. He truly was extraordinarily attractive. He should have warning signs posted all over him.

Because he was right about her avoiding him, this was closer than she’d ever ventured to the wicked Lord Bruard. This was certainly the longest she’d spent talking to him.

And danger bristled in the air.

So remaining in this room made no sense. Yet remain Selina did.

His gaze fixed on her. “No, my lovely little ghost, the world isn’t wrong about me.”

The power of his attraction made her stomach cramp with nerves, as she remembered all those depraved fantasies that wore Lord Bruard’s intense dark face. Did he know she’d thought of him in the privacy of the night? She had a sick feeling that he must.

“G-ghost?” she stammered.

He shrugged. How could such a prosaic movement make her heart somersault? Except his shoulders were broad and hard, and she ached to run her hands along them and down those strong arms, displayed to advantage in the best of London tailoring.

He wore black. But then didn’t the devil always come in black?

“That’s how I think of you. With your neat little gray frocks, and the way you watch everything you say, and never miss anything that goes on around you.”

This time, genuine fear spurred the unsteady beat of the heart. She hadn’t thought she’d be of the slightest interest to such a famous libertine. It turned out she was wrong. Just as she’d watched him, he’d watched her.

She gulped for air to clear a swimming head and raised a shaking hand to her bosom, before she realized how revealing the gesture was. “You shouldn’t think of me at all.”

His expression grew more intent, and she faltered back a step. She should flee, pride or no pride, but it was as if her feet were tacked to the parquetry floor.

“Nor should you think of me, when you’re marrying that ponderous oaf in a fortnight, and you’re obviously a woman who guards her chastity the way a miser guards his gold.”

Heat blazed in her cheeks, and she avoided his eyes. How could he make her virtue sound like the worst of sins? “I don’t think of you. I…”

Oh, what was the use? Coyness suddenly seemed too shabby to countenance. As he uncoiled and rose to his feet, she made a helpless gesture. “I don’t want to think of you,” she mumbled.

Paul Andruss, Thomas the Rhymer and more films NOT to watch right now

Tags

#Contagion, #YA fiction, 12 Monkeys, Fairy tales, films, Jack Hughes Books, Newbook, Thomas of Ercildoun, Thomas the Rhymer

 

 

PAUL ANDRUSS.

Firstly thanks for having me over y’all. My favourite apoc-oc-o-liptical movie and boxset of all time might sound familiar. It featured at the top of the list of Shey and the Dudes last post. The visionary Twelve Monkeys. No matter how hard you try, you cannot escape a future already written in your past. Time will always correct itself. Throw in a plague, time paradoxes and Terry Gilliam at the helm (Time Bandits, Brazil and The Fisher King), what’s not to like?

Paul Andruss.

No. I believe in owning any sensitive intelligent creature is tantamount to slavery.

PAUL ANDRUSS

Yes. Absolutely. In fact, they perform a pivotal role holding the whole thing together. But as one would expect from such highly evolved beings they work secretly behind the scenes to sprinkle their magic. And so are not mentioned once. I fully understand you doubt me, and I don’t blame you.. As I’ve yet to say my new books is about fairies …and don’t you have your very own fairy godmother……….

PAUL ANDRUSS

You see??? As for your next question, ‘What drew you to Thomas the Rhymer?’ even though you haven’t asked it yet, as a kid I got a big book of Celtic folk stories for Christmas. I have been mining it ever since. My first novel, where I cut my teeth, was a sprawling sci-fi Irish mythological saga about Finn Mac Cool and that came from reading those childhood stories. Finn is due to be published by Black Wolf Books, once the Jack Hughes trilogy is safely out. The Scottish tale of Thomas the Rhymer and the Queen of Elphame was also in the book. It tells how handsome Thomas follows the queen of Elfland to her home. When he leaves three days later, the lady gives him the gift of poetry and prophecy. He arrives home to find a score of years have passed.

PAUL ANDRUSS

Thomas the Rhymer is based on a real person, the 13th century prophet Sir Thomas of Ercildoune, named in contemporary legal documents as Thomas Rymour de Ercildoun. Thomas allegedly predicted the Scottish King James VI would rule from the English throne after Elizabeth’s I death. The second thing that led to the book is personal. I was living in Turkey after my brother was diagnosed with a brain tumour. We were close when I lived in England. It was a bad time to be separated by thousands of miles. We skyped, but it wasn’t the same. Conversations often turned to reminiscing. One incident always made us laugh.

David went missing at the age of 7. I was about the same age as Jack, funnily enough. Unlike Jack’s brother, David was not stolen by the fairies.

After a visit from the police and a sleepless night. David arrived home with my Gran the next day. Taking umbrage at something Mum said, he decided to run away. The only place he knew was Gran’s, twenty miles across town. David sneaked on a train, avoided the ticket collector, and walked two miles to Gran’s house. By the time he got there it was too late to bring him back. In those days we didn’t have a phone or a car. Few people did. And gran couldn’t afford the taxi fare.

The story got me thinking about what happens to a family when a child is missing. Something clicked. I would like to say the novel flowed seamlessly from that point. It didn’t. It took years to hone the ideas. My biggest regret is David never lived to see it published.

PAUL ANDRUSS

You ask such interesting questions.

PAUL ANDRUSS

This is a whole philosophical argument. How do you define living? A question scientists are asking about viruses, which are nothing more than scraps of DNA. Technically they are not alive, but that doesn’t seem to stop them, does it? Or, do you mean intelligent, or conscious? Alan Turning, a computer scientist, said such concepts are hard to define. How will we ever know if a machine is thinking? Psychic researchers claim some hauntings are simply memories recorded in in houses by a sudden burst of psychic energy such as violent emotion. Given all that why shouldn’t a fairy queen weave a living tapestry to record memories as they do in Jack Hughes and Thomas the Rhymer?

It made perfect sense to me that a culture as ancient & global as the fairy race, largely ruled by women, would choose to pass on information through the ancient skill of weaving. The first evidence of weaving is a 70,000-year-old fabric impression.

 

PAUL ANDRUSS

As an aspiring writer, who am I to give advice? Instead of turning out the same old pony, everyone is sick of hearing, including me, let me pass on sage snippets from a successful published writer, with years of experience. When I started writing I joined a peer review group. The advice mainly consisted of … I would not write what you wrote the way you wrote it. I would write it this way. Of course you would, I thought. We are different people.

An established author confirmed my cynicism in an article. “Beware of taking advice from other aspiring authors. They are in the same boat as you and just a clueless. Take advice from someone who knows the business.”

When an established professional was kind enough to offer advice, I bit her hand off. Don’t panic, it wasn’t her writing hand. It was the other one. I was writing a blog to publicise myself. She said, “Decide if you want to be a blogger or an author.” It took a while to see I was down a rabbit hole, spending all my time writing quality blog and guest blog articles with nothing left to write anything else. When I realised, I knew I had found a gold mine.

Here is some of her advice.

“This is a hard business. You are up against a lot of talent and competition. Take your work seriously, work hard. Have self-belief, coz you’ll need it. Know your market and write for it.” I have seen aspiring writers unwilling to brutally examine their work. Instead they give excuses; clever explanations about why they wrote it that way and who they wrote it for.

How do I know?

I was one of them.

She read some of my draft and said, “Your point of view is all over the place.”

I protested. “I wrote it like a movie where you seamlessly move from character to character.”

“It’s called head hopping,” she replied, “and it’s amateur.”

PAUL ANDRUSS

I knew I needed to listen. But, Goddamnit, it meant rewriting the whole bloody novel! Muttering like Dick Dastardly’s Muttley in Wacky Races, I set to work. Guess what? She was right absolutely totally and utterly right. It put the book in a different class.

My advice for aspiring authors?

Listen to people who know what they are talking about.

 

PAUL ANDRUSS

Work, work, work. Thank God. I need to publicise the book release. So if any of you have a blog and want a good quality barely used post in exchange for publicity, THINK OF ME.The 2^nd and 3^rd books of the trilogy are edited and having a final reread prior to publication.

I have a 100-page novella ready to go. A comic noir murder mystery set in the golden age of Hollywood. I need to Edit Finn Mac Cool and pass it over to Black Wolf for input.Finish the second novella in the series. Porcelain, set during the Glam years. Sort out the short stories for publication with Black WolfFinally, and this will be news for Black Wolf Books, I have a two back to back novels half drafted that are sequels to the Jack Hughes Trilogy.

If you enjoyed this don’t to visit http://www.jackhughesbooks.com/

Explore the story of Thomas the Rhymer. http://www.jackhughesbooks.com/story-of-the-book.php

Download the posters http://www.jackhughesbooks.com/art-gallery.php

Read some pre-release reviews http://www.jackhughesbooks.com/thomas-the-rhymer.php

And listen to some music courtesy of classical composer Patrick Hartnett, who loved the book so much he wrote music for it. http://www.jackhughesbooks.com/music.php

 

Fairies took his brother…

When Jack sees a sinister woman kidnap his bother Dan, he knows his parents will never believe him. Nor will the police. Not when he says Dan vanished into thin air. If Jack wants to see Dan again, he has to save him. And not just him …

 If he ever wants to find Dan, first he must save Thomas the Rhymer from a wicked enemy.

Bravely embarking on a rollercoaster adventure into the dark fairy realm, Jack and friends face monstrous griffins and brooding tapestries with a life of their own, learn to use magic mirrors and travel on ley lines that whip them off faster than sound

 

Even if he returns Thomas the Rhymer to his selfish fairy queen, she might make Jack her prisoner. With the odds stacked against him, can Jack succeed in finding and freeing Dan?

 

 Or will he lose his brother forever?

EXTRACT. The first meeting with Thomas

A moment later Jack turned to Catherine. “Run while I keep him busy.”

“No Jack,” she muttered, horror-struck.

“Jack,” echoed the tramp as if he heard her. “Master Jack, Cracker Jack … Jack be nimble, Jack be quick, Jack jump over the candlestick.”

“Is he mental?”

“No, he’s fairy,” Jack reminded her.

Ken nodded in agreement.

“Here I am,” Jack said, bravely stepping out from behind the skip.

“No,” Catherine wailed.

At the sight of Jack, the tramp started crying.

“Master Jack, Tom’s a lost. Master Jack, Tom’s a cold. Master Jack, don’t be cross. Master Jack, take Tom home. For I did dilly and did dally, dally and did dilly, lost my way and don’t know where to roam. Now you can’t trust a story like old Jack-a-Nory, when you can’t find your way home.”

Jack stared stupidly at the tramp.

“It’s all right, he won’t hurt you,” Ken shouted.

“You’ve changed your tune,” Jack shouted back.

“I was wrong. He’s not trying to scare us. He’s scared. The noise, the people, he’s not used to it. It’s driving him mad.”

Coming from behind the skip, Ken walked to the tramp with hands held in front of him as if feeling the air around the man.

“He’s living rough. I don’t think he’s had a good night’s sleep for weeks, or a proper meal, been eating out of bins. Oh dear, he could do with a bath.”

“I know he pongs,” Jack agreed.

Putting his head to one side, the tramp smiled.

“There’s something else, he might look older than us, but inside he’s about our age.”

The tramp smiled again, saying proudly, “For a year and a day I grew away, and I grew straight and I grew tall, and I was the fairest of them all, and she did love me, love me do, but now I’m lost. It’s sad but true.”

“Hello,” said Catherine, from behind Ken.

“Good day to you mistress mine, Thomas am I, Thomas of Rhyme.” The tramp gallantly bowed.

“Thomas? That’s what she called Dan. She was looking for you, wasn’t she?” Jack said.

“Aye, that she were,” Thomas wailed. “Though she loved me most, kissed my cheek and stoked my hair, a new Sir Thomas does she boast and on him lavish all her care. And I am gone, like those before, belovéd once, beloved no more.”

“Why?” asked Catherine.

“Though I both complain and moan, ‘tis no one’s fault but my own. She warned me true when she did say not to dally on the way. Off went the court with my good queen too. Tom followed on but what did Tom do?” he shrieked, slapping his own face and shaking his head wretchedly.

“Tom did dilly and did dally, did dally and did dilly, lost his way and don’t know where to roam. Now Tom’s afraid and all alone, and can’t find his way home.”

With outburst over, Thomas blew his nose noisily on his sleeve and smiled a brave little smile.

Available now in ebook and paperback Amazon. Worldwide.

Kate Furnivall and the Guardian of Lies.

Tags

Arles, France, Kate Furnivall, Spies, The Camargue, The Cold War, The Guardian of lies

 

Kate. Oh Bobby Bub, I bet that grandpappy of yours was a right royal rogue in the 1950s. A damn handsome fellow of course like yourself and with the same penchant for stylish headgear, no doubt.

But to be honest, the reason I chose the year 1953 for my book was that it was a year when the future of Europe was balanced on a knife edge.

And yes, you’re right, it is the latest period I have chosen as a setting for a book – but it is a moment in history that fascinates me. The start of the Cold War. A crisis point of tension and danger when Americans and Russians were at each other’s throats as they battled for nuclear dominance. I was transfixed when I delved deeper and discovered just how close that apocalypse came to exploding into life in the beautiful marshy plains of the Camargue region in south-west France,

But there was another trigger for the inspiration behind this book – that of the bonds that hold a family together in the face of a conflict that is driving them apart. At the heart of The Guardian of Lies I explore the bond between a brother and sister. My own older brother passed away several years ago but I still think of him daily, and it is this brother-sister relationship that kept intruding into my mind each time I picked up my pen to write.

This is the story of a young French woman, Eloïse Caussade, who tries to track down the Soviet agent who attempted to murder her brother in a car crash in Paris. But nothing is as it seems, so she leaves Paris to return to her father’s bull farm in the Camargue where her brother is recuperating from his injuries. There she finds herself trapped between two worlds that are on a collision course. One is the quiet rural life that is the world she believes she has outgrown and to which her childhood friend Léon still belongs. The other is the tense and dangerous existence of those caught up in the Cold War between America and Soviet Russia, a world in which lies, spies and murder entwine to drag Eloïse into their dark web. She cannot ignore the blood in the barn or the fire in her father’s stables. Her family is being targeted and she has to find the killer. But she has a lot to learn about herself and with the help and love of her friend Léon, who is now the local police chief, she battles to discover the truth. The Guardian of Lies is a fast-paced thriller but also a powerful love story.

Kate. Who says it isn’t? I admit I didn’t actually bump into any while I was cruising Arles’ colourful market for the gorgeous local lavender soap, but I know you hamsters are cunning critters and might have been lurking in the shadows, watching my every move. After all, The Guardian of Lies is a spy thriller, right? While I was checking out the bars in the back streets of the ancient city – in the interest of research of course – and watching local artists at work at their easels, I swear I could hear the scurrying of scratchy little feet over the cobbles and tiny French voices squeaking about world domination. La domination du monde.

So don’t give me this guff about “it ain’t home to hamstahs”. I got ears.

 

Kate.  Well, yes, that’s easy. I confess that I do set my stories in countries that I’d love to visit on a research trip. So far I’ve used China, Russia, Singapore, the Bahamas, Italy, France, Germany and Egypt (which included an awesome ride in a hot-air balloon at dawn over the desert) as the backdrop for my books. Oh, how I suffer for the sake of my art! But I have a mighty hankering to see more of Africa. You know, I’ve never been on an African safari and I’ve always wanted to do so.

That would be quite some research trip, to get to view the Big Five – lion, leopard, rhinoceros, elephant and Cape buffalo – in their natural habitat would be truly mesmerising. Unforgettable. I’m sure I could weave a thrilling story around a moment of conflict over land and resources within the Masai Mara game reserve in Kenya. Ivory poachers. Political corruption. Loss of natural habitat. Romance and murder against a ticking clock as they fight to save the elephants. Bring it on. Maybe even a colony of hamsters endangered by the waste disposal of a local chemical plant. Hey, Bobby Bub, how about coming out to do the research with me?

 

Kate . Yes, definitely. Look at us. One of my major inspirations for The Guardian of Lies was my terror at what I see happening in the world today. We are in the grip of another Cold War between America and Russia, though now they fight their battles on the bloody land in the Middle East, not on American or Russian soil. The fingers of seeming psychopaths hover dangerously close to nuclear buttons.

The threat is ever present, so I wanted to take a look back to a time in 1953 when the world was on the brink of a nuclear war between Soviet Russia and America, when both countries were frantically trying to amass information on each other’s military secrets and nuclear developments.

Spies and counter-spies lurked in every walk of life, in government, industry, laboratories and education. They were everywhere. Sound familiar?

This atmosphere of suspicion, lies and fear only intensified in 1953 when the USA decided to construct a series of eleven nuclear air bases in France to create a formidable line of defence/attack against the Soviet threat. This struck me as a fascinating and revealing moment of brinkmanship that we should be examining closely now. I believe an important part of the job of a historical writer is to make the past more accessible to today’s readers. To offer them the chance to learn from the mistakes of those who came before us. I hope this book will encourage people of today to take a closer look at those into whose hands we place immense power. To think again. And to demand a safer world to live in.

Kate  Well, now, BB, what a humdinger of a trip this is going to be! Get your shades on and don’t forget your cute shorts, because it gets hot down there. We’d start with fancy croissants and a few laps of the pool at our beautiful old hotel, L’Hotel du Forum, in the ancient heart of the city of Arles. What? You’re not a swimmer? You don’t like getting your fur wet! I thought all hamsters could swim, but okay, I get it, you’re not a lemming. Calm down. Let’s head out instead to explore the magnificent Roman remains that are the focus of the city.

 

The massive Roman amphitheatre is the place to start. It’s breathtaking. It was built in 90 AD with seating for over 20,000 spectators to watch the chariot races and bloody hand-to-hand battles. I can picture you clashing swords with Gladiator Hamstah Dickens in the arena with blood-curdling yells. And then we’d wander down to admire the beautiful brickwork on the Roman bathhouse and take to the stage in the Roman theatre, where we could act out a romantic scene from Antony and Cleopatra.

After that let’s take a breather at the gorgeous little Van Gogh café in the shady Place du Forum. The artist Vincent van Gogh used to hang out there and made it famous by creating a wonderful night-time painting of it.. We’ll down a glass or two of vino and a platter of plump Camarguais olives, then we’ll head off on safari in an open Land Rover to explore the unspoiled marshland of the Camargue, a protected area that is stunning. Here the white horses and the scary black bulls roam wild among the tamarisk tress and the saltwater lagoons. But watch out for the mozzies – they’re nearly as big as the bulls. The area is bursting with abundant birdlife – white egrets, plovers and avocets – which we can observe through binoculars.

What’s that you say? You can’t find binoculars to fit your cute button nose?

Aw, don’t fret. Instead we’ll take a romantic stroll around the water’s edge of the étangs just as the evening sun is sinking and the pools seem to catch fire. We can watch hundreds of skinny-legged flamingos lifting into the air with unexpected grace, a ribbon of pink and black trailing across the vast sky as they leave their feeding grounds to roost for the night.

 

Ready for something to eat? Okay, it’s back to Arles for dinner at the superb Hotel Jules César – a 7^th century ex-nunnery – its décor all dolled up now in bright knock-your-eyes-out Christian Lacroix colours. (Arles was Lacroix’s home town.) Fancy a cocktail? Champers with apple brandy? Great choice. Then I recommend their fab signature dish of Risotto de Langoustines, followed by a Crêpe Soufflé au Grand Marnier. To die for! And if you fancy kicking up your heels, tossing aside your jolie French beret and dancing the rest of the night away, there’s always the Irish pub which has live music and vino till you drop. Santé!

Sleep well. Tomorrow we’ll start with a river trip on the mighty Rhône …..

It’s been great chatting with you guys today and I can’t wait to read the great opus that will one day emerge from the Master. Thanks for having me over and for not scaring the hell out of me this time. Hugs to ya, BB. xx

*** The top ten bestselling author ***
Discover a brilliant story of love, danger, courage and betrayal, from the internationally bestselling author of The Survivors.
1953, the South of France. The fragile peace between the West and Soviet Russia hangs on a knife edge. And one family has been torn apart by secrets and conflicting allegiances.

 

As one war ends, a very different one begins in this gripping thriller.

Format: Kindle Edition

A page turner I didn’t want to finish, is probably the best way to sum up this book set in France in the Cold War. A world of Communism, Capitalism, murder and espionage, both sides of the two coins presented centre stage, without preachifying, but with the rock of the Camargue standing like a magnificent bulwark, a character in its own right, untameable as the horses that roam it, a shaper of those who live on it. Eloise is such a character. Paris may have gotten into her blood, the Camargue is in her soul. As for what’s in her brother Andre’s soul? Well, that is what we are unravelling. Exactly who is he working for? And what will happen next because of it? Such is Kate Furnivall’s skill that little trails of breadcrumbs suggest things about Andre and many of the other major players, but that bit rightly waits for the finale. The skill doesn’t end there. From the street café in Arles, to the roadside trees, the prose is rich in an imagery that never swamps. Nor does the pacing flag. For me this book opened a window on a post war Europe fight I knew little about and I’m glad that it did. I consider it one of the author’s finest.

The fault, dear Brutus ….

Tags

Cornwall, Cursed families, Curses, The Brontes, The kennedys, The Romanovs

 

May everything you touch wither to dust.’ Cursed? Or just unlucky? Shehanne Moore

    ‘The question is this. I cursed you. I cursed you and your brothers –” 

   “One of whom—” 

   “Blew his brains out at midnight. Do you seriously think I didn’t trouble myself to find out?”

     “Oh, I’m sure-“
 

     “May everything you touch, turn to dust.”’ 

   Cursed? Or just unlucky? Nice to think it’s the latter but legends of curses permeate practically every culture in history. from entire families to items—jewels especially—but places too. It would be good to say we just like someone to blame misfortune on but then again, some folks don’t seem to have a lot of good fortune, do they? 

   Let’s take my new heroine, Destiny who is the victim of just such a curse…

   “But the fact was that curse uttered for nothing had killed Ennis, as surely as if Divers O’Roarke had pushed his carriage down that ravine that night.” 

   It’s very convenient to believe that all the loss and tragedy that follows Destiny about like a bad smell is the result of that curse, when it was probably on the cards anyway. Also, at the time she was cruising for the proverbial bruising, causing besotted men to shoot each other, this could just have been a wind change in her life, a what-goes-round-comes-round time. But then again, the loss of a mother, father, brother, husband and more in the space of two years, not to mention another brother becoming an alcoholic, does seem the kind of misfortune that would give the Kennedy family a run for their money in the cursed stakes. 

     And I think that is where curses have their power—superstitious–but even so. Would you really want to flout a curse by wearing the Hope diamond for example? Or indeed by then touching someone who was cursed? 

   “From Land’s End to Launceston people avoided her like she had the plague. In fact it was probably from Land’s End to John O’Groats. She couldn’t get another husband even if she wanted to.” 

     Whether it is balderdash or not, if something goes wrong after you flout a curse, well, you are probably going to blame the curse and wish you hadn’t done it, even if curses may, or may not exist. The Rhodes family aren’t alone in being cursed. Other famous families, in addition to the Kennedys, include the Hapsburgs, the Grimaldis, the Hemingways. I guess the Romanovs weren’t exactly what you might call lucky either.

     Of course big families like that, in terms of being newsworthy, of having wealth etc., are always going to find their bones being picked over by the ‘lesser mortals.’ And the Rhodes family have that local standing.

     ‘She was a Rhodes and Rhodes were all about living life to the hilt.’

     Big old house, family tree going back centuries, suggestions of links to pirates, definite links to smugglers. Legends surround them, like Raven’s Passage, said to stretch from their family seat, Doom Bar Hall, all the way to the beach, a fabulous place stuffed with golden treasures.

 

 It’s easy to say that some of these real families were cursed when you can point to the actual curse itself, how it came to be uttered and who was responsible. Rasputin, of course gets held responsible for cursing the Romanovs but as a family they had plenty of misfortune before that. Nicholas II’s father and grandfather didn’t exactly fare brilliantly either and Rasputin never cursed them. But then the times they were living in were pretty explosive. No pun intended actually. Just pointing out the possible carnage/ill heath rate which brings me to the Brontës, another family that might be construed as cursed. Equally fame eventually touched them, so we know of their lives. But their deaths were the lot of entire families especially given the unsanitary conditions of the time. 

     The thing about curses? I honestly think you pay your money you take your chances…NOW go open the voddie and do Cossack dances.

.

 “He cursed you, me, Chancery. You most of all. Think how different your life would now be if he hadn’t uttered these damnable words. When Chancery loved Rose. Wanted to marry her, for God’s sake. That Divers O’Roarke didn’t know is no damned excuse.”

     “I am thinking. And I’m thinking we are the life we live. Its graces and its pain. And while we may not always have any control over it, we can control what we do about it. But if you want to believe in a load of old gypsy mutterings and superstition and hold it responsible for the fact you can’t walk past a drink, without feeling obliged to down and then drown in it, that’s your choice. This is mine.’

O’Roarke’s Destiny Shehanne Moore.