The Anna Campbell books are coming….

Tags

Anna Campbell, Charles James Fox, Courtesans, Eigg, Elizabeth Armitage, Highland Romance, highlanders, Historical romance, Publishing, Romance, Scotland, writing

‘As many beginner romance writers do, I decided category would be an easy way into the industry. Even though my heart has always been with long juicy historicals.’ Anna Campbell.

 

 

SHEY. ‘As many beginner romance writers do, I decided category would be an easy way into the industry. Even though my heart has always been with long juicy historicals.’  Thrilling words from a thrilling lady and author,  Anna Campbell, our guest today. Anna, would you say that after a long journey to get into the industry,  and a career there that has now spanned thirteen years, that your heart is where it wants to be?

ANNA.  Hi Lady Shey! Hi Dudes! Thanks for having me to visit today. I love writing historical romance – I don’t think any genre sweeps you away into a larger-than-life world the way historical romance does. Having said that, I have a vague idea of writing a historical mystery series but I fear I’m never going to have the time when I’m so busy writing my Highlanders and my rakes and my smart-mouthed Regency ladies.

 

SHEY. Your first book, Claiming the Courtesan which has won numerous awards was  ‘dark and sexy,’

and very different from a number of historicals out there at that time.

Ignoring the dudes please tell us what gave you the idea to go darker?  Were there any true historical stories of dukes marrying their mistress that inspired you?

ANNA  – When I wrote CTC, I had pretty much decided I was never going to be published. I’d written for most of my life without getting a contract – the publishing world was very different back in the early 2000s! So I just went where my heart took me – and that was to a very dark story about a tormented duke and the courtesan he loves. The fashion when I started Courtesan was very much romantic comedy, Julia Quinn and Amanda Quick and all those sparkling Regencies. But as I wasn’t writing for a market but to please myself, that didn’t much matter (so I thought!). Verity and Kylemore’s story came from my imagination but I had a marvellous moment after I’d written the first draft when I read Katy Hickman’s book Courtesans and came across the story of the courtesan Elizabeth Armitage and her aristocratic husband Charles James Fox. These two had a lot in common with my made-up characters. It felt like a sign from the universe that I was onto something.

SHEY –Both  wonderful books for those who haven’t read them BTW. Claiming the Courtesan was the start of a rollercoaster ride where you released a number of books for many major publishers–again, all to tremendous acclaim–but for last few years you decided to go your own way, publishing your books yourself.  What was your thinking behind that move? And how has it worked out for you?

ANNA -I love being an indie, although I’ll always be tremendously grateful for my career in traditional publishing. I learned so much and I picked up a large readership which stood me in good stead when I went out on my own. A few things pushed me down the independent route – I wanted to write stories in a variety of tones. While I’d started my career writing dark stories, at heart I’m actually quite a jolly soul and I wanted to write some romantic comedy. I also wanted more releases a year than a trad career allows.

SHEY– You’ve also gotten deeply into Scotland, especially the unspoiled island of Eigg.

Not that I noticed. Which of your ultra sexy heroes would you want to spend a day with there and what would you do ……. ?

And can you tell us why you find Eigg so bewitching?

ANNA — Ha, all of my heroes! Although perhaps not at the same time. That’s just too much like hard work! Just because he’s the most recent and also because I developed a major crush on him as I wrote the story, I’ll choose Brock Drummond, Earl of Bruard, who stars in The Highlander’s Forbidden Mistress, my latest release.

Brock is a wonderful mixture of heart and intellect and sexiness – so at least some of what I do with him on the Isle of Eigg will involve conversation! Really! I’ve included a picture of the view over to Rum from Laig Beach on Eigg.

It’s pretty obvious why I’m so in love with the place! I’ve always loved islands and this one has such a rich history and such glorious scenery. I also love that when I go there, I feel like the rest of the world is a million miles away (well, a couple of hours on a CalMac ferry, anyway!)

Shey–You know we were up for having our anniversary in Arisaig again,  heading over to Eigg for a day to bag the Sgurr, before winding up in Glencoe. RIGHT NOW ACTUALLY.  Oh well, the best laid plans of hamsters and women, but thank you for giving that wee flavour and here’s hoping for next year. Right now  I gather they are asking tourists to stay away from Eigg before you dudes get any bright ideas here. Anna, you’ve also moved into Scotland  as  a setting for many of your books. Give us the low down, is it the men in kilts, or something else that has drawn you in that direction?

ANNA–Well, a man in a kilt is always welcome!

Not to mention that wonderful accent. Sigh. Actually I’ve been in love with Scotland

since my very first visit back in the mid-1980s. I’ve been back numerous times since and the love affair has only intensified. I think it’s the most beautiful country on earth and the history is full of soul-stirring stories. Not to mention the music. That goes straight to the heart. When I first visited, I wondered if there was something in the idea of the blood calling me home. I am, after all, a Campbell, even if one raised on the other side of the world.

SHEY —How do you do your research for your novels?

ANNA– These days because I know the period I’m working in so well, I mostly do book-specific stuff. For example, with The Highlander’s Lost Lady, a lot of the plot hinged on issues like the age of consent in Scotland in the 1820s so I had a wonderful dive into marital law in the Regency period.

SHEY —What would you say has changed most about  the writing industry since you first started subbing your work?

ANNA — Ha, do you want a 10-page answer?

When I started writing, the only way to get published and find an audience was to get a contract with a traditional publisher, and books were available in print format only. Digital technology has created so many more ways for people to read and to publish. There’s a freedom now that there wasn’t back when I started writing as a teen.

Shey —Returning to that, you’ve written– in the hope of  getting published– since 3rd Grade, getting to the stage where   ‘under the bed was more crowded than the centre of Hong Kong at Chinese New Year,’ with manuscripts, finished, unfinished or rejected, you set yourself targets, goals, often doing mundane jobs,  did you ever think of giving up?

ANNA–I did! When I was in my late 30s, I was working in a dead-end job and nothing was happening with my writing career. I decided that wanting to be published was like wanting to dance for the Bolshoi (also a girlish dream for the young Anna!). It was time to put aside these silly fantasies of being a writer and start trying to build a proper life for myself. I lasted about 18 months and I was absolutely miserable. So when I went back to writing, I decided I needed to be a bit smarter about what I was doing. So I joined Romance Writers of Australia, and I started to write something that had a bit of commercial appeal. It still took a couple of years, but the decisions I made after giving up started me on the road to publication.

SHEY — Would you say that keeping your eye on markets and looking for the way in, with work that is marketable played its part and what tips would you give aspiring writers out there? I’d mention the worthy master here but as Bobby Bub ses, he can’t actually write. He can’t spell neither.

ANNA–The weird thing is I ended up getting published with a book I didn’t think any publisher would ever touch with a barge pole. At the time, the idea of a heroine who sleeps with men for money seemed very out there. I’d also advise against chasing trends. These days, trends come and go faster than a speeding bullet. My tip for aspiring writers is to read a lot in what’s being published now and take note of popular tropes (not trends). Marriage of convenience is a trope; hockey playing heroes is a trend. Also if you start a book, fight through the sagging middle to finish it.

Partly because there’s nothing you can do with the start of a book, but also because finishing a book will teach you more about writing than a million writing courses.

SHEY —What’s next for Anna Campbell?

ANNA–Lockdown has done wonders for the appearance of new Anna Campbell books! There are three more this year to finish up the Lairds Most Likely series. The Highlander’s Rescued Maiden is out at the end of September and as those who have followed me for a while know, I always do a Christmas story. The Highlander’s Christmas Countess should be out end of October. I’m also contributing a story to a Christmas historical romance anthology, but details of that are under wraps right now.

Next year I’m very excited because I’m starting a new series based back in Regency London, stories full of glamour and passion. Stay tuned for the announcement of details, but if you enjoyed my Dashing Widows series, I think you’ll be very pleased with this new direction.

If you’d like to keep up with the latest, why not join my mailing list? Just email me with your contact details: AnnaCampbellOz@hotmail.com Or I regularly update my website: www.annacampbell.com

Bio:

Australian Anna Campbell has written 11 multi award-winning historical romances for Avon HarperCollins and Grand Central Publishing. As an independently published author, she’s released 25 bestselling stories, including seven in her latest series, The Lairds Most Likely. Anna has won numerous awards for her Regency-set stories, including RT Book Reviews Reviewers Choice, the Booksellers Best, the Golden Quill (three times), the Heart of Excellence (twice), the Write Touch, the Aspen Gold (twice), and the Australian Romance Readers’ favorite historical romance (five times).

Links:

Website: www.annacampbell.com

Facebook: https://www.facebook.com/AnnaCampbellFans

Twitter: AnnaCampbellOz

BookBub: https://www.bookbub.com/authors/anna-campbell

Amazon: https://www.amazon.com/Anna-Campbell/e/B002NKV1HQ

Blurb for The Highlander’s Forbidden Mistress:

A week to be wicked…

 Widowed Selina Martin faces another marriage founded on duty, not love. When notorious libertine Lord Bruard invites her to his isolated hunting lodge, he promises discretion – and seven days of hedonistic pleasure before she weds her boorish fiancé. All her life, Selina has done the right thing, but this no-strings-attached chance to discover the handsome rake’s sensual secrets is irresistible. She’ll surrender to her wicked fantasies, seize some brief happiness, then knuckle down to a loveless union. What could possibly go wrong?

 

In a lifetime of seduction, Brock Drummond, the dashing Earl of Bruard, has never wanted a woman the way he wants demure widow Selina Martin. When Selina agrees to become his temporary lover, he soon falls captive to an enchantment unlike any other. He sets out to slake his white hot desire until only ashes remain, but as each day of forbidden delight passes, the idea of saying goodbye to his ardent mistress becomes more and more unbearable.

When scandal explodes around them and threatens to destroy Selina, Brock is the only person she can turn to. After so short a time, can she trust a man whose name is a byword for depravity?

Will this sizzling liaison prove a mere affair to remember? Or will their week of passion spark a lifetime of happiness for the widow and her dissolute Scottish earl?

Excerpt from THE HIGHLANDER’S FORBIDDEN MISTRESS: THE LAIRDS MOST LIKELY BOOK 7

Derwent Hall, Essex, December 1823

Selina was too aware that it was late and that she was alone with a man whose reputation was bad enough to send respectable virgins shrieking for their mammas. Lord Bruard’s company was the closest thing to satanic temptation that she was ever likely to experience.

She swallowed to moisten a dry throat and set the book on the mantel. “I must go,” she said, and cursed the squeak in her voice.

“Must you?” Bruard didn’t sound as if he cared whether she stayed or went. He continued as if they were in the middle of a friendly conversation. “You shouldn’t let Canley-Smythe bully you, you know. If he bullies you now, before he gets his ring on your finger, he’ll turn into a domestic tyrant when you marry.”

She paused in the act of turning away toward the door. “This is none of your business, sir.”

Unfortunately, it was also a perfectly accurate assessment of her future. Selina was no fool, and she had few illusions about what life with Cecil was going to be. But what choice did she have?

With a leisurely grace that made Selina’s foolish heart skip around inside her tight chest, Bruard sat up. She thought she’d committed her whole self to marrying Cecil, but now it turned out that her heart hadn’t signed up to the arrangement. Her heart cried out that she was still young and at last she had the chance to flirt with an attractive man. It insisted that if she ran away now, she was a filthy coward.

“Oh, that’s true.” Again no shame. “But I’m telling you this out of pure altruism. Stand up for yourself now, or he’ll crush every ounce of spirit out of you.”

“Pure altruism?” She gave a snort of amusement that would have shocked Cecil. “It seems the world is completely wrong about you, Lord Bruard.”

The half-smile reappeared, deepening the creases around Bruard’s deep-set eyes. The breath jammed in her lungs. Dear God, no wonder the ladies went insane for him. He truly was extraordinarily attractive. He should have warning signs posted all over him.

Because he was right about her avoiding him, this was closer than she’d ever ventured to the wicked Lord Bruard. This was certainly the longest she’d spent talking to him.

And danger bristled in the air.

So remaining in this room made no sense. Yet remain Selina did.

His gaze fixed on her. “No, my lovely little ghost, the world isn’t wrong about me.”

The power of his attraction made her stomach cramp with nerves, as she remembered all those depraved fantasies that wore Lord Bruard’s intense dark face. Did he know she’d thought of him in the privacy of the night? She had a sick feeling that he must.

“G-ghost?” she stammered.

He shrugged. How could such a prosaic movement make her heart somersault? Except his shoulders were broad and hard, and she ached to run her hands along them and down those strong arms, displayed to advantage in the best of London tailoring.

He wore black. But then didn’t the devil always come in black?

“That’s how I think of you. With your neat little gray frocks, and the way you watch everything you say, and never miss anything that goes on around you.”

This time, genuine fear spurred the unsteady beat of the heart. She hadn’t thought she’d be of the slightest interest to such a famous libertine. It turned out she was wrong. Just as she’d watched him, he’d watched her.

She gulped for air to clear a swimming head and raised a shaking hand to her bosom, before she realized how revealing the gesture was. “You shouldn’t think of me at all.”

His expression grew more intent, and she faltered back a step. She should flee, pride or no pride, but it was as if her feet were tacked to the parquetry floor.

“Nor should you think of me, when you’re marrying that ponderous oaf in a fortnight, and you’re obviously a woman who guards her chastity the way a miser guards his gold.”

Heat blazed in her cheeks, and she avoided his eyes. How could he make her virtue sound like the worst of sins? “I don’t think of you. I…”

Oh, what was the use? Coyness suddenly seemed too shabby to countenance. As he uncoiled and rose to his feet, she made a helpless gesture. “I don’t want to think of you,” she mumbled.

Paul Andruss, Thomas the Rhymer and more films NOT to watch right now

Tags

#Contagion, #YA fiction, 12 Monkeys, Fairy tales, films, Jack Hughes Books, Newbook, Thomas of Ercildoun, Thomas the Rhymer

 

 

PAUL ANDRUSS.

Firstly thanks for having me over y’all. My favourite apoc-oc-o-liptical movie and boxset of all time might sound familiar. It featured at the top of the list of Shey and the Dudes last post. The visionary Twelve Monkeys. No matter how hard you try, you cannot escape a future already written in your past. Time will always correct itself. Throw in a plague, time paradoxes and Terry Gilliam at the helm (Time Bandits, Brazil and The Fisher King), what’s not to like?

Paul Andruss.

No. I believe in owning any sensitive intelligent creature is tantamount to slavery.

PAUL ANDRUSS

Yes. Absolutely. In fact, they perform a pivotal role holding the whole thing together. But as one would expect from such highly evolved beings they work secretly behind the scenes to sprinkle their magic. And so are not mentioned once. I fully understand you doubt me, and I don’t blame you.. As I’ve yet to say my new books is about fairies …and don’t you have your very own fairy godmother……….

PAUL ANDRUSS

You see??? As for your next question, ‘What drew you to Thomas the Rhymer?’ even though you haven’t asked it yet, as a kid I got a big book of Celtic folk stories for Christmas. I have been mining it ever since. My first novel, where I cut my teeth, was a sprawling sci-fi Irish mythological saga about Finn Mac Cool and that came from reading those childhood stories. Finn is due to be published by Black Wolf Books, once the Jack Hughes trilogy is safely out. The Scottish tale of Thomas the Rhymer and the Queen of Elphame was also in the book. It tells how handsome Thomas follows the queen of Elfland to her home. When he leaves three days later, the lady gives him the gift of poetry and prophecy. He arrives home to find a score of years have passed.

PAUL ANDRUSS

Thomas the Rhymer is based on a real person, the 13th century prophet Sir Thomas of Ercildoune, named in contemporary legal documents as Thomas Rymour de Ercildoun. Thomas allegedly predicted the Scottish King James VI would rule from the English throne after Elizabeth’s I death. The second thing that led to the book is personal. I was living in Turkey after my brother was diagnosed with a brain tumour. We were close when I lived in England. It was a bad time to be separated by thousands of miles. We skyped, but it wasn’t the same. Conversations often turned to reminiscing. One incident always made us laugh.

David went missing at the age of 7. I was about the same age as Jack, funnily enough. Unlike Jack’s brother, David was not stolen by the fairies.

After a visit from the police and a sleepless night. David arrived home with my Gran the next day. Taking umbrage at something Mum said, he decided to run away. The only place he knew was Gran’s, twenty miles across town. David sneaked on a train, avoided the ticket collector, and walked two miles to Gran’s house. By the time he got there it was too late to bring him back. In those days we didn’t have a phone or a car. Few people did. And gran couldn’t afford the taxi fare.

The story got me thinking about what happens to a family when a child is missing. Something clicked. I would like to say the novel flowed seamlessly from that point. It didn’t. It took years to hone the ideas. My biggest regret is David never lived to see it published.

PAUL ANDRUSS

You ask such interesting questions.

PAUL ANDRUSS

This is a whole philosophical argument. How do you define living? A question scientists are asking about viruses, which are nothing more than scraps of DNA. Technically they are not alive, but that doesn’t seem to stop them, does it? Or, do you mean intelligent, or conscious? Alan Turning, a computer scientist, said such concepts are hard to define. How will we ever know if a machine is thinking? Psychic researchers claim some hauntings are simply memories recorded in in houses by a sudden burst of psychic energy such as violent emotion. Given all that why shouldn’t a fairy queen weave a living tapestry to record memories as they do in Jack Hughes and Thomas the Rhymer?

It made perfect sense to me that a culture as ancient & global as the fairy race, largely ruled by women, would choose to pass on information through the ancient skill of weaving. The first evidence of weaving is a 70,000-year-old fabric impression.

 

PAUL ANDRUSS

As an aspiring writer, who am I to give advice? Instead of turning out the same old pony, everyone is sick of hearing, including me, let me pass on sage snippets from a successful published writer, with years of experience. When I started writing I joined a peer review group. The advice mainly consisted of … I would not write what you wrote the way you wrote it. I would write it this way. Of course you would, I thought. We are different people.

An established author confirmed my cynicism in an article. “Beware of taking advice from other aspiring authors. They are in the same boat as you and just a clueless. Take advice from someone who knows the business.”

When an established professional was kind enough to offer advice, I bit her hand off. Don’t panic, it wasn’t her writing hand. It was the other one. I was writing a blog to publicise myself. She said, “Decide if you want to be a blogger or an author.” It took a while to see I was down a rabbit hole, spending all my time writing quality blog and guest blog articles with nothing left to write anything else. When I realised, I knew I had found a gold mine.

Here is some of her advice.

“This is a hard business. You are up against a lot of talent and competition. Take your work seriously, work hard. Have self-belief, coz you’ll need it. Know your market and write for it.” I have seen aspiring writers unwilling to brutally examine their work. Instead they give excuses; clever explanations about why they wrote it that way and who they wrote it for.

How do I know?

I was one of them.

She read some of my draft and said, “Your point of view is all over the place.”

I protested. “I wrote it like a movie where you seamlessly move from character to character.”

“It’s called head hopping,” she replied, “and it’s amateur.”

PAUL ANDRUSS

I knew I needed to listen. But, Goddamnit, it meant rewriting the whole bloody novel! Muttering like Dick Dastardly’s Muttley in Wacky Races, I set to work. Guess what? She was right absolutely totally and utterly right. It put the book in a different class.

My advice for aspiring authors?

Listen to people who know what they are talking about.

 

PAUL ANDRUSS

Work, work, work. Thank God. I need to publicise the book release. So if any of you have a blog and want a good quality barely used post in exchange for publicity, THINK OF ME.The 2^nd and 3^rd books of the trilogy are edited and having a final reread prior to publication.

I have a 100-page novella ready to go. A comic noir murder mystery set in the golden age of Hollywood. I need to Edit Finn Mac Cool and pass it over to Black Wolf for input.Finish the second novella in the series. Porcelain, set during the Glam years. Sort out the short stories for publication with Black WolfFinally, and this will be news for Black Wolf Books, I have a two back to back novels half drafted that are sequels to the Jack Hughes Trilogy.

If you enjoyed this don’t to visit http://www.jackhughesbooks.com/

Explore the story of Thomas the Rhymer. http://www.jackhughesbooks.com/story-of-the-book.php

Download the posters http://www.jackhughesbooks.com/art-gallery.php

Read some pre-release reviews http://www.jackhughesbooks.com/thomas-the-rhymer.php

And listen to some music courtesy of classical composer Patrick Hartnett, who loved the book so much he wrote music for it. http://www.jackhughesbooks.com/music.php

 

Fairies took his brother…

When Jack sees a sinister woman kidnap his bother Dan, he knows his parents will never believe him. Nor will the police. Not when he says Dan vanished into thin air. If Jack wants to see Dan again, he has to save him. And not just him …

 If he ever wants to find Dan, first he must save Thomas the Rhymer from a wicked enemy.

Bravely embarking on a rollercoaster adventure into the dark fairy realm, Jack and friends face monstrous griffins and brooding tapestries with a life of their own, learn to use magic mirrors and travel on ley lines that whip them off faster than sound

 

Even if he returns Thomas the Rhymer to his selfish fairy queen, she might make Jack her prisoner. With the odds stacked against him, can Jack succeed in finding and freeing Dan?

 

 Or will he lose his brother forever?

EXTRACT. The first meeting with Thomas

A moment later Jack turned to Catherine. “Run while I keep him busy.”

“No Jack,” she muttered, horror-struck.

“Jack,” echoed the tramp as if he heard her. “Master Jack, Cracker Jack … Jack be nimble, Jack be quick, Jack jump over the candlestick.”

“Is he mental?”

“No, he’s fairy,” Jack reminded her.

Ken nodded in agreement.

“Here I am,” Jack said, bravely stepping out from behind the skip.

“No,” Catherine wailed.

At the sight of Jack, the tramp started crying.

“Master Jack, Tom’s a lost. Master Jack, Tom’s a cold. Master Jack, don’t be cross. Master Jack, take Tom home. For I did dilly and did dally, dally and did dilly, lost my way and don’t know where to roam. Now you can’t trust a story like old Jack-a-Nory, when you can’t find your way home.”

Jack stared stupidly at the tramp.

“It’s all right, he won’t hurt you,” Ken shouted.

“You’ve changed your tune,” Jack shouted back.

“I was wrong. He’s not trying to scare us. He’s scared. The noise, the people, he’s not used to it. It’s driving him mad.”

Coming from behind the skip, Ken walked to the tramp with hands held in front of him as if feeling the air around the man.

“He’s living rough. I don’t think he’s had a good night’s sleep for weeks, or a proper meal, been eating out of bins. Oh dear, he could do with a bath.”

“I know he pongs,” Jack agreed.

Putting his head to one side, the tramp smiled.

“There’s something else, he might look older than us, but inside he’s about our age.”

The tramp smiled again, saying proudly, “For a year and a day I grew away, and I grew straight and I grew tall, and I was the fairest of them all, and she did love me, love me do, but now I’m lost. It’s sad but true.”

“Hello,” said Catherine, from behind Ken.

“Good day to you mistress mine, Thomas am I, Thomas of Rhyme.” The tramp gallantly bowed.

“Thomas? That’s what she called Dan. She was looking for you, wasn’t she?” Jack said.

“Aye, that she were,” Thomas wailed. “Though she loved me most, kissed my cheek and stoked my hair, a new Sir Thomas does she boast and on him lavish all her care. And I am gone, like those before, belovéd once, beloved no more.”

“Why?” asked Catherine.

“Though I both complain and moan, ‘tis no one’s fault but my own. She warned me true when she did say not to dally on the way. Off went the court with my good queen too. Tom followed on but what did Tom do?” he shrieked, slapping his own face and shaking his head wretchedly.

“Tom did dilly and did dally, did dally and did dilly, lost his way and don’t know where to roam. Now Tom’s afraid and all alone, and can’t find his way home.”

With outburst over, Thomas blew his nose noisily on his sleeve and smiled a brave little smile.

Available now in ebook and paperback Amazon. Worldwide.

Kate Furnivall and the Guardian of Lies.

Tags

Arles, France, Kate Furnivall, Spies, The Camargue, The Cold War, The Guardian of lies

 

Kate. Oh Bobby Bub, I bet that grandpappy of yours was a right royal rogue in the 1950s. A damn handsome fellow of course like yourself and with the same penchant for stylish headgear, no doubt.

But to be honest, the reason I chose the year 1953 for my book was that it was a year when the future of Europe was balanced on a knife edge.

And yes, you’re right, it is the latest period I have chosen as a setting for a book – but it is a moment in history that fascinates me. The start of the Cold War. A crisis point of tension and danger when Americans and Russians were at each other’s throats as they battled for nuclear dominance. I was transfixed when I delved deeper and discovered just how close that apocalypse came to exploding into life in the beautiful marshy plains of the Camargue region in south-west France,

But there was another trigger for the inspiration behind this book – that of the bonds that hold a family together in the face of a conflict that is driving them apart. At the heart of The Guardian of Lies I explore the bond between a brother and sister. My own older brother passed away several years ago but I still think of him daily, and it is this brother-sister relationship that kept intruding into my mind each time I picked up my pen to write.

This is the story of a young French woman, Eloïse Caussade, who tries to track down the Soviet agent who attempted to murder her brother in a car crash in Paris. But nothing is as it seems, so she leaves Paris to return to her father’s bull farm in the Camargue where her brother is recuperating from his injuries. There she finds herself trapped between two worlds that are on a collision course. One is the quiet rural life that is the world she believes she has outgrown and to which her childhood friend Léon still belongs. The other is the tense and dangerous existence of those caught up in the Cold War between America and Soviet Russia, a world in which lies, spies and murder entwine to drag Eloïse into their dark web. She cannot ignore the blood in the barn or the fire in her father’s stables. Her family is being targeted and she has to find the killer. But she has a lot to learn about herself and with the help and love of her friend Léon, who is now the local police chief, she battles to discover the truth. The Guardian of Lies is a fast-paced thriller but also a powerful love story.

Kate. Who says it isn’t? I admit I didn’t actually bump into any while I was cruising Arles’ colourful market for the gorgeous local lavender soap, but I know you hamsters are cunning critters and might have been lurking in the shadows, watching my every move. After all, The Guardian of Lies is a spy thriller, right? While I was checking out the bars in the back streets of the ancient city – in the interest of research of course – and watching local artists at work at their easels, I swear I could hear the scurrying of scratchy little feet over the cobbles and tiny French voices squeaking about world domination. La domination du monde.

So don’t give me this guff about “it ain’t home to hamstahs”. I got ears.

 

Kate.  Well, yes, that’s easy. I confess that I do set my stories in countries that I’d love to visit on a research trip. So far I’ve used China, Russia, Singapore, the Bahamas, Italy, France, Germany and Egypt (which included an awesome ride in a hot-air balloon at dawn over the desert) as the backdrop for my books. Oh, how I suffer for the sake of my art! But I have a mighty hankering to see more of Africa. You know, I’ve never been on an African safari and I’ve always wanted to do so.

That would be quite some research trip, to get to view the Big Five – lion, leopard, rhinoceros, elephant and Cape buffalo – in their natural habitat would be truly mesmerising. Unforgettable. I’m sure I could weave a thrilling story around a moment of conflict over land and resources within the Masai Mara game reserve in Kenya. Ivory poachers. Political corruption. Loss of natural habitat. Romance and murder against a ticking clock as they fight to save the elephants. Bring it on. Maybe even a colony of hamsters endangered by the waste disposal of a local chemical plant. Hey, Bobby Bub, how about coming out to do the research with me?

 

Kate . Yes, definitely. Look at us. One of my major inspirations for The Guardian of Lies was my terror at what I see happening in the world today. We are in the grip of another Cold War between America and Russia, though now they fight their battles on the bloody land in the Middle East, not on American or Russian soil. The fingers of seeming psychopaths hover dangerously close to nuclear buttons.

The threat is ever present, so I wanted to take a look back to a time in 1953 when the world was on the brink of a nuclear war between Soviet Russia and America, when both countries were frantically trying to amass information on each other’s military secrets and nuclear developments.

Spies and counter-spies lurked in every walk of life, in government, industry, laboratories and education. They were everywhere. Sound familiar?

This atmosphere of suspicion, lies and fear only intensified in 1953 when the USA decided to construct a series of eleven nuclear air bases in France to create a formidable line of defence/attack against the Soviet threat. This struck me as a fascinating and revealing moment of brinkmanship that we should be examining closely now. I believe an important part of the job of a historical writer is to make the past more accessible to today’s readers. To offer them the chance to learn from the mistakes of those who came before us. I hope this book will encourage people of today to take a closer look at those into whose hands we place immense power. To think again. And to demand a safer world to live in.

Kate  Well, now, BB, what a humdinger of a trip this is going to be! Get your shades on and don’t forget your cute shorts, because it gets hot down there. We’d start with fancy croissants and a few laps of the pool at our beautiful old hotel, L’Hotel du Forum, in the ancient heart of the city of Arles. What? You’re not a swimmer? You don’t like getting your fur wet! I thought all hamsters could swim, but okay, I get it, you’re not a lemming. Calm down. Let’s head out instead to explore the magnificent Roman remains that are the focus of the city.

 

The massive Roman amphitheatre is the place to start. It’s breathtaking. It was built in 90 AD with seating for over 20,000 spectators to watch the chariot races and bloody hand-to-hand battles. I can picture you clashing swords with Gladiator Hamstah Dickens in the arena with blood-curdling yells. And then we’d wander down to admire the beautiful brickwork on the Roman bathhouse and take to the stage in the Roman theatre, where we could act out a romantic scene from Antony and Cleopatra.

After that let’s take a breather at the gorgeous little Van Gogh café in the shady Place du Forum. The artist Vincent van Gogh used to hang out there and made it famous by creating a wonderful night-time painting of it.. We’ll down a glass or two of vino and a platter of plump Camarguais olives, then we’ll head off on safari in an open Land Rover to explore the unspoiled marshland of the Camargue, a protected area that is stunning. Here the white horses and the scary black bulls roam wild among the tamarisk tress and the saltwater lagoons. But watch out for the mozzies – they’re nearly as big as the bulls. The area is bursting with abundant birdlife – white egrets, plovers and avocets – which we can observe through binoculars.

What’s that you say? You can’t find binoculars to fit your cute button nose?

Aw, don’t fret. Instead we’ll take a romantic stroll around the water’s edge of the étangs just as the evening sun is sinking and the pools seem to catch fire. We can watch hundreds of skinny-legged flamingos lifting into the air with unexpected grace, a ribbon of pink and black trailing across the vast sky as they leave their feeding grounds to roost for the night.

 

Ready for something to eat? Okay, it’s back to Arles for dinner at the superb Hotel Jules César – a 7^th century ex-nunnery – its décor all dolled up now in bright knock-your-eyes-out Christian Lacroix colours. (Arles was Lacroix’s home town.) Fancy a cocktail? Champers with apple brandy? Great choice. Then I recommend their fab signature dish of Risotto de Langoustines, followed by a Crêpe Soufflé au Grand Marnier. To die for! And if you fancy kicking up your heels, tossing aside your jolie French beret and dancing the rest of the night away, there’s always the Irish pub which has live music and vino till you drop. Santé!

Sleep well. Tomorrow we’ll start with a river trip on the mighty Rhône …..

It’s been great chatting with you guys today and I can’t wait to read the great opus that will one day emerge from the Master. Thanks for having me over and for not scaring the hell out of me this time. Hugs to ya, BB. xx

*** The top ten bestselling author ***
Discover a brilliant story of love, danger, courage and betrayal, from the internationally bestselling author of The Survivors.
1953, the South of France. The fragile peace between the West and Soviet Russia hangs on a knife edge. And one family has been torn apart by secrets and conflicting allegiances.

 

As one war ends, a very different one begins in this gripping thriller.

Format: Kindle Edition

A page turner I didn’t want to finish, is probably the best way to sum up this book set in France in the Cold War. A world of Communism, Capitalism, murder and espionage, both sides of the two coins presented centre stage, without preachifying, but with the rock of the Camargue standing like a magnificent bulwark, a character in its own right, untameable as the horses that roam it, a shaper of those who live on it. Eloise is such a character. Paris may have gotten into her blood, the Camargue is in her soul. As for what’s in her brother Andre’s soul? Well, that is what we are unravelling. Exactly who is he working for? And what will happen next because of it? Such is Kate Furnivall’s skill that little trails of breadcrumbs suggest things about Andre and many of the other major players, but that bit rightly waits for the finale. The skill doesn’t end there. From the street café in Arles, to the roadside trees, the prose is rich in an imagery that never swamps. Nor does the pacing flag. For me this book opened a window on a post war Europe fight I knew little about and I’m glad that it did. I consider it one of the author’s finest.

The fault, dear Brutus ….

Tags

Cornwall, Cursed families, Curses, The Brontes, The kennedys, The Romanovs

 

May everything you touch wither to dust.’ Cursed? Or just unlucky? Shehanne Moore

    ‘The question is this. I cursed you. I cursed you and your brothers –” 

   “One of whom—” 

   “Blew his brains out at midnight. Do you seriously think I didn’t trouble myself to find out?”

     “Oh, I’m sure-“
 

     “May everything you touch, turn to dust.”’ 

   Cursed? Or just unlucky? Nice to think it’s the latter but legends of curses permeate practically every culture in history. from entire families to items—jewels especially—but places too. It would be good to say we just like someone to blame misfortune on but then again, some folks don’t seem to have a lot of good fortune, do they? 

   Let’s take my new heroine, Destiny who is the victim of just such a curse…

   “But the fact was that curse uttered for nothing had killed Ennis, as surely as if Divers O’Roarke had pushed his carriage down that ravine that night.” 

   It’s very convenient to believe that all the loss and tragedy that follows Destiny about like a bad smell is the result of that curse, when it was probably on the cards anyway. Also, at the time she was cruising for the proverbial bruising, causing besotted men to shoot each other, this could just have been a wind change in her life, a what-goes-round-comes-round time. But then again, the loss of a mother, father, brother, husband and more in the space of two years, not to mention another brother becoming an alcoholic, does seem the kind of misfortune that would give the Kennedy family a run for their money in the cursed stakes. 

     And I think that is where curses have their power—superstitious–but even so. Would you really want to flout a curse by wearing the Hope diamond for example? Or indeed by then touching someone who was cursed? 

   “From Land’s End to Launceston people avoided her like she had the plague. In fact it was probably from Land’s End to John O’Groats. She couldn’t get another husband even if she wanted to.” 

     Whether it is balderdash or not, if something goes wrong after you flout a curse, well, you are probably going to blame the curse and wish you hadn’t done it, even if curses may, or may not exist. The Rhodes family aren’t alone in being cursed. Other famous families, in addition to the Kennedys, include the Hapsburgs, the Grimaldis, the Hemingways. I guess the Romanovs weren’t exactly what you might call lucky either.

     Of course big families like that, in terms of being newsworthy, of having wealth etc., are always going to find their bones being picked over by the ‘lesser mortals.’ And the Rhodes family have that local standing.

     ‘She was a Rhodes and Rhodes were all about living life to the hilt.’

     Big old house, family tree going back centuries, suggestions of links to pirates, definite links to smugglers. Legends surround them, like Raven’s Passage, said to stretch from their family seat, Doom Bar Hall, all the way to the beach, a fabulous place stuffed with golden treasures.

 

 It’s easy to say that some of these real families were cursed when you can point to the actual curse itself, how it came to be uttered and who was responsible. Rasputin, of course gets held responsible for cursing the Romanovs but as a family they had plenty of misfortune before that. Nicholas II’s father and grandfather didn’t exactly fare brilliantly either and Rasputin never cursed them. But then the times they were living in were pretty explosive. No pun intended actually. Just pointing out the possible carnage/ill heath rate which brings me to the Brontës, another family that might be construed as cursed. Equally fame eventually touched them, so we know of their lives. But their deaths were the lot of entire families especially given the unsanitary conditions of the time. 

     The thing about curses? I honestly think you pay your money you take your chances…NOW go open the voddie and do Cossack dances.

.

 “He cursed you, me, Chancery. You most of all. Think how different your life would now be if he hadn’t uttered these damnable words. When Chancery loved Rose. Wanted to marry her, for God’s sake. That Divers O’Roarke didn’t know is no damned excuse.”

     “I am thinking. And I’m thinking we are the life we live. Its graces and its pain. And while we may not always have any control over it, we can control what we do about it. But if you want to believe in a load of old gypsy mutterings and superstition and hold it responsible for the fact you can’t walk past a drink, without feeling obliged to down and then drown in it, that’s your choice. This is mine.’

O’Roarke’s Destiny Shehanne Moore.

The dudes meet Destiny.

Tags

Cornwall, Depression, heroines, O'Roarke's Destiny, Shehaanne Moore, Smugglers

Destiny Rhodes – Seriously? And I’ve nothing better to do than sit  chewing the fat with a lot of moaning skunks?

 

Destiny Rhodes- Looking at you? Well, maybe that’s cos there’s sod all else to eat in the God-forsaken place now Divers O’Roarke is running the show.  Mind you, him and that sidekick, that Gil Wryson, have never had hamsters on the menu. Yet anyhow. Otherwise you can it as read, the ceiling is a lot more interesting.

Destiny Rhodes- Won’t I what? Sorry, I wasn’t listening there. Give tips? What on? Something I don’t have? I mean you see me sat here, with a smile pasted to me face and all? Ask yourselves, why don’t you, would I be able to do that if I had what you say?

Destiny Rhodes– of course I can. And I can get on with all me tasks too. Right now these in order include, mending the bedroom footstool, sewing the dining room cushions, getting the wassail bowl out of the attic, it’s not THAT long till Christmas after all, and hopefully not having Divers O’Roarke, that Wryson man–don’t get me started on how fanatical he is–me brother, or please call me John, that Lyon creep, getting in me face. So that then I can go lie down and dream of my husband, Ennis. Anything less makes me a bad person. And while I don’t mind being thought of as that locally,  I’m sure you can appreciate that I don’t want to think of myself that way where he is concerned. But doing all that in the day, you can see how much I need that rest? And when I don’t get it, well my thoughts retreat.  My head feels panned in.

 

Destiny –When they are my life, the things I cling to in order to cling to something and assure myself that my world is set? Maybe. I don’t know. Life is an unknown journey after all. But I tell you it won’t be for want of the times Divers O’Roarke gets in my face. Breaking the best china, insulting me Grandfather Austell’s stuffed parrots, throwing out Sir Tredwynne. Oh   and other things. All manner of things actually. Messes I got myself in.

Destiny Rhodes – Damaged goods with a death wish  that one. And such a man of mystery. Do you know that’s why I’m here today without him. He’s not allowed to be interviewed because you wouldn’t know what to interview him as.  And there’s games not going to be given away here. But thank you for having me and now, if you don’t mind I’ve a new shortbread recipe to write down.  May I just say that looking at you lot has quite fired me imagination that way….  Made me feel a bit more like my old self….

Destiny Rhodes– Me? Dance? Not since my Ennis died…. That ship has sailed. Nah. I’m thinking how tasty that recipe might be….

Extract.

“Well, I’d ask you in—properly, that is–but I’m afraid, as things stand, I wouldn’t know which parts of the house are mine to ask you in to.”

”And why is that?”

“You mean Divers O’Roarke hasn’t told you?”

“He hasn’t.”

”Yes. And pigs fly all over Cornwall. High in the sky. When we all know he probably has. And if he hasn’t–got to you yet that is–he’s probably on his way as we speak. It will be to tell you what a liar I am and how he’s split the house because of it.  Obviously I didn’t come to Penvellyn sooner because I had to wait for me opportunity to do so. Anything more would have aroused his suspicions when he caught me talking to you earlier.”

“You are going on rather a lot about Divers O’Roarke, Miss Rhodes.”

“Only because he is a skunk.”

She set her coat on a chair, smoothed her hair back from her face. Actually she wasn’t going on about him half as much as she could.

“But you did have something to tell me? It’s why I’m here,” Lyon said.

Did she? When what she really wanted was to go upstairs and look out her recipe for lavender shortcake too. Maybe find some way of lighting the fire when her nose was pinched by the cold. The distance was there, spread like a long road in front of her.  But really, she wasn’t getting much chance to go it. Not with the kitchen probably barred to her now the house had been sawn in half.  In fact the way this was going, that recipe was about as much as she was going to get.

“Tell me something I don’t know.”

“I hope so.”

Right. Well, she didn’t. Did he have a point though? Was she perhaps going on about Divers O’Roarke instead of applying herself to what was important, like finding that recipe? She’d given him his chance. And very good of her it was too, even if she wasn’t sure what she’d have done if he’d taken it.  Some might say she’d never have gotten Doom Bar Hall for a start. And she was inclined to agree. Maybe for that matter Divers O’Roarke had banned her from half the house in order to spark a reaction in her?  In which case she’d be failing in her duty not to give him one, now she’d gone to the wire and he wouldn’t come off the fence? Lyon hadn’t come all this way to leave empty handed. Had he? He wasn’t here for a cup of tea either. And it was time to deal with that fact. Whatever she’d determined earlier, living or dying required a roof over her head. She passed her tongue over her lip.

 

 

 

Secondary characters? How many do you need?

Tags

Black Wolf Books, Cornwall, Historical romance, Newbook, O'Roarke's Destiny, Romance, Shehanne Moore, Smugglers, Wreckers

 

SHEY : Dearest Silv, may I say how very kind of you it is to ask me here today  to my blog. I just can’t get over it. The great honour it is. To answer your question about Lizzie I wrote her out because she had no further use …

SHEY. Yes, Lizzie-alas–was adding nothing to the plot.

Nor did I need her after chapter one for the main reason I use a secondary character, that is to hold a mirror to a lead in some way, their personality, their actions, perhaps show them as I did with Dainty and Mitchell Killgower in The Writer and The Rake, in a better light and also I suppose not to make the whole thing too claustrophobic –as I also partly used Susan for in The Unraveling of Lady Fury, and give Fury a sort of confidant.  Lizzie was not going to fulfil any of these things and letting her stay was going to change how I saw this book. So why have her?  There’s also a one scene appearance by a few children, but while they are contributing to the story there, they’re what you might term decorative extras. Spear-carriers in theatrical terms.

Overall I don’t work with a huge cast of speaking characters but I do generally work with more throughout.

Shey. Indeed I think we got that. The world of Doom Bar Hall itself, despite being smack bang in smuggling and wrecking country, is a tight world. Destiny is a loner, probably a high functioning depressive who bashes through her daily routine and set of tasks with tunnel vision. She’s not one for friends—she’d never been what you might call popular, except with the men she drove to distraction years previously–and she confides in nobody, the family were larger than life that way locally. She’s a product of that family.  So to have put in a single scene where she does would have been wrong for her as a character and unbalanced the book.  Divers may swagger  into that world full of confidence and control,  underneath he’s a man on the edge, holding it together and no more. I won’t give away too much of the plot by saying why he’s at this stage when the book opens. He has a sidekick, Gil,  to show there’s another side to him and to mirror some of this ‘disintegration’ but that’s it re Gil being there.

 And because he could be trusted. A hard thing to come by, not just in this world but the world he inhabited. That dancing, dark and shady place of gnarled shadows and twisted paths, haunted by the need to keep one step ahead where nothing could ever be as it seemed. Not even himself.”

  

There’s reasons for Orwell–Destiny’s brother

 face as long as a six fiddle cases, and twenty four rainy days,

and as for Lyon?

.

Shey. He has  quite an appetite.

You knew everything but nothing of what he was really thinking. Hand him a farthing out the goodness of your heart and he’d still need to know where both came from. The farthing and the goodness. Probably your heart too.

Shey I think it’ s important when you are creating a world for a book and I try with each book to create a world, to think of the things that help show it.  And for me in this book it wasn’t the wider smuggling picture which is actually central to the story, but the putting of this hero and heroine and what unfolds in this world between them, centre stage. I felt that could only happen with a small playing ensemble, so even the servants had to go.  I think it’s sometimes something to consider in terms of cementing  a setting, depending on what that setting is. This one was not the world of ball gowns and dance cards and it’s not a pretty one of smuggling either.  And now before you open the voddie and do the Cossack dance… a book trailer.

 

Once he’d have died to possess her, now he just might…

Beautiful, headstrong young widow Destiny Rhodes was every Cornish man’s dream. Until Divers O’Roarke cursed her with ruin and walked out of Cornwall without a backwards glance. Now he’s not only back, he’s just won the only thing that hasn’t fallen down about her head—her ancestral home. The home, pride demands she throw herself in with, safe in the knowledge of one thing. Everything she touches withers to dust.

He’d cursed her with ruin.

Now she’d have him live with the spoils of her misfortune.

Though well versed in his dealings with smugglers and dead men, handsome rogue Divers O’Roarke is far from sure of his standing with Destiny Rhodes. He had no desire to win her, doesn’t want her in his house, but while he’s bent on the future, is there one when a passionate and deadly game of bluff ensues with the woman he once cursed? A game where no-one and nothing are what they seem. Him most of all.

And when everything she touches turns to dust, what will be his fate as passion erupts? Will laying past ghosts come at the highest price of all?

September 13^th 2019 Black Wolf Books.

‘I know I have not won Doom Bar Hall from you.’ O’Roarke’s Destiny Chapter 1

Tags

Cornwall, New book, O'Roarke's Destiny, Regency, Shehanne Moore, Smugglers, Smuggling in Cornwall

 

I know I have not won Doom Bar Hall from you………

      CHAPTER ONE

 

   Cornwall 1801–For every smuggler, there is an exciseman who will hunt him down …

Destiny Rhodes was used to losing everything in one stroke. She’d just never thought it would be this stroke.

“A Gull Wrysen, here, you say?”

“I does, ma-am.” Lizzie’s voice tolled as befitted someone who was in the running to win the grand prize in the looking most like your surname competition at Penvellyn Fair.  So, Here Lies Lizzie Tooms, Loyal Servant of the Rhodes, Now Gone as Them, Probably unto Hell, could have been etched into her forehead.

Ignoring the rattle of the chimney pots crashing onto the lawn outside, Destiny stared harder at her reflection in the mirror above the fireplace.

“And?”

“And quoth  I, seein’ as you be a’ askin’ and me havin’ spoken to him, far worse bells could be a’tollin’ for them what are cursed.”

“Do you know, I’m very glad you think so, Lizzie? After all, here was me thinking it could well be the man who did the cursing. So why don’t we all just look on the bright side and say a prayer of joy and thankfulness? I mean, it’s not like we haven’t got anything better to do, now is it? Where’s the captain by the way?”

“Busy.”

“Lying drunk on the stable floor, you mean? Having managed to get here on his sodding horse but not off it properly? Oh, that’s busy, I suppose, if you can call such things busy.” She clasped the mantelshelf tighter in her mittened fingers, the image of Orwell meandering home beneath frozen stars, flickering through the flames. If only she was such a frozen star, instead of standing here, staring as the straw end of this place disappeared down a dark rabbit hole. Doom Bar Hall. The only thing in her life still standing. The bricks and mortar she’d poured herself into. Every flower, painting, tuck on every cushion, even her pine cone garlands that made this room a work of art at Christmas. Gone. On the turn of a card.  “Yes, a fine thing to be as busy as that.”

“I can only reports what t’es my sacred duty to report, ma-am.”

“Well, it’s something of a pity you felt it was your sacred duty to come in here and report this.”

Maybe she should just fall down now on the fender and be done with it? Then at least she might be buried along with her garlands.

“Anyways, I be sure your brother’s done his sacred best.”

“You know, for once you and I couldn’t agree more. His level best, or should that be epic, to get drunk? His very best to lose this place. As for everything in it–?”

Yet, despite what she’d thought a moment ago, was this really so unexpected when Orwell inhabited the drinks cabinet the way fish did the ocean and would be sure to win the empty cider barrel in the drinking it dry competition at Penvellyn Fair.  In fact, there was no might about it. The miracle was it had taken him this long. As for what she could do about it? Apart from winning first prize in the breaking her hand by punching a wall competition?

“Ma-am, I be sure that despite everythin’, he has this in hand.”

“Really? Well? That’s a first. A second first, I must say. You thinking and him having this in hand.”

“If he does not have it in hand, the Lord shall. You watch this. He will be our salvation, ma-am.”

“Oh, please do spare me. Truly. Unless you think a sermon to match the one on the Mount, is something I can stand tonight? Wait around for the Lord being me salvation, and first prize in the look at all them moldering bones competition is what I’ll win.”

“Then what do you require, ma-am?”

“Right now? Apart from a sodding great dose of arsenic, you mean?”

The strength to deal with this but that didn’t look like it was coming unless that sodding, great albatross that had just careered inside her velvet gown–a triple-weighted blind one at that—found some other gown to career into. Finally, ashes existed she couldn’t rise from, despite everyone always saying she should have been named Phoenix. Imagine that, when Lizzie was sure to have it broadcast all over Penvellyn by this time tomorrow, if not before, how Destiny had collapsed in the library fireplace and lain there, cursed, like all who’d passed down the long, dusty road to the charnel house before her, too?

“Ma-am, I know we have had our differences—“

“You can say that again.”

Mostly on the subject of accents. Destiny sounded like her mother who had come from up north. Yorkshire somewhere.  And Lizzie only took instructions from those who didn’t, which made it even more ridiculous she took them from Orwell who was more refined than a glass of malt whiskey. Orwell who probably reeked worse than one right now and was in no fit state to open his mouth, let alone let an order fall out of it.

As for Lizzie’s pity? Another lecture on the Lord? Lizzie producing a bible from her apron pocket in another minute or so, in all probability, and asking Destiny to read from it? Well, Destiny wouldn’t want first prize for making the heavens fall down. Now, would she? Especially not when she’d already won the one for having her head panned in with the meat mallet. After all, it was vital she at least try to raise her chin, though what she was lifting it for she’d no idea.

“No. Don’t.” Lizzie parted her lips and Destiny hurried on. “Once is quite enough. Look, just send in this … this man. Me brother may be lying on the stable floor too drunk to deal with him. I’m not. Go on.”

Yes. Let those who thrived on the pantomime of her life, say her black heart dripped something so common as blood? Over her burned and beaten body. That would be death, not this, even if all of it was death now. How could Orwell do this?

“If it is yore wish and yore command, ma’am?”

“I’d hardly put it that strongly. But what else can I do?  Still, fear not Lizzie,”  she lowered her gaze from the mirror as Lizzie nodded. “Whatever happens, I’m sure the servants’ places will be guaranteed. After all, in my humble experience, everyone needs servants. Even a death knell one like you.”

Well? Everybody did. How very lucky to be one. Suppose she said she was? Found a mob cap, claimed to be the housekeeper? Bit an arsenal of bullets, swallowed them too, suffered the laughter, the snide remarks, the fact Orwell  wasn’t the only one to drag the family through the gutter?  Endure the servants too? The ones who had so  recently been hers?

How far a falling from a heaven too high.

What? Have it round the county that she qualified for entering the best servants competition because she cleaned boots and changed beds for her new master, fetched him his pipe and slippers, dusted his ornamental vases?

No. She’d sooner starve. After all, she wasn’t exactly likely to win it.

My God, if only Chancery had lived. Actually, if everyone who had ever touched her sorry life had damn well lived, she’d not be in this mess. But Chancery’s death, over that sodding Rose O’Roarke had started an endless procession to the charnel house. All beneath the winding sheet of one certainty. The hollow toll of another death would shortly follow.

Until the moment Chancery took up with Rose O’Roarke, he’d been heir to Doom Bar Hall, not sodding Orwell and sodding Orwell’s brandy bottles. Captain Rhodes, if you pleased, seeing as he, and them, commanded the local militia. Then the curse uttered by Rose’s grey-eyed brother, Divers O’Roarke, across her marble-veined corpse had come true. They were all rotting in hell. Destiny most of all.

Her shoulders sagged. She glanced back in the gilt framed mirror, wreathed in ornamental cherubs on their way to heaven—lucky them–the mirror she’d found in the attic and spent weeks cleaning, mending and wiping dead flies off. Gull sodding Wrysen’s mirror now. Well?

Unless?

Unless she took it down, of course. Took it with her. It was heavy as an elephant. That much was obvious the second she reached forward to wrench it free. Not that she’d ever won any prizes for wrenching an elephant. No. There weren’t exactly many of them about in Cornwall. And any there were, were hardly likely to be nailed to the wall, the half of which she’d be trying to get out of the door next if any more plaster showered onto her fingers. And where would she put that?

No. This was over. Over. Over. The words ticked like the grandfather clock in the hall outside. All she could do was go with her head held high. Let the locals have their farthing’s worth. Well?

Unless?

She fingered her throat. It was an idea. Even if she wasn’t quite sure where it came from.

“Dstny … ”

The French doors banged open in the gale howling over the cliff face. Orwell, staggering in here with wet boots and slurred apologies for losing her pine cone garlands, was the last thing she needed. Certainly, if she was really considering that idea.  She slipped her gaze from her—actually, some might say, edifying as a dead viper’s–reflection.  And they would be right.  Some things had to be faced when it came to ideas.

“Goodness me. Orwell. Sit down, why don’t you? Preferably not in here, before  your wet feet take first prize for ruining the rug, when it’s no longer ours to ruin either. At least I hope that’s from your wet feet.”

The spindle chair nearly went over beneath his backside as he collapsed into it. She braced for the crash. It  would certainly be one thing less for Gull Wrysen to claim if it smashed.

Unless?

Orwell sank his head with its untidy chestnut quiff on his chest and tried pulling his coat-tails from beneath his backside. “I say, old gril, l mean girl … I’ll need … that is, I’ll nleed to … I’ll need ver’ much to …  to … ”

“What? Sober up? Stop drinking? Get Doom Bar Hall back? Likely as a chocolate doily surviving in hell that is, if you must know.”

“Mulst know? Well, I… I sullpose, I sullpose I do. I mean … Do you know, it’s the damndest thing … but I don’t knlow what I mean …”

“Oh, I think we can all see that, Orwell. Maybe we should hang a sign in Truro, saying, ‘This is Orwell Rhodes. He doesn’t know what he means but one thing’s for certain, he has lost Doom Bar Hall. Throw him a farthing someone, so he can maybe buy it back.'”

Unless?

Hearing footsteps marching along the hall, she raised her chin.

“Yes Lizzie, what is it?”

“Milord Wrysen, ma’am.” Lizzie’s bobbed curtsy was probably the lowest the man towering in the doorway had ever seen. It was certainly the lowest Destiny had ever seen it. Start as you mean to go on her father had always said. Lizzie was starting well. Destiny should take a leaf out of that book.

“Should I fetch tea, ma-am?”

A good question. But no amount of tea in the best china cups Destiny had found moldering in the stables would sort this.

Unless?

She flicked her gaze over the man opposite. About thirty? Black haired—not her preferred color–a dusting of stubble on his chin.  Eyes like gleaming black bullets. A plain, if not inelegant greatcoat, and leather boots, flecked with mud. No wedding ring. It didn’t mean he wasn’t married.

In that moment she decided.

“No. I am sure His Grace here would prefer something stronger, Lizzie.”

Like herself.

She pinched her cheeks, although this Gull Wrysen could take her as she was. So long as he did take her.

It could be worse. Orwell could have lost the wager to Divers O’Roarke. Then she’d really be in trouble. It was common knowledge he regularly gambled the fortune he’d amassed designing houses and gardens in London.

Hadn’t the sun’s rays shone on him since he’d sworn that oath? Shone to the extent his chestnut hair must be burnt black while she looked more of a corpse than his sister, Rose.

This was the hand she’d been dealt. This was the hand she’d play though.

Smiles were beyond her. Gull Wrysen would see what he was getting and what he was getting was someone young enough at twenty five, to be thought attractive, despite her cropped hair and–all right–the fact she’d give a dead viper a run for its money in the looks’ stakes. But really, some might say, that was all.

As for what she was getting? Well? Doom Bar Hall was what she was getting. Very nice it was too. When nothing else mattered, she wouldn’t be the first, or last, to  manage a few ecstatic moans where required.

Only think of the fuel for the fires of all these little effigies the locals liked to make of her. The fires that had been dying of malnutrition lately.

She settled her gaze on his face.

“Well, Your Grace? Do allow me.”

She meant a drink. Orwell was sitting there, after all. Besides Gull Wrysen was standing as if she was Medusa and he’d been turned to stone. But hopefully this was purely temporary.

“Thank you, Lizzie,” she added, seeing that only Lizzie’s jaw had moved and that was in the direction of the floor. “Yes. As you can see, I will deal with this. And please shut your mouth while you’re about it. It’s wholly bad enough you look like a tombstone. We don’t want you adding trout to the mix. Not when Mr. Wrysen and I have things to discuss, regarding the house.”

She waited for Lizzie to win every prize going in the collecting her jaw and sailing like a doom-ridden ship away competition, before setting out two glasses. Gold rimmed ones from the set that added perfection to her Christmas Eve when she  finally sat before the fire in the cavernous, leather armchair and treated herself to a measure of port. Glasses she’d be keeping now if this went her way. Why shouldn’t it? She was cursed, not incapable.

Yes. This man wasn’t so bad. Fair hair would have reminded her of Ennis, who some might say, was probably birling ten times in his coffin. Not the man to think of and face this one standing in the candlelit shadows in his mud-spattered boots and greatcoat, holding his hat beneath his arm as if he’d no idea what to do with it.

Well, she knew, she knew exactly. She slipped the top off the decanter, inhaled the rich ruby scent. If it came right down to it here, she could cook and dust, if need be. If he wanted to bring in a woman, if need be, she’d say nothing. After all, there would be nothing to say anything about on her part. No jealousy. Nothing. She wouldn’t insult Ennis’s memory with that kind of thing that betrayed low moral fiber.

“But perhaps I am being presumptuous with your drink and your servants, now Doom Bar Hall has fallen to you, Lord … Lord …?”

“Me?” He shifted uncertainly, the ghost of a smile hanging to his lips. Totally unnerved. No bad sign. “Oh, good God, no. Miss … Miss Rhodes, isn’t it?”

“Well, it’s not the devil incarnate, though there’s plenty round here certainly say so.”

“Good .. I mean … No, I mean I think there’s been some kind of mistake.”

She nearly clattered the decanter top onto the sideboard. Some kind of mistake?  My God.  Damn Orwell. And yet, Lord love him. A mistake. It was all a mistake.  Thank God she’d had enough moral fiber not to open her mouth.

“I mean … You mean you’re not Gull Wrysen? And you’re not here to take Doom Bar Hall from me? Well, I never.” Especially given how close she’d been to offering herself. ”You know, I just can’t believe how I—well, never mind, have the drink anyway.”

“Gull?” Gull Wrysen lips twitched as he reached for the glass. “I’m not Gull Wrysen. Not that I know of anyway, unless I’ve been re-christened. I’m not Wrysen either. My name, so far as I know my name anyway, is Gil. Gil Wryson. And I’m not a gentleman either. Well … again… Not that I know of.”

“I see.”

Damn Lizzie. As ever, she won first prize in the being spat on by the Fates competition. After they fell about the floor laughing at her first. Why hadn’t she known no man would be called Gull? And Wrysen was a Cornish pronounciation? Still, she could surely weather a blob or two of spittle seeing as this was all a mistake?

“Although that’s not the mistake,” he added.

Damn the Fates to hell. Still, one mercy in a drought dropping from the heavens? She hadn’t danced  about the floor waving her drawers in the air.  Whether he was a gentleman or not, was neither here, nor there, when it came to getting him to agree to this. And she would, so long as her own name was Destiny Rhodes, she would. Now. She’d have to. Just swallow what rose in her throat, forget about the fact that when everything she touched turned to dust, the pity was he didn’t drop at her feet, and do it.

“Then … let’s get straight to the point. I’ve always been a frank talking kind of girl.”

“The point, Miss Rhodes?”

“Doom Bar Hall is not just my home, as well as my brother, Orwell’s, it has been  my whole life since my husband, Ennis, died. You look surprised?”

“Only in that—”

“I seem young to be a widow? Well, I was and I am, I suppose. Of course I could have lived at Pangbury, the family home but we were guests there ourselves, him having a younger brother with family. So I put the money he left me into Doom Bar Hall, because it has been in the Rhodes family for generations. I returned to my maiden name too. I think you’ll find I’m quite a woman of the world, however.”

It was the most tactful way to put what she was about to propose, which was why she turned away. Not before she saw Gil Wryson’s gleaming black eyes were searching her face in bemusement. But perhaps he simply couldn’t believe his luck? She knew she couldn’t. Believe her luck that was. Certainly at having got this far.

“I suppose what I am trying to say to you, is that I am in this house,” she added. “Yes. It is in me even though you may have won it from my brother, Orwell.”

“I think you’re mistaken there, Miss Rhodes.”

“Really? Well I don’t. You did win it. I’m not going to argue about that, or how easy it probably was, knowing Orwell’s drinking habits, to diddle him of his left pinkie. His thumb too.”

“Perhaps. But it … ”

Must he keep interrupting her when she was doing her level best here to get up from the pit, soar to the sky and secure the roof above her head? And the desperation he might refuse, lay like a lather on her bones? She glided forward then turned to face him.

“Doom Bar Hall is too precious to me. As you will see when I show you around, I am in every scrap of this place. In fact you might even say I am this place. That is why you should also know something.”

“What?”

“I come with it.”

Start as you mean to go on. Finish too. The blank cut-out she was inside meant it was nothing for her to stand here and offer herself like this. Once. Perhaps. But now? Given the alternative? Although equally, some might say, she had risen to this with a surprising fervor.

“I’m sorry?”

“Oh, I am too, Mr. Wryson, but I honestly have no choice.”

He blinked, as if he hadn’t known what was coming, or didn’t want her, although he did have the good manners to smile. “Am I to understand?  Are you … are you suggesting … ”

Orwell’s boots scraped on the scuffed floorboards.

“Dstny. Dsny, old girl, thart’s what … you see … it’s like this … I relemmber now. …”

“Oh please, Orwell, do be quiet for once in your sorry life. Let’s just agree I’ll handle this, shall we? You can go to the devil for all I care. In fact, shall we say Truro marketplace if you don’t button up?”

Yes. Gil Wryson wasn’t the devil and he wasn’t Divers O’Roarke–not that the devil troubled her, if she’d to narrow that list down. Divers O’Roarke now? Exactly how likely was he to be here in Cornwall?

Ignoring the wind banging the shutters, the batter of incessant rain cutting a silver stream down the moonlit glass, she continued,

“Now then, Mr. Wryson, these are the terms I place honorably on the table before you. They are very simple. Doom Bar Hall is my life. I will not be separated from it. So if you take Doom Bar Hall, you take me, to do what you will with. I’ll be your queen, your housekeeper, I’ll be your whatever you desire, because no-one knows this place like me. If you can’t do that, if you have some other agenda, some other woman, for that matter, whatever you have, walk away now.  I know I have not won Doom Bar Hall from you, that in a million years I may not have done that, but then again I never lost it in a devil’s hand of cards, played against a man too drunk to know his own name, let alone the family one he’s thrown away. These are my terms. I’m not leaving here, unless it is in a box. Do you understand?”

“Miss … Lady … ?”

Ignoring him, she lifted the glass to her lips. Courage flowed into her veins, all the way to her pounding temples.  It always did when she made up her mind.

“In the circumstances, you may call me, Destiny.”

Orwell tried again to struggle to his feet. “Dstiny. Don’t. You … you don’t know … “

“Orwell, I asked you to stay out of this. What you do is up to you just as this is up to me. I am doing this. I am keeping our home.”

Her shell would anyway. What followed behind, a pallbearer at an unspeakable funeral might wince. She waited, a prisoner of the silence, the one existing in her soul, for Gil Wryson to speak. His lips cinched uncertainly, as if he didn’t know how to approach this. Gentlemanly of him, but not the point.

“Destiny?”

“Yes.”

“Well, I … I’m sure I can call you that, Miss … Miss Rhodes, if that’s acceptable … ”

“Why shouldn’t it be? We’re going to be things to each other, after all. Let’s drink a toast to it.”

“But what I was trying to explain, maybe not terribly well, that is true, and perhaps your brother—“

“Oh, him? He doesn’t count for anything where this is concerned.”

“– is too, is that I didn’t actually win the game. So really … ”

Her heart beat in such hope it almost felled her, although hope was something that had lived in the dark for the last two years. Doom Bar Hall wasn’t lost at all.

Relief washed like an ocean, ambushing her as she stood there encased in tortuous, threadbare velvet. Her cheeks pulsed. To think she’d abased herself for nothing. But what did that matter? She downed the drink in one, wiped a mittened hand across her mouth.

“Then … if you didn’t win …?”

“No. I suppose that’s what I meant when I said I wasn’t a gentleman.”

“I’m sorry, Mr. Wryson, you will think me thick as a sea mist—“

“Not at all.”

“–but the truth is I really don’t understand what you being, or not being a gentleman, has to do—“

“I’m acting on behalf of my employer.”

“Your employer?”

So it was true? She’d lost Doom Bar Hall. Still, she’d made that decision before this man walked in here.  How he looked, how old he was, who he was, had made no difference then. Why should it now?

“He thought there would be difficulties, you see.”

“Apart from me brother lying drunk I can’t imagine how.”

“Well he did. And that was why he asked me to spy out the lie of the land, if you will. After all, this is quite a house to lose–”

“Do you think I don’t know that? That is why my offer is the same because I don’t intend to lose it–”

“Especially when there’s past associations.”

“Past associations.” She resisted the urge to finger her throat, which prickled as if a moth’s wing was stuck in it somewhat of a sudden. “What do you mean?”

“I mean my employer once lived—not in the house itself—but on the estate, and is known to you.”

“Known?”

She swallowed the astonishment sitting cold as marble in her mouth. There was only one man she could think of who’d done that but of that one man, she didn’t want to think. Not when the blood drained from her face, the floor loomed so perilously close she struggled to stand in her black slippers and Orwell staggered to his feet.

“Dstny … I triled to tell you. But you … you … Anyway, you’re nlot seris … ”

“Unless the name Divers O’Roarke is unfamiliar to you, Miss Rhodes?” Gil Wryson’s voice was oiled velvet.

“Divers O’Roarke?”

How did she say the name as if it was nothing to her, the name of the man who had cursed them, cursed her loudest of all?

Because she must.

“No. I believe I have vague memories of him.”

“Good, because he is waiting outside. I will be sure to pass the details of your offer to him if you still desire it.”

Before she could think whether she did or not, whether some might say this was putting it rather strongly, or she should change her mind, a footfall sounded in the doorway behind her.

“Good evening, Destiny,” clanged the sounding bell of hell and a voice she sort of recognized from there. “I see you haven’t changed.”

BLURB

Once he’d have died to possess her, now he just might…

Beautiful, headstrong young widow Destiny Rhodes was every Cornish man’s dream. Until Divers O’Roarke cursed her with ruin and walked out of Cornwall without a backwards glance. Now he’s not only back, he’s just won the only thing that hasn’t fallen down about her head—her ancestral home. The home, pride demands she throw herself in with, safe in the knowledge of one thing. Everything she touches withers to dust.

He’d cursed her with ruin.

Now she’d have him live with the spoils of her misfortune.

Though well versed in his dealings with smugglers and dead men, handsome rogue Divers O’Roarke is far from sure of his standing with Destiny Rhodes. He had no desire to win her, doesn’t want her in his house, but while he’s bent on the future, is there one when a passionate and deadly game of bluff ensues with the woman he once cursed? A game where no-one and nothing are what they seem. Him most of all.

And when everything she touches turns to dust, what will be his fate as passion erupts? Will laying past ghosts come at the highest price of all?

 

Releasing Friday September 2019 .. It is about a curse after all …Paperback and Ebook. E book can be pre-ordered here.

 

On love and life. Interview with the poet.

Tags

India, life, Love, Poet, poetry

 

THINDER LING.

Well, I admire you of course…I have read three books of yours in the span of two weeks and I do not mind telling that I admire a lot of people around me….but yes amongst us definitely you….😀

THUNDER LING.

I write poetry since I was five scribbling scripts even I didn’t understand, rhyming words for friends and I remember penning down my first poem when I was in my third standard and that was to mark the moment when my sister was born. Since then, I write rhyming poetry, villanelle, pantoums, quatrains and what not.

The book, “How much can we live, love & die?” is a collection of free verses, divided   into six segments, we begin with love and end it in love. In between we touch life, death and grief. We try to show love in forms other than Phyllic form.

I am trying to highlight the relationship which love shares with death and life. We love only to live, die and love again. We are repeating this for generations and even now we are doing it just because we have fallen into a trend. But how long will we do it?

.

THUINDER LING

Yes, I have always been a writer, sharing my days scribbled in pages after school. I always knew I could write but gathering courage to do so, came very late in life.

THUNDER LING.

I am from India and I belong to a very small town filled with trees and forests. I have spent many of the vacations in mountainous terrains and I have never been bored of them. Leh is home so is Arunachal Pradesh, Tripura, Manipur and a few more.

THUNDER LING.

I would go about putting one line about the other depending on my thoughts or a short paragraph maybe.

THUNDER LING.

A collection of short stories or another book of poems whichever I complete first.

A very different book, from a very different poet. Thunder Ling poses the question in her title. How much can we live, love and die? Often because we have loved. ‘The heart is all it needs to look through tinted glass doors and a closed book,’ is just one richly evocative image that gives the sense of the things we risk in what is a cycle of life. Interlaced with the poems are nicely captured and written prose vignettes.  Ling’s writing is easy to read but never misses a trick or descends into the maudling. Every piece has something to say that a reader can identify with on many levels. Also the book is short and a snip at the price. I really enjoyed and highly recommend.

 

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She’s back. …in every way.

Tags

Black Wolf Books, Italy, Romance, Shehanne Moore, The Unraveling of Lady Fury

 

Shey – Cos frankly I had to kick your butts into gear.

Shey- it is kind as you’re getting till you get back into line.

‘

‘Had her mind really whispered Lady Margaret this morning? James Flint Blackmoore. Pig. Pig. Complete. Absolute. Pig. Bastard. Now, that’s what she should have thought.’

Her gorge rose even though she had something on him now. A shipload in fact. Rescind the rules? In her dreams. His too. The bastard could take what he got and welcome.

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Genoa 1820

Malmesbury would father the heir to the Beaumont dukedom. Count Vellagio wasn’t a contender. What she’d logged in her book about him this afternoon said it would be a huge mistake anyway. The same for the Duke of Southey—young, certainly, but a drunk with quiffed hair and filthy fingernails.

No, Malmesbury was the best. The only. Intelligent without being painful, fashionable yet not a dandy, and retaining enough of his looks at the age of fifty not to  be outright repulsive.

Of course, it would have helped if Thomas could have fathered the Beaumont heir himself. But as he lay dead in a box in the cellar, that wasn’t likely.

“Gentlemen, you know as well as I do, this is an unusual evening.” Shivers ran up and down Lady Fury Shelton’s spine as she stood in the center of her darkened antechamber.

With its festooned corners and gold-scrolled furniture, the carmine-walled room was the best place for such an assignation, although the tiled floor and the cool clang of evening bells snaking in through the parted shutters made it chillier than usual. The candlelight glinting on the pale oval of Messalina’s face on the hanging above the bed, too. Earlier, the air had been hotter than a boiled lobster. She’d had to change twice in the space of an hour because she was too.

“Hear, hear.” Southey raised his crystal glass.

Where else, but to his obviously parched lips. A toast to her? Already it was obviously beyond his capability to sit down facing her as the other men were, with their drinks untouched on the tiny tables beside them, the epitome of good manners.

“My interviews are complete. Shortly, I will make my choice. Then, having done so, I will invite the said gentleman to this bedroom, where he will perform his duty as often as necessary.”

“All in one night. I say, that’s a tall order for a man. Isn’t it, chaps?”

For Southey, yes, it would be. Given the state in which he’d arrived at her door this afternoon, and what he’d sunk of her amaretto and limoncello in the meantime, it was a miracle he could still stand there against the marble fireplace. Never mind anything else.

But she wasn’t about to debate the subject. Maybe she was fit to snap the spine of the tooled leather book she was clutching–a pity it wasn’t his throat—the Moon could not look serener.

“I say, Fury, how the blazes are you going to tell right away?” Southey hiccupped. “Don’t them things take weeks and weeks to find out?”

“The one chosen will be here for weeks. Those not chosen,”—him in other words–“will leave within the hour. I think we may be clear that at any time in the future, should any one of you breathe a word to anyone about this, I will find out. I have sufficient information in this book here to ruin each and every one of you. Make no mistake, I will use it.”

“By God, Fury, you don’t need to talk like that about any of us, I’m sure,” Malmesbury, who had so far watched the proceedings with an amused smile, muttered. “You want to get one over on Thomas; I, for one, don’t blame you. We all saw him sneaking about with that Porto Antican tart when you first arrived.”

“Yes.” Who hadn’t?

“And do you think we’re unaware what his illness has done to him? The rages? The drinking? The way he keeps you here like a pet poodle?”

That too. Thomas wasn’t who she was getting one over on, but she couldn’t very well say so here.

She held in her hands every dirty little secret concerning these men. All documented in the yellow, dog-eared pages of her book. The leaves also contained letters, bills, testimonies, transactions. She kept it all beneath lock and key. So they obeyed her.

In fact, she kept dirty secrets on every member of the aristocracy she came into contact with, so she was safe for another hour, another day. She was hardly about to lose that balance of control by admitting this wasn’t about Thomas.

No. She could have paid a Porto Antican organ grinder to father her child and walked away, no questions asked. The one at the end of the harbor was handsome enough. But Lady Margaret would smell an organ grinder’s bastard at a hundred paces. Hadn’t the woman scented Fury?

Malmesbury shifted in his chair. “Where is he, by the way?”

“Who? Thomas? Thomas is visiting his father.”

No lie. Had any of these men facing her in the flickering candlelight known whether Thomas’s father lived or died, she’d never have chosen them.

“Even if he wasn’t, Thomas wants you to know me well. That is why he’s gone.” She hesitated. Thomas would spare her this next lie, although there was more than one grain of truth in it now. “Sadly, it is more than he can do himself these days. Now, I must ask you all to return to your chambers and wait. My mind is almost made up. Susan, here, will call in due course for the chosen one to return. And we’ll begin.”

“Dash it, that’s good to know.” Southey thumped his glass down on the marble mantelpiece.

In addition to his drinking, his casual mistreatment of the Murano goblet, while not worth an entry in her book, made him all the more unsuitable. What careless traits might a child inherit? Besides, his odor as he staggered past her made her stomach heave. It took every ounce of her self-control to remain where she was, inhaling the fragrance of the citrus-scented candle Susan had lit to disperse the gloom.

He paused and turned toward her. “All this cloak and dagger stuff is killing, you know.”

“Yes. Certainly for some.”

“What if you can’t … you know?”

“Oh, I’m sure I can.”

Malmesbury got to his feet. “I shall wait then, Fury.”

There was no doubt his palms itched to touch her, but she shrank from letting him. It didn’t bode well for later, but at least he didn’t smell. There wasn’t a single crease in his immaculate silver frock coat. And his shoe buckles not only shone, they sparkled. His valet must be remarkable, whoever he was.

Count Vellagio was silent as the crypt. Speaking limited English—and not much more Italian—he always was, unless it was absolutely necessary.

It was one mercy at least.

***

“Oh, I will fetch the chosen one, will I?” Susan folded her arms across her ample bosom, the instant the door closed.

Fury managed two steps and sank down at her dressing table. “Just cover the bruises, will you? I can’t have them on show. It might affect the conception-–or at least it might affect their ability to perform. They see that and God knows what they’ll think. I know I would.” She tossed the book into the open drawer. “So?”

“Madam—”

“If I have to take a stick to your back, I will.”

“A stick? That’s fine talk, when I think of all I’ve done for you.”

“I know you mean well,” Fury wheedled, dabbing a little perfume on her wrists. “But I believe it’s important for a woman to look her best, regardless of the situation. So don’t argue. I honestly can’t take arguing tonight. I don’t know if I can take anything more.”

“Look your best? For a bunch of drunken old faggots. Sadistic old faggots. Do you know what I heard about Vellagio today?”

Fury picked up her powder puff. When it came to looking her best, she might as well make a start, if Susan wasn’t going to help. “Whatever it was, you shouldn’t have been listening.”

“It was at the market. How could I help it?”

“By covering your ears. Anyway, I thought you didn’t speak Italian?”

“He uses boys. Young boys. Whether they want to or not. He whips them too.”

For a moment Fury stared at the marbled surface of the table. If she could draw strength from its veins to hers, that would be nice. If she could draw strength from anything, in fact. But she was past that now. All she could do was choose one of these old faggots.

“Really? Well, I heard it was young girls. But whichever it is, while I know you mean well, you’re not in my situation. In fact, it’s hard to think of anyone who is. But if anyone was, I’m sure they’d do what I’m doing.”

“You think.”

“We both know it’s this or nothing. I can’t … I won’t be cast off without a penny. Not again. It was bad enough the first time. And anyway, it’s no more than Lady Margaret deserves.” Wincing, she swept the dark fall of hair back from her neck. “Now, please, a little powder—”

“A little powder?” Susan folder her arms tighter. “It will take more than a little powder to cover that mess this time.”

“Just think like Lady Macbeth, will you? And stop arguing. You’ve done it before.” Fury raised her head as a gust of wind blew in through the open shutters. “Anyway, the men aren’t all old. Or faggots.”

“Fine. Have it your own way.” Fury almost ceased breathing as Susan secured the shutters, then bustled across the floor. “You know you always do. Though I’m not thinking of Lady Margaret. Or of what she deserves, either. I’m thinking of you.”

“Then don’t. You know I don’t require it.”

“I’m thinking you should just tell that old toad where to stuff her money. You could find a protector here in Genoa. A woman like you.”

“A woman like me?” Fury met her green-eyed reflection in the not-yet-paid-for glass. “And what would that be, exactly?” Long ago she’d stopped wondering, buffeted by fortune’s changing winds. Forced to snatch what she could to survive. Always knowing one false foot-fall would bring her down. “Anyway, why would I want a protector? Thomas was that, at the start. Now look at me, without a penny to my name again. No. I’ve had my fill of protectors. I want to guarantee my future. The future of … Well …” Her eyes dulled in the glass. “You know as well as I do the things that are dear.”

“But madam, if you didn’t have the money to pay certain bills, my sister wouldn’t—”

“That’s what you say, when we all know money is the most important thing on the planet.” She dabbed a little rouge on her cheeks. “You know the dire nature of my predicament, what I must guarantee and why. That damned old bag hated me from the first. Don’t tell me she doesn’t lie awake at nights just thinking of new ways to torture and humiliate me. But poisoning Thomas’s father against me? Cajoling him on his death bed into insisting Thomas must provide an heir before succeeding to the dukedom? What kind of new low was that? One I would never stoop to. In fact, now I think about it, I don’t know anyone else who would. Well, it’s one blessing at least that Lady Margaret lives in England and I’m here. Even if, in other ways, that’s a torture to me.”

Susan sprinkled a dusting of powder onto the dressing table as if she were measuring the ingredients for a cake, and then wiped her hands down her apron. “Indeed I do, madam, I just think, in fact I know—”

Despite herself, Fury touched what glittered around her neck. The single midnight-blue pendant Thomas had given her two Christmases ago. The copy of it, rather. Because that, like this, was also burning necessity. Her Hatton Garden jewel-maker had served her well, though. Thomas had never once suspected a thing of her need for that kind of money, and how it ran to far more than blackmail.

“Before you say another word on the subject, Susan–-as I know you’re going to and you should know I don’t want to hear–-even this jewel here wouldn’t pay for what I need to guarantee for Storm. It’s like me. Fake.”

“Undervalued is what I’d say. What about blackmail, then? That book—”

“Blackmail is messy, which is why I’m locking the book away again.”

“It’s not my business, but when I think of all the years you’ve bribed dressmakers and housemaids and coachmen to get what’s in it …”

“Out of necessity only. Knowing that at any time, this could all tumble down. No. This is the best way. Besides, think how good it will feel, finally outfoxing Lady Margaret. She insists on an heir. She gets one. Do you really think I’m going to care if the old bat coos over some child that’s not Thomas’s? When that’s going to be the very best feeling in the world? Well?”

“You might not say that in nine months time.”

“I can’t think of a reason why not.”

“So, who are you considering, madam? Southey? He’s certainly the youngest.”

“Well, now I can’t possibly lower myself to having Vellagio, I’m thinking Malmesbury, actually.”

“Malmesbury?” Susan’s fingers didn’t falter, but Fury sensed her start of surprise. Not in admiration of her sense of judgment either.

“Oh, I do admit that Southey would probably be less trouble and far more malleable. But Malmesbury’s hardly one-legged and toothless. I’m sure he knows how to treat a woman properly. Besides, so long as he’s—not like Thomas—what does it matter?”

Truth to tell, if anyone could understand her predicament, Thomas would have. For her sake, he’d tried ensuring an heir. But these last six months, as what pressed on his brain swelled, well … she certainly didn’t want any man treating her like Thomas had.

“That would be hard, madam, given the things His Grace did to you.”

“Well, we must remember, he wasn’t always like that. No. I think I’ve decided, Malmesbury, and I … Well, I think I should just go along there and get it over with. The sooner the better, don’t you think?” She smoothed a smoky curl into place on her forehead. “Besides, my reckoning is, he positively expects it.”

“What? Malmesbury? That old–”

“Oh, yes.” She reached toward the open trinket chest. “Now, what do you think? Sapphire earrings or plain gold?”

“I don’t see either matters, since they’re not going to be on very long.”

“Just the same.” She fastened on the sapphire drops. “You obviously didn’t see the way he stared there just now. I very much doubt he can contain himself.”

“The old goat.”

“Well. Who knows? If he’s a randy one, it might even be rather fun.” She marveled at herself for laughing when shadows ringed her eyes. But there, so long as she got through this, what did it matter?

Susan’s hand rested on her shoulder. “Then I’ll get him for you, madam, if this is truly your choice.”

“No.” Fun or not—and she thought not—the notion of admitting him here, to the bed she’d shared with Thomas, didn’t seem quite right somehow, even if she did manage to conceive the Beaumont heir. “I—I’ll do it. I need to calm my nerves. What bedroom is he in again? I confess I’ve forgotten.”

“The Blue Chamber.”

“Well then, think of England, as they say. Wish me luck. And remember to lock the drawer. However I choose to use it, that book is still the world to me. We must see it doesn’t fall into the wrong hands.”

She rose, smoothed her dress—indigo silk, a perfect match for her hair and eyes– and took the candlestick.

If she did this, she forfeited forever her claim to be a respectable woman. Who was going to know though? Apart from herself, Susan and Malmesbury. That old coot would marry her in a second, if she gave the word. It was all the more reason to choose him. So why worry when the only thing that could possibly stand in her way was herself?

If she didn’t execute this task, then she faced being in the same position as she had been in seven years ago. It was fine at eighteen. But now, she needed to secure some things. Once she had, think of how free she’d be of men and all their machinations. For the first time ever. Women, too.

The Blue Chamber stood at the far end of the landing near the stairs, and she padded there noiselessly in the arc of the flickering candle, past the disapproving busts of the villa-owner Signor Santa-Rosa’s ancestors and the draped apertures, which she sometimes imagined hid more secrets than she did.

Malmesbury would be surprised to see her. Irresistibly dressed, jeweled, perfumed in a floating cloud of jasmine, and, hopefully, willing—as much as she could make herself, anyway. Who would know that beneath the rustling indigo silk, the heady, intoxicating jasmine she had bathed in earlier, she was like a skittish colt, ready to bolt? Was this how Marie Antoinette felt going to her execution? The queen’s deeds were certainly questionable. But her courage now? That was to be admired.

Besides, surprise could sometimes be the best method of attack. A man was, after all, a man. And, as she’d said to Susan, it might even be rather fun. If it wasn’t, well, in addition to swiftly retiring to her own bedroom, bolting the door and lying with cool lavender scented cloths on her forehead, there was her book, wasn’t there?

If he put a hand on her that was less than seemly, what she’d say to him on the subject of his murkier dealings would certainly ensure it would be fun the next time, if not before. Oh, this was going to be just fine.

Drawing a breath to quell her hammering heart, she raised her hand to tap on the door.

“Hello, sweetheart.” A low, American Southern voice drawled. Not from the other side of the door where she expected to hear something, but almost in her ear.

“Imagine seeing you here.”

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Genoa 1820

Rule One: There will be no kissing. Rule two: You will be fully clothed at all times…

Widowed Lady Fury Shelton hasn’t lost everything—yet. As long as she produces the heir to the Beaumont dukedom, she just might be able to keep her position. And her secrets. But when the callously irresistible Captain James “Flint” Blackmoore sails back into her life, Lady Fury panics. She must find a way to protect herself—and her future—from the man she’d rather see rotting in hell than sleeping in her bed. If she must bed him to keep her secrets, so be it. But she doesn’t have to like it. A set of firm rules for the bedroom will ensure that nothing goes awry. Because above all else, she must stop herself from wanting the one thing that Flint can never give her. His heart.

Ex-privateer Flint Blackmoore has never been good at following the rules. Now, once again embroiled in a situation with the aptly named Lady Fury, he has no idea why he doesn’t simply do the wise thing and walk away. He knows he’s playing with fire, and that getting involved with her again is more dangerous than anything on the high seas. But he can’t understand why she’s so determined to hate him. He isn’t sure if the secret she keeps will make things harder—or easier—for him, but as the battle in the bedroom heats up, he knows at least one thing. Those silly rules of hers will have to go…

 

 

 

 

 

 

 

Happy New Year from us and a brooding #Scottish Heir

Tags

Contemporary Romance, Debut author, Dundee, Ella Hayes, Highlands, Kinross, Mills and Boon, New book, Romance, Scotland, TThe Brooding Scottish Heir

 

Ella Hayes

Dundee rocks! I got my first degree (history) at Manchester Uni in 1984, but 2017-2018 I did a Master’s degree in Writing Practice and Study at Dundee Uni! It was hard, but that’s because I did it in one year whilst running my photography business AND writing my debut romance for Mills & Boon – so it was a heavy load to carry. The course was great though – took me into reading and writing territory that was new and exciting. I particularly enjoyed the lyrical/creative essay form and poetry.

Ella Hayes – Okay, this is sort of tied up with question 3 – path to publication etc. I’d been writing for a while. I wrote a romantic suspense novel, then a coming of age story set in Scotland but getting an agent, getting published seemed so hard. I wanted feedback on my writing, so that’s why I applied to do the M.Litt at Dundee Uni.

At about the same time a friend of mine sent me the link to a Mills and Boon competition in Prima magazine, and to be honest, I wasn’t sure about it… but then I had a story idea, and thought, why not? So I wrote the first chapter and an outline (that was what the competition was asking for) and sent it in. I didn’t give it much thought until I got an email telling me I’d been shortlisted! I was really surprised. Of course, once you know you’re on the shortlist you can’t help wondering about how it would feel to win. Anyway, about three weeks later I got the call! I’d won! I nearly dropped the phone. So, the deal was that I then had to write the rest of the book, working with an editor from M&B. It was a real education, learning the ropes of the romance genre, but it was great. Because the degree was so demanding, I could only work on it during holiday time, so I’d hand in my end of term assignments, take a deep breath and switch into romance mode. I didn’t draw breath for a year.

Ella Hayes. Well… it’s about an artist called Milla O’Brien who’s been jilted by her fiancé – she flees to an off-grid artist’s residence in the wilds of Scotland to lick her wounds and focus on her work but on the way she gets a flat tyre and is helped at the roadside by enigmatic laird’s son, Cormac Buchanan. He’s a troubled hero, a Royal Engineer who’s lost his best friend in a traumatic skirmish in Afghanistan. He’s grief-stricken, weighed down with survivor guilt. He’s only come back to the family estate because his sister is getting married. Neither Milla nor Cormac is looking for love but fate has other ideas…

Ella Hayes.- Being a brand new author myself, I feel unqualified to advise other writers, but what I would say is that it’s important to network and find support in the writing community – writers understand other writers better than anyone. Oh, and I suppose after the experience I’ve had, I would encourage aspiring writers to enter competitions! You’ve got to be in it to win it!

Ella Hayes– I actually live in the countryside a couple of miles out of Kinross, but it’s a lovely little town –

we’ve got Loch Leven and the brilliant Heritage Trail that you can walk, run or cycle around.

There are some decent eating places, some quirky little shops and it’s right on the M90 so easy for getting anywhere. It’s a friendly place, with a good community spirit.

Ella Hayes- At the moment I’m writing another romance for Mills and Boon and there will be another book after that. I also want to push forward with my Scottish coming of age story. It’s a love story rather than a romance, and the writing style is very different. I’ve had really good feedback on the story and the initial part of the manuscript (I submitted that as my degree dissertation) so the plan is to keep revising and polishing the first draft, then I’ll be looking for an agent/publisher!!

Twitter: @EllaHayesAuthor

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A kiss under the Northern Lights…

Running from her broken engagement artist Milla O’Brien retreats to the Scottish Highlands. Only to arrive during a lavish wedding on the estate!

She finds the bride’s brother and brooding heir, Cormac Buchanan. Could they heal each other’s hearts?

Her Brooding Scottish Heir (Harlequin Mills & Boon) is published on 27^th December and can be pre-ordered on Amazon:

https://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=Her+Brooding+Scottish+Heir

You can also buy from from Mills and Boon:

https://www.millsandboon.co.uk/p57011/her-brooding-scottish-heir-her-brooding-scottish-heir—the-lawmans-convenient-family.htm